Sigi
Sigi
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The Art of Knitting
Craftsmanship and experimentation define the culture of Sigi. We focus on creating new depths of colour and texture through the mixing of different yarns to present new and innovative designs that are instantly recognisable.
We have a deep respect and care for the knitwear we produce as well as the way in which we produce it. This is why we ensure that all of our knitwear is made in Belgium by real craftsmen and women under the best possible working conditions. These elements help define the culture we want to nurture with the Sigi brand.
Family
At SIGI we are proud of our family heritage with over 40 years of experience in the field of knitwear. Ilia Sigi Eckardt grew up in Antwerp in a very creative family where knitting was essential to the household. Being considered true experts in their field, mother Hilde Frunt and son Ilia Eckardt have been collaborating with Belgium’s best and brightest designers: Dries Van Noten, Raf Simons, Ann Demeulemeester and many more.
Made In Belgium
We do all our research, designing and development in our offices in the heart of Antwerp. Sourcing from our local pool of amazing talent is something we take great pride in. We have great faith in our local potential.
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Raising the concept of a scarf to the status of an exceptional item imbued with character. That is what Emmanuel Demuynck of the Belgian company Monsieur Maison succeeds in time after time. And with flair. One could describe his creations as unique stories. They are almost poetic and above all beautiful. They are the fruit of an exciting search for rare couture and haute couture fabrics from days gone by, the unique combinations of which today constitute the clearly recognisable trademark of Monsieur Maison. With each of his scarves, Emmanuel creates a link to a very special figure from the 20th century.
The secret of the perfection of Monsieur Maison scarves lies in its capacity to create the perfect blend of designs, colours and fabrics.
The scarves are made in Belgian workshops which is a very conscious choice on the part of the designer. The workshops guarantee an outstandingly high-quality approach and the seamless translation of what Monsieur Maison seeks to communicate in its unique models. The handwork and the know-how result in quality and durability, two aspects that are very important to Demuynck.
Who is the designer Emmanuel Demuynck?
Emmanuel studied painting at the Royal Academy for Fine Arts in Ghent. In addition to designing this collection, he also offers his freelance services for design and merchandising projects. He is also a purchaser and consultant for Belgian labels and multi-brand stores.
APA Intemporal SPRL
APA Intemporal SPRLInfo
ABOUT US
THE VOYAGE OF APA INTEMPORAL
APA is a Belgian fashion brand that combines high style with deep science. Our name comes from the Sanskrit word for “water,” and our first product, the ĀPA raincoat, was built to live up to its namesake. We take cutting-edge performance technologies and fabrics from the world of extreme sports, and craft them into impeccable, irreverent outerwear for city dwellers, world travelers, and anyone with an eye for style.
After living in Brussels, Paris, New York, and other urban cities where it rains for much of the year, Franco-Belgian high-fashion designer Léa Stein discovered what was missing in the market: a modern coat that merges luxury with technology, effectively protecting wearers from the ever-changing unpredictability of weather while looking their best.
In 2016, Léa founded ĀPA. Her goal was a lofty one: to combine clean silhouettes, immaculate detail, and luxury manufacturing with today’s most innovative performance technologies, all while using sustainable processes and artisan craftsmanship, and producing it, beginning to end, completely within Europe. And that’s exactly what APA has achieved today.
Our first raincoat collection launched in 2019, and is a reflection of our brand’s vision: to take iconic fashion clothing and re-invent it in a way that provides innovative solutions to everyday problems, while keeping the fit, design, and artistry of high-fashion. With a successful Kickstarter campaign, and numerous awards for design and innovation, ĀPA is proud to continue to push luxury fashion forward.
Avenue de la Sapinière 37 Bruxelles 1180 Belgium
Howlin’
Howlin’Info
ABOUT
We are an Antwerp based knitwear brand.
Since 1981 we have been producing quality knitwear in Scotland and in 2009 we launched our new label Howlin’ (scottish slang for smelly). The way of manufacturing remains traditional but Howlin’ offers more room for fantasy in shape and pattern.
At Howlin’ we strive for timeless, playful products that are made with care. So whether it is a scarf or a shaggy waistcoat; all our products are individually manufactured and hand finished by traditionally skilled craftsmen in either Scotland, Ireland or Belgium using the highest quality yarns possible.
Small is beautiful.
MADE IN SCOTLAND
Scotland has a long history of producing the best knitwear in the world and we are happy to be involved in it for over 30 years.
Since the start of Howlin’ our goal was to bring a fresh somewhat twisted approach to Scottish knitwear while respecting its rich heritage. Keeping the best of the old techniques and mix it with new technology, patterns, colors and ideas.
In an ever faster and more automated economy we are happy to slow things down and have our focus on well made products. It’s a niche, we know, but we like niche products, a lot. Just like a small record label doing hand stamped 7 inches with personal liner notes. It’s the beauty in the details.
Each Howlin’ garment is handled individually and tenderly, throughout its entire production, from the first precise stitch to the delicate pressing and folding.
All our yarns are carefully sourced according to their quality and sustainability standards. Our beloved planet earth has a special place in our heart and we think it’s the best planet out there (as far as we know) so we want to have the lowest impact on it as possible.
Our natural yarns come from local mills, some even complete all the stages of yarn production under one roof. This includes grading, scouring and dyeing fleece before colour blending, carding, spinning, twisting and balling to produce this unique 100% pure Shetland yarn.
A quality which is often imitated but never duplicated.
MADE IN IRELAND
Over the years we have been working closely with a small Irish family run company established centuries ago.
Together with these master crafts people we produce the highest quality knitwear with local Irish yarns.
We have to admit, at first we got strange looks when we came up with our ideas but that changed over the years, now it’s simply that classic smile when they see a new Howlin’ design.
We are very happy to contribute to this unique art and craft which is not only beautiful but also important culturally to remain alive.
Producing in Ireland (and Scotland, and Belgium) not only means you have a truly unique product in your hand, it also means that the people making your goods are well paid and looked after.
MADE IN BELGIUM
Next to our Scottish and Irish knitwear we are happy to create products in our home country Belgium.
Together with several small factories in Belgium, each carefully chosen for their own speciality, we managed to make a diverse range of products which include lighter weight knitwear, jersey and towel fabric garments.
Our goal was to create durable, functional and original products which far outlives seasonal trends.
All pieces are produced in small batches and with close attention to details.
Extra special is the fact that for our jersey we don’t import fabrics but that we knit everything entirely in-house.
Therefore we can proudly say that all our Howlin’ products are truly 100% produced in Belgium.
Nationalestraat 20 Antwerpen 2000 Belgium
Kopstraatje 3 2000 Antwerp Belgium
Krjst
KrjstFabrieksstraat 15/19 Zaventem 1930 Belgium
Sofie D’Hoore
Sofie D’HooreBoulevard Barthélémy 11 Brussels 1000 Belgium
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JASNA ROKEGEM
A young and energetic pioneer in combining innovative fashion and cutting-edge technology. Not only in creating unique projects and collections, but also in bringing these to life by using techniques such as virtual and augmented reality. She has a strong vision on the clothing of the future and how it can add value to our daily lives. To achieve more and think further, Jasna likes working closely together with professional partners from around the globe.
These collaborations and projects brought her a lot of recognition and exposure. As a result she received various awards, gives lectures and gets invited to big events in different fields.
In January 2016, aged 23, she founded Jasna Rok, the first FashTech design studio in Belgium.
Jasna Rok provides a window to show the endless possibilities of technology and science today, by making them visible, tangible and understandable for the big audience through interactive fashion.
Raapstraat 6 Antwerpen 2000 Belgium
Carine Gilson
Carine GilsonInfo
Atelier véritable
“As day subtly turns to night and the hours steadily string by, the dream, at once airy and elegant, comes within reach. Pleasurably palpable.” – Carine Gilson
Carine Gilson’s story harks back to the 1990s. A freshly-minted graduate of Antwerp’s prestigious Royal Academy of Fine Arts, where she studied fashion, Carine Gilson discovered Maille France, a small Brussels atelier that manufactured fine ladies’ underslips. She immediately fell in love with the world of lingerie.
Savoir-faire
Carine Gilson decided to acquire the workshop and, with sheer dedication, set out to work on silk, lace, and exceptional materials. In the fashion of the boundlessly creative and refined lingerie creations of yore, Carine Gilson embraced this new adventure, taking her passion to the next level to create unique, breathtaking pieces in her Brussels atelier.
Exceptional Creations
The designer soon launched her couture lingerie line, Carine Gilson, a synonym for a world filled with incomparable beauty.
In no time, the press and finer stores from Japan, England, Italy, and America came calling. Buyers from renowned stores recognized the rare quality of these creations, which conjure the bygone enchantment of times past within our changed, modern world.
The prestige of Carine Gilson’s lingerie has grown quickly thanks to the unwavering excellence of her creations. In the House of Carine Gilson, every piece is lovingly crafted by hand. Perfection and finesse espouse rigor and passion. Lace incrustation is raised to an art form.
Take Flight
2018 saw Carine Gilson soar to new heights, with a redesigned logo that captures her very essence: two light, delicate wings of a bird on the verge of spreading in a gentle, feathery stroke.
Her new boutique on Boulevard de Waterloo in Brussels was designed by architects David & Nicolas who, together, created a subtly polished space celebrating Carine Gilson’s unabashed femininity and unparalleled refinement.
Symbolic of this ascent with wings aloft, the ready-to-wear and couture collections have been developed to take on an evocative and delicate turn. Here, the exceptional always takes center stage. In her incomparable signature style, Carine Gilson now designs for day, evening, and night.
26 Boulevard de Waterloo Brussels 1000
Jan-Jan van Essche
Jan-Jan van EsscheInfo
AS FOR MANY OTHERS, THE HUMAN COLLECTIVE CULTURE REMAINS AN ENDLESS INSPIRATION FOR JAN-JAN VAN ESSCHE TO CREATE NEW GARMENTS, EACH NEW DESIGN A GENUINE ATTEMPT TO OPEN UP NEW PERSPECTIVES AND TO PUSH CONFLICTING DIALOGUES FORWARD.
WITH EVERY SERIES OF GARMENTS, TRADITIONAL PATTERNS FROM DIFFERENT ETHNO-CULTURAL ORIGINS ARE CAUTIOUSLY STUDIED AND SUBSEQUENTLY INTERPRETED IN THE DESIGNER’S INDIVIDUAL PATTERN LANGUAGE; ONE SPEAKING THE POETRY OF SIMPLICITY.
JAN-JAN VAN ESSCHE MOSTLY OPTS TO REMOVE ALL POSSIBLE SEAMS AND MINIMALIZING DETAILS AND CULTURAL CONNOTATION, WHILE MAXIMIZING COMFORT FOR THE WEARER AND THEREFORE PROPOSING AN EXPERIENCE THAT WORKS FROM THE WITHIN.
UNLIKE CLASSIC WESTERN APPROACH TO CONFINE AND SHAPE THE BODY, JAN-JAN PROVIDES THE BODY THE LUXURY AND FREEDOM TO SHAPE THE GARMENT.
HIS SINCERE AND DISCRETE DESIGNS ARE EXECUTED IN CAREFULLY SOURCED, REFINED QUALITY FABRICS OF NATURAL FIBERS, ALL CONTRIBUTING ELEMENTS INDUCING ONES AWARENESS AND STATE OF MIND.
CONTRIBUTING TO THIS STORY OF MINIMIZING ANECDOTIC CONNOTATIONS SOME FABRICS REMAIN UN-DYED OR EVEN LOOM STATE, THE COLOURS ARE RATHER TO THE MUTED PALETTE AND THE BLACK COLOUR WITH ITS ENDLESS SHADES IS ALWAYS PRESENT TO RIGOROUSLY ACCENTUATE THE SILHOUETTES.
JAN-JAN VAN ESSCHE CONTINUOUSLY AIMS TO DEVELOP NEW INSIGHTS ON CONTEMPORARY YET EFFORTLESS AND GENDERLESS ELEGANCE.
HIS PIECES ARE LAYERED WITH SUBTLETY, INTEGRATED INTO MODERN-DAY CITY LIFE AND INTO PERSONAL WARDROBES, SLOWLY AND CAREFULLY PLAYING THEIR HUMBLE ROLE IN FINDING CONNECTION AND ACCEPTANCE.
THEY SEE NO BOUNDARIES, NO LIMITATIONS, NO RESTRICTIONS NO EXCLUSIONS.
THE CONVENTIONAL SILHOUETTE IS AMPLIFIED AND EACH INDIVIDUAL GARMENT LITERALLY LEAVES ROOM FOR INTERPRETATION, ENGENDERING OPENNESS.
THE WEARER OF JAN-JAN VAN ESSCHE IS A GENTLE SOUL IN CONSTANT DIALOGUE WITH ONE’S PERSONAL CONTEXT AS WELL AS WITH THE WORLD AS A WHOLE.
LIKE THE GARMENTS THE WEARER IS HUMBLE AND IS UNRESTRAINED.
JAN-JAN VAN ESSCHE IS BORN IN ANTWERP, BELGIUM, WHERE HE HAS HIS DESIGN STUDIO. HE’S A 2003 GRADUATE OF THE ANTWERP ROYAL ACADEMY OF FINE ARTS.
IN JUNE 2010 JAN-JAN VAN ESSCHE LAUNCHED HIS FIRST EPONYMOUS LABEL AS AN ANNUAL WARDROBE. COLLECTION#1 – ‘YUKKURI’, JAPANESE FOR ‘TAKE IT EASY’ OR ‘SLOWLY’.
THIS TITLE ALSO BECAME HIS INTRINSIC AND CONCEPTUAL APPROACH TO CONTEMPORARY WARDROBES AS A DESIGNER.
- COLLECTION#2 – SATTA AMASSAGANA (JUNE 2011)
- COLLECTION#3 – IN AWE (JUNE 2012)
- COLLECTION#4 — UHURU SASA (JUNE 2013)
- COLLECTION#5 — INITE (JUNE 2014)
- COLLECTION#6 — NO MAN IS AN ISLAND (JUNE 2015)
- COLLECTION#7 — AWARE (JUNE 2016)
- COLLECTION#8 — 無 (MU) (JUNE 2017)
- COLLECTION#9 — ONE IN ALL AND ALL IN ONE (JUNE 2018)
- COLLECTION#10 — CODA (JUNE 2019)
- COLLECTION#11 — GRACE (JULY 2020)
- COLLECTION#12 — CYCLE (JUNE 2021)
THE ANNUAL WARDROBES RECEIVED A COUNTERPART IN 2013 WHEN, DUE TO THE WELL RECEIVED PREVIOUS COLLECTIONS, THE DESIGNER DECIDED TO ADD THE PROJECTS, AUTONOMOUS SERIES OF GARMENTS DESIGNED AND DEVELOPED ACCORDING TO SPECIFIC CRAFTS OR INSPIRATIONS, TAKING THE NECESSARY TIME TO CULTIVATE IDEAS AND UNDERGOING THE SLOW RHYTHM AND PACE OF THE HAND.
THE CREATIVE FREEDOM IS PRESERVED AND IDEAS ARE ENABLED TO FLOURISH.
- PROJECT#1 – PROCEED (JANUARY 2013) — RESEARCH ON PATCHWORK
- PROJECT#2 — REDEEM (JANUARY 2014) &MASH; RESEARCH ON SAKIORI WEAVING
- PROJECT#3 — WADADA (JANUARY 2015) — RESEARCH ON ROPE WEAVING
- PROJECT#4 — EACH ONE TEACH ONE (JANUARY 2016) — RESEARCH ON BORO APPLICATIONS
- PROJECT#5 — ARISE (JANUARY 2017) — PATTERN RESEARCH INSPIRED BY THE KESA GARMENT
- PROJECT#6 — ONE STONE (JANUARY 2018) — PATTERN RESEARCH INSPIRED BY THE AINU KIMONO
- PROJECT#7 — SOLACE (JANUARY 2019) — EMPHASIS ON USE OF FABRICS
- PROJECT#8 — REMEMBRANCE (JANUARY 2020) — RESEARCH ON PADDED GARMENTS & SAKIORI WEAVING
- PROJECT#9 — SUNU (FEBRUARY 2021) — RESEARCH ON PADDED GARMENTS & HAND WOVEN GARMENTS
WADADA BVBA NACHTEGAALSTRAAT 27 ANTWERPEN 2060 BELGIUM
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Meet Tutu Chic, a Belgian fashion brand that represents the motto “La vie en Rose” 100%.
BRAND PROFILE
The Belgian fashion- and lifestyle label TUTU CHIC of fashion designer Freya Poppe, is well known for the motto “La Vie en Rose”. Since 2012, TUTU CHIC creates luxurious, stylish and happy outfits for women who want to stand out from the crowd. Customers from over the whole world fancy the pink lifestyle of this ambitious fashion label. “Let women, feel and BE women, strong, powerful ladybosses, with a poppy and happy twist” – Freya Poppe
ABOUT TUTU CHIC
TUTU CHIC was founded in 2012 by the Belgian fashion – entrepreneur Freya Poppe. Within a few years, lots of hard work (powered by her passion and her entrepreneur-skills), Freya managed to build this strong brand from scratch.
The pink lifestyle label stands for luxurious signature pieces, with a big heart for colors and stylish cuts.
Freya Poppe is the daughter of a creative entrepreneurs’ family and worked from very young age as entrepreneur and creative brain. For years she studied fashion design in Antwerp and worked very hard to get her fashion skills on point. “How can I call myself a real designer, if I wouldn’t understand how for example a pattern is assembled?” Her several business degrees and experiences gave her the courage to start the company. TUTU CHIC was born. A brand with a particularly chic, positive and exclusive look that was still lacking in the Belgian market.
Signature pieces like the hand knitted vests, the luxurious fabrics, the love for colours are just a few examples of the strong brand.
Today, TUTU CHIC is sold in more than 40 partner stores and the collections are available over the whole world throughout the official webshop: http://www.tutuchic.be
(PINK) AMBITION
Since 2016 the ambitious Freya got some national fame through 2 seasons of the television show on VIJF “Pink Ambition”.
The HQ (headquarters), atelier and showroom of TUTU CHIC have been located from June 2016 in a complete new building in Kruibeke (near Antwerp). The HQ, provides extra room for further growth of the successful brand. With two main collections per year, our own atelier and never-out of stock items, TUTU CHIC has gained a solid market position.
As entrepreneur, she is always on the go, and looking for the next step. Next to our own Gin, Tutu Chic launched their first shoe collection. Alongside Tutu Chic, exists Tutu Dors. The bedding brand for which Freya has designed her own line of
boxsprings, mattresses and sheets in the same spirit as the clothing line, so customers can really immerse themselves into the Tutu Chic world.