Tim Van Steenbergen
Tim Van Steenbergen
Info
About
Tim Van Steenbergen
Tim Van Steenbergen graduated Magna cum Laude at the Antwerp Royal Academy of Fine Arts (fashion department, textile creation and theatre costume). Subsequently he took classes in drapery and couture techniques and worked as assistant of Olivier Theyskens.
His first collection was launched in 2001 in Paris and in the same year he set up his company Mitzlavv bvba.
Meanwhile he’s up to his twenty third collection/fashion show and the label Tim Van Steenbergen is being sold in the best designer shops all over the world. His style evolves into a refined pureness and female elegance. He is a master of contemporary drapery and every detail, high quality standards, tradition and craftsmanship are being cared for.
Tim designs the costumes for international movie, theatre, dance and opera creations as for Anne Teresa de Keersmaecker, Guy Cassiers and Sidi Larbi Cherkaoui.
Between 2010 and 2013 Tim Van Steenbergen is creating the costumes for Richard Wagner’s opera cycle ‘Der Ring des Nibelungen’, Teatro alla Scala in Milan and the Staatsoper Unter den Linden in Berlin.
Nowadays Tim Van Steenbergen is increasingly evolving into a creative lab.
Recent developments thereof are ‘Metronome’, a first light design for Delta Light, an interior fabrics collection in collaboration with Aristide and total interior concepts Tim Van Steenbergen with Boa Interior.
Philosophy
The challenge in my work is the search for authenticity and artisanship in fashion.
The difference between confection and prêt-à-porter or couture is to be found in how it is made.
Handwork, quality of fabric, building a piece layer by layer, differentiates my work from confection.
I’m in search of old values in a new world.
The motivation in my work is to transfer craftsmanship and the old values into different and modern designs.
Due to my belief in artisanship, every garment is created by hand on the dummy to develop its characteristic shape.
These traditional construction process and unique draping techniques guarantee a high appreciated quality and an exclusive collection.
Studio Tim Van Steenbergen
The studio of Tim Van Steenbergen is located in a 19th century mansion close to the historical site of the Antwerp military hospital. An eclectic interior were fashion meets art, historical elements are confronted with design and vintage furniture.
The studio Tim Van Steenbergen is the optimal place to realize his ideas, situated in the pocketsize metropolis Antwerp. This refreshing cosmopolitan owes its reputation to the mighty part, the world diamond centre and its trendsetting vision of fashion.
This welcoming multicultural city-on-the-river the Scheld, is an intelligent, complex, fascinating and surprising habitat with a magnificent contemporary architecture, opera and theatre, monuments and artworks as well as its historical medieval centre.
The home of the Flemish Baroque master Rubens.
The Red Star line company set off its ships on the transatlantic voyage with millions of emigrants who set out for a new life in the States and Canada.
Nowadays Antwerp is one of the fastest growing cultural cruise destinations in Europe.
“Due to its excellent acces, it pushes you to travel the world looking for new impressions and personal experiences.”
“After all it is an attractive place to come home from where you can work independently and with an open minded view on the rest of the world.”
Creations
- ‘Hanjo’, opera, Festival Lyrique d’Aix-en-Provence / the Monnaie Brussels
- ‘Hersenschimmen’, theater , Ro Theater Rotterdam
- ‘d’Un Soir un Jour’ and ‘Steve Reich Evening’, dance, Rosas / the Monnaie Brussels
- ‘Triptych of Power; ‘Mefisto’, ‘Wolfskers’ and ‘Atropa’, theater, Toneelhuis Antwerp / Festival d’Avignon / Théâtre de la Ville de Paris
- ‘The House of the Sleeping Beauties’, opera, LOD / Toneelhuis Antwerp / the Monnaie Brussels
- ‘Adam in Exile’, opera, Opera of Amsterdam
- ‘La Chanteuse du Tango’, movie by Diego Martinez Vignatti with Eugénia Ramirez.
- ‘Prélude à la Mer’, movie, Rosas / Thierry De Mey
- ‘Das Rheingold’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Blood & Roses, the Song of Joan and Gilles’, theatre , Toneelhuis Antwerp / Festival d’Avignon
- ‘Die Walküre’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Labyrinth’, dance, National Ballet Amsterdam, Sidi Larbi Cherkaoui
- ‘Siegfried’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Götterdämmerung’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Milonga’, dance, Sadlers Wells, Sidi Larbi Cherkaoui
- ‘MCBTH’, theater, Toneelhuis / Spectra Ensemble / Vocaallab
- ‘Romeo & Julia’, ballet, Royal Ballet of Flanders
- ‘Hamlet’, theater, Toneelhuis / Toneelgroep Amsterdam
- ‘Het vertrek van de Mier’, theater, Toneelhuis / Het Paleis / Kunstz
- ‘Firebird’, ballet, Stuttgarter Ballett
- ‘Passions Humaines’, theater, costumes and set, Toneelhuis / Mons Culturele Hoofdstad
- ‘Xerse’, costumes and set, Opéra De Lille
- ‘Caligula’, costumes and set, Toneelhuis
- ‘De welwillenden’, costumes and set, Toneelhuis / Toneelgroep Amsterdam
- ‘Pictures at an exhibition’, ballet, costumes and set, Royal Ballet of Flanders, Sidi Larbi Charkaoui
- ‘Ma mère l’oye’, ballet, costumes and set, Royal Ballet of Flanders, Jeroen Verbruggen
- ‘Trompe la mort’, opera, costumes and set, Opéra national de Paris
- ‘Grensgeval’, theatre, costumes and set, Toneelhuis
- ‘Movement in Blue’ & ‘Movement in White’, Tim Van Steenbergen X Ashtari Carpets
- ‘Het kleine meisje van meneer Linh’, costumes, Toneelhuis
- ‘Vergeef ons’, costumes, Toneelhuis / Toneelgroep Amsterdam
marialei 18 Antwerpen 2018 Belgium
Haus Coudeyre
Haus CoudeyreInfo
haus COUDEYRE was founded in 2010 by Marc-Philippe Coudeyre and Jan Verheyen. The label’s vision is to create contemporary clothes that encourage individuality and transcend seasons.
The collections include classic understated pieces made of high quality fabrics in vibrant colors and playful prints. The high-quality production is carried out in Belgium, France and Italy.
Head Office Rue le Titien 19 Brussels 1000 Belgium
BENELUX SALES Suit-case Antwerpen 2018 Belgium
INTERNATIONAL SALES Agence M&K Paris 75008 France
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Aymara is the result of the love story between a Belgian engineer, Sven Van Gucht, who met Yannina Esquivias, a young Peruvian travel agent, during a sabbatical year and fell in love. Yannina and Sven quit their jobs and started a knitting factory in Peru together with Yannina’s family. In 2007, the knitwear label Aymara was born. The name Aymara refers to a native ethnic group in the Andes of South America.
Concept
The magic of Aymara lies in the combination of Belgian design and Peru’s extraordinary fibers and textile craftmenship. Aymara’s knitwear is produced in our own knitting factory in Arequipa, in the south of Peru, managed by Yannina’s family. Thank’s to our strong relationship with them and their unconditional commitment, this incredible intercontinental project could be achieved. We believe that in today’s world of fast fashion and mass consumption, people are looking for authentic products with a soul. When buying Aymara, you are sure to get longlasting, sustainable products with an extraordinary story.
Design
Excellent natural fibers play a key role and are the starting point of each Aymara design. This is why Aymara chooses to offer pure styles available in a wide colour palette of bright and soft colours. Our designers take into account the fashion trends but at the same time, we make sure that each Aymara product is timeless and longlasting. A lot of attention has been paid for the perfect fitting form and discrete refined details. The kids collection, designed by Yannina has a playful character whereas the women’s collection, designed by Saskia Van Herzeele is very feminine.
Fiber
Peru manufactures some of the world’s finest quality fibers. For our summer collections, Aymara uses Peruvian pima cotton which is considered to be one of the softest and finest cottons in existence. In winter, garments made of precious alpaca blends are always an important part of our collection. Alpaca is a cousin of the llama and is prized for it’s thermal properties, silkiness and durability. Alpaca is a fiber which does not come at the expense of the environment. In today’s world, dominated by artificial materials, alpaca is the natural option. Alpacas graze at elevations of 3500 to 5000 meters in the Peruvian Andes. This precious fibre is used by top designers world wide. Aymara only uses the finest alpaca fibers, called baby alpaca. In our winter collections we also offer garments made of fine merino wool from Argentina.
Production
Aymara’s knitting plant is fully integrated and employs about 60 persons on the pay roll. This assures us to be in complete control of the production process and the quality of the garments. Although the knitting process itself has been industrialized, the production process is labour intensive and still requires a lot of manual operations. A lot of attention is been paid to the linking and finishing processes. Aymara garments are fully fashioned ; this means that the cutting and overlocking process is avoided as much as possible. By doing so, Aymara’s customers are getting a high quality product with one of the finest linking and finishing standards on the market. Turn your Aymara garment inside out and you will see what we mean !
Although most of the collection is produced on industrial knitting machines, each winter season Aymara offers a small theme of hand knit accessories. This enables women to generate an income by hand knitting at their home while taking care of their children. For a lot of these women it would be impossible to work inside a company because of their family situation and the lack of childcare. You can recognize these products by the “Aymara hand knit” hang tag. We are currently investigating how this could be integrated into a wider social project.
Head office & International Sales Aymara bvba Bornem 2880 Belgium
Showroom Aymara Antwerp Kielsevest 70 Antwerpen 2018 Belgium
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no more grey days – upcycled fashion products
NMGD designs, reworks and upcycles for fashion lovers who wish to support our ambition to create sustainable fashion. We capture the beauty and value of what is already out there and creatively rework second hand- flee market findings, fabric cut offs or overstock to new, beloved products. With natural dyes and hand-stitched artwork we avoid chemical printing processes.
Every single piece is therefore personal and unique with an individual note.
no more grey days opposes fast fashion and mass production and is created locally, one-at-a-time. as a passion.
For those who want to do good to themselves by purchasing a unique, beautiful piece, and at the same time spare our planet a fraction of further exploitation.
de merodelei 31 Antwerpen 2600 Belgium
Atelier Minimalist
Atelier MinimalistInfo
Who we are
Atelier Minimalist is a Belgian fashion label with a contemporary and elegant design. We offer timeless clothing, produced locally and ethically in small quantities.
The first collection was launched in September 2019 using minimal geometry as its most important style element.
Dorsa Mohadjerin, the founder and designer, finds inspiration in modern art, architecture and nature. She combines subtle geometries with confident fits to create a timeless, elegant and unique look.
Each piece is designed and made consciously in Belgium. We work with our tailors to ensure that your clothing is created with ethics and environmentalism in mind. The same goes for the fabrics: all thoughtfully chosen or repurposed, providing you with the best quality. The sophisticated craftsmanship is clearly visible.
Atelier Minimalist firmly believes in the ‘slow design approach’. Therefore, the label focuses on timeless collections that blend into each other. New variations of existing pieces are re-invented in different colours, fabrics or proportions and added to the collection.
We hope to inspire people to support local & sustainable production and invest in timeless fashion.
Bio
Founder Dorsa Mohadjerin comes from a family with Persian roots and artistic talents. Experimentation is in her blood, and from a young age, she used her materials as tools for investigating the creative process.
With an appreciation for art and design, as well as a professional consulting career, she began to translate this love for exploration into her work with wearable arts – fashion and textile – at the Academy of Fine Arts in Antwerp. Dorsa created Atelier Minimalist to blend her love of conscious tailoring with modern silhouettes.
Kerkplein 4 Edegem 2650 Belgium
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SENNES combines Portuguese and Belgian tradition, high-sustainable Portuguese Wool & Belgian Linen, two noble, ecological fibers with opposite natural characteristics as guiding principles towards function and shape.
SENNES is globally inspired by climate change in nature and culture, therefore conceived as an annual wardrobe. A continuous developing collection where with every series of bags & garments, high quality woven fabrics, know-how and skills from ethno cultural origins are studied and subsequently interpreted in each individual pattern language.
A sustainable brand with a focus on uniquely textile crafted design. The human collective culture is our inspiration to create new collection items; each new design is a genuine attempt to open up new perspectives to intercultural dialogue.
Nele De Block
Art Director and founder Nele De Block is Belgian and studied Textile Design at ENSAV La Cambre, Brussels.
She develops her passion and technical skills for weaving at first as a textile designer for automotive.
She then becomes Art Director for BETET SKARA: (Antwerp, 1999-2007) originally created as a social integration program for political Assyrian refugees. In this weaving studio she conducts the process of woven prototyping and production for fashion designers, artists and architects such as Haider Ackermann, Christian Wynants, Bruno Pieters, Stijn Helsen, Tim Van Steenbergen, Bernhard Willhelm, Dries Van Noten and Peter Pilotto.
Simultaneous she teaches Textile Design at Saint Lucas Art School Ghent and is trend forecaster for the Textile Industry.
SENNES is setup in 2010, when Nele is introduced in Portugal as a textile designer to one of the last remaining traditional wool weavers of the Serra da Estrela region.
Since SENNES combines Portuguese and Belgian tradition, high-sustainable Portuguese Wool & Belgian Linen, two noble, ecological fibers with opposite natural characteristics as guiding principles towards function and shape.
Hofstraat 5 Antwerp 2000 Belgium
Christian Wijnants
Christian WijnantsInfo
Christian Wijnants is an Antwerp-based fashion designer.
Born in Brussels, Christian moved to Antwerp in 1996 to study fashion design at the Royal Academy of Fine Arts. His graduate collection won the Dries Van Noten Award for best collection in 2000. After graduation, Christian presented his collection at the prestigious Festival d’Hyères, where it was awarded the Grand Prix and picked up by stores including Colette (Paris), Pineal Eye (London), and Via Bus Stop (Tokyo). After working with Van Noten in Antwerp and Angelo Tarlazzi in Paris, Christian launched his eponymous label in 2003.
Christian Wijnants presents his collections in Paris during Paris Fashion Week and is sold at boutiques and department stores worldwide including Barneys, Tomorrowland and Opening Ceremony.
Rich, layered graphics and fresh colors translated into eloquent knitwear offer a play of authenticity and luxury that has won him the 2013 International Woolmark Prize, the 2006 ANDAM Award, and the 2005 Swiss Textiles Award. Christian Wijnants is in collaboration with Swarovski for Spring-Summer 2016 and Autumn- Winter 2016 and has been nominated for Swarovski Collective Prize for Innovation.
Wijnants opened his first flagship store in Antwerp in September 2015.
HEAD OFFICE 215 Italiëlei bus 21 Antwerpen 2000 Belgium
36 Steenhouwersvest Antwerp 2000 Belgium
Nuage d’Automne
Nuage d’AutomneInfo
Thu Van Nguyen
clothing designer
It was in 2006 that Thu-Van Nguyen created the brand Nuage d’Automne (translation of Thu-Van in Vietnamese). This Eurasian born in Perpignan (France) has lived in Belgium since the age of 6.
Trained as a costume designer and decorator, she came to styling in a natural way as if to express through Fashion the mixture of cultures and origins of which she is the fruit.
In her workshop in La Hulpe, she creates medium and high-end ready-to-wear for men and women, in unique pieces, limited series and made-to-measure.
In an ethnic style, Nuage d’Automne bears witness to the meeting between the East and the West, the ancient and the modern.
In addition to using natural materials (silk, wool, linen or cotton) as well as vegetable dyes for certain ranges, particular attention is paid to the quality of the finishes.
The stage costume complements its work through spectacular outfits and costumes for musicians, dancers or actors.
Creativity, know-how and experience at the service of Fashion.
She stands out with an approach to Fashion that is more artistic than “trendy” by creating unexpected mixes. What makes these clothes exceptional, sometimes close to a work of art.
In an unconventional style with minimalist cuts, it combines elegance with a mixture of cultures and eras, while promoting craftsmanship and know-how.
Creation Workshop
Training
Training in vegetable dye and indigo with Martine Bourlée (2017 – 18)
INFAC / EFPME: scenography-show technician (2001-2005)
Academy of Arts of Ixelles in live model drawing. (2001-2002)
School of Arts of Braine-l’Alleud: multidisciplinary training. Certificate of secondary artistic education with reduced hours (1998 – 2001)
Internships
Set painting with Alexandre Obolensky & Opéra Royal de La Monnaie (2001-2005)
Scenography and stage management with Jean-Marie Fiévez at the Théâtre Le Public (2001-2003)
Costume making with France Lamboray at the Théatre Le Public (2003-2005)
Parade at the Palace of the Kings of Majorca
Stage costumes for percussionists
Significant events in the professional career
Parades & Exhibitions:
Salon Créations (Province of Walloon Brabant – 2017 & 2018)
Walloon Fair of Crafts of Wallonia – 2016 & 2018)
ArtiBw exhibition (OMA Brabant Wallon – Château d’Hélécine – 2016 to 2018)
Salon Ethno Tendance (Farushi asbl – Tour & Taxi, Brussels – 2015 & 2013)
Second Hand Second Life Festival (Les Petits Riens – Tour& Taxi, Brussels – 2013)
Monaco Wedding Fair (Daily Fashion – Forum Grimaldi, Monaco – 2013)
Brussels Fashion Days (Bee Group – The Egg, Brussels – 2013 & 2012)
Pop-Up Store Fair (Lille – 2012)
Autumn Cloud Parade (Palace of the Kings of Majorca, Perpignan, France – 2012)
Theater :
Ria Carbonez (2018 to 2021)
Theater Loyal du Trac – 2006, 2011, 2013
Stage management for the shows “Couldn’t we love each other a little? and Noces de Vent (Théâtre Loyal du Trac, Belgium, France, Switzerland, New Caledonia, Tahiti – 2005 to 2017)
Assistant Justine Drabs for Marie Tudor (Théâtre Jardin Passion, Belgium – 2014)
After the bridge (Théâtre Oz, Belgium – 2005)
Bintou (Théâtre Océan Nord, Belgium – 2002)
Music :
18 percussionist costumes (Sysmo, Belgium – 2015)
Saxophonist (Cyril Thiry, Belgium – 2015)
Dance :
Café Frappé (Tap Show Company and TLT, Belgium – 2013)
Movie theater :
Short film (SMOG, Belgium, 2015)
Circus:
The Flying Partners (Ptits Bras, Belgium, France – 2011)
Circus Marcel (Robert en Alfons vzw, Belgium – 2012)
Events:
Tibidou mascot (Editions Acrodalivres, Belgium – 2016)
Costume designer assistant for management staff (Zinneke asbl, Belgium – 2011)
She stands out with an approach to Fashion that is more artistic than “trendy” by creating unexpected mixes. What makes these clothes exceptional, sometimes close to a work of art.
In an unconventional style with minimalist cuts, it combines elegance with a mixture of cultures and eras, while promoting craftsmanship and know-how.
104, rue des Combattants La Hulpe 1310 Belgium
Charlotte Pringels
Charlotte PringelsInfo
ABOUT
I. The collections
We believe in slow fashion, the power of simplicity and elegance in an effort to change and challenge the way we as society consume. Doing so we commit to sourcing natural and recycled fibers and work with high-quality, low minimum suppliers in Europe, allowing us to reduce waste through small-batch production. We want to make sure every link in our supply chain gets a fair price for the work that is being done and we commit to transparent practices by providing information about supply chains, enabling customers to make informed decisions.
Our aim is to offer our customers carefully designed garments and prove that investing in a piece of our collection is an investment in yourself, your wardrobe and a more sustainable fashion system.
II. The designer
Charlotte Pringels is a Belgian-based women’s wear label, named after the founder and CEO of the brand. Her design philosophy: to create a line of essentials that are both interesting and necessary and together form a cohesive wardrobe that maintain relevance over time. Each collection includes elements of ease and polish and is characterized by high-end fabrics and timeless, clean-lined silhouettes.
Charlotte Pringels is a Belgian Fashion designer. She entered the Royal Academy of Fine Arts Antwerp / Fashion Department in 2007 and graduated in 2012 from her master (MA) degree.
III. The make
Our collections are designed and made with love, and focuses on reinventing tailoring technics while only using finest materials. The current emphasis for the materials we use is on natural and recycled resources of the fiber. Over the years, we have built a solid base of family-run contractors in Ukraine and Belgium. They are responsible for the long-lasting construction of every piece of clothing that we make. From perfect cutting of fabric, to deliberate sewing and finishing with French seams or bias-bound edges, the collection is built to last by suppliers who treat their workers fairly.
All samples and prototypes are made and designed in Charlotte Pringels’ own atelier, located in Belgium.
Drongenstraat 106, Lokeren 9160 Belgium
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Izumi Hongo 本郷いづみ
Artist/designer Izumi Hongo was born in Tokyo and based in Antwerp. After obtaining her Masters at fashion department, Royal Academy Antwerp and at architecture department, Waseda University, she started her own fashion brand Van Hongo and opened atelier-shop in Antwerp in 2011. Since 2017, she has beem engaging in the textile design for architectural projects and recent years, she is more into the artistic installation by her special textiles.
‘Texture and structure’ is the main thema of her creation. The fact that she originally completed architecture education, is reflected in her cross-over creation beyond the boundaries between fashion and architecture. By developing the original yarns, textiles and knitting/weaving techniques together with the manufactories mainly in Japan and Belgium, she keeps realizing her innovative and unique designs and building up the cross-over networks.
5 Aalmoezenierstraat Antwerpen 2000 Belgium
31 Prins Albertlei, box12 Antwerpen 2600 Belgium