Love Home Fabrics
Love Home FabricsMore Info
Love Home Fabrics is always ahead of the curve. We are a leader within the interior textiles market thanks to our clear vision of the future.
We are unique by forming a real family existing of 2300 members. Yarn is needed to create a beautiful fabric. With Love Home Fabrics, every family member is needed to create a wonderfull story. Our imagination knows no limits. Because of this, we deliver endless opportunities. We all strive to one goal, to Love Home Fabrics.
Our combined strengths, knowledge and craftmanship determine our path that leads to perfection. We’re proud of our accomplishments, our premium quality and unparalleled beauty. Respecting and preserving nature for the next generations is one of our most important goals. We do not inherit the earth from our ancestors, but borrow it from our children.
Love Home Fabrics is the reference in your interior. From your bedroom to the bathroom, from your living space to the kitchen. We are everywhere. Our fabrics love you. Our fabrics embrace you. Our fabrics support you. Our fabrics complete your home. We make you a promise of luxury and comfort.
Love Home Fabrics was established in 2017 and has hubs in Belgium, the USA, India, and China. Together with the dozens of agents we work with across the world, we are close to you at every waking hour, wherever you live.
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Brand responsibility and production
At Marylène Madou, we take pride in crafting our own exclusive printed fabrics, rather than relying on pre-existing materials. This commitment ensures that every Marylène Madou piece is truly unique, embodying originality and creativity. Our primary focus lies in collaborating with digital printers within Europe, who utilize eco-friendly inks. Digital printing not only reduces water pollution in the fashion industry but also allows for smaller production runs, minimizing waste and completely eliminating the risk of overproduction. Furthermore, we work with our manufacturing partners to recycle 100% of the minimal textile waste generated during production.
Marylène Madou is a Belgian fashion and textile designer renowned for her intricate, hand-drawn prints that blend cultural motifs with contemporary design. Since the brand’s establishment in early 2017, which is aptly named after the designer herself, Marylène has built a distinctive universe where print is always the starting point. Her work spans fashion, interiors, and fine art, all unified by a deep commitment to craftsmanship and storytelling.
Marylène holds a Master’s Degree in Textile Design from LUCA School of Arts in Ghent, Belgium. Her academic background provided a strong foundation in both technical and artistic aspects of textile creation, which she continues to build upon in her professional practice.
With an expertise in hand-painting techniques for textiles, and a strong focus on research, she carefully sources and interprets inspirational imagery, ensuring each design is layered with meaning and narrative. This dedication results in richly detailed prints that are unmistakably her own, making every Marylène Madou creation truly unique.
During her studies, she won the international fashion design contest The Silhouette of The Future / 2039, curated by the Fashion Museum of Hasselt. This led to international internships in Los Angeles and London.
In 2021, her growing archive of prints and patterns was published by Stockmans Art Books, a testament to the depth and originality of her work.
In 2023, she was named one of the ‘Limburg Six’ by Belgian press; a group of six emerging designers recognized as the future of fashion, in a nod to the iconic ‘Antwerp Six’.
Today, Marylène Madou’s printed designs are sold in luxury hotels, boutiques and art galleries.
She is sought after as an art director for her unique approach to building printed collections, firmly establishing her as one of the leading designers of her generation in the field of textile design.

Our sourcing predominantly spans Italy, the UK, and the Benelux region, which provide the high-quality materials and exceptional finishing that define our accessories. For our ready-to-wear collections, we collaborate with a local atelier in Belgium. This partnership exemplifies our dedication to supporting local craftsmanship while fostering a deep connection between design and production.
While 80% of our products are made in Europe, a small portion — only 20% — is produced overseas. This decision is made with great care and only when we can ensure that the resulting products uphold our commitment to durability and longevity. Our aim is to create pieces that are not just beautiful but also made to last, reflecting our ethos of quality and responsibility.
We intentionally avoid working with seasonal collections, as this approach aligns with our belief in sustainability. By designing timeless pieces that transcend trends, we reduce unnecessary waste and promote thoughtful consumption.
We believe a fully sustainable brand is difficult to achieve, but for every choice we make, from sourcing and manufacturing to design and collaboration, we make sure it is grounded in our commitment to safe and fair working conditions, as well as a dedication to exceptional craftsmanship.
We maintain close relationships with our manufacturers, visiting them regularly to ensure their practices align with our values. Marylène herself works directly with the talented seamstresses in Belgium for the custom atelier, ensuring meticulous attention to detail in every piece we create.

“It’s often a specific image that catches my eye—whether it’s an animal on a vase, a shape, or a color combination in a painting. My eclectic and colorful aesthetic is deeply inspired by a fascination with historic textiles and unique objects, such as vintage stuffed birds or design pieces. I love blending these influences with elements close to my heart, like private family gardens and Lemony, my dachshund. Color research and drawing play a pivotal role in my creative process. Prints, for me, are a way to build my own world and, ultimately, wear that world.” – Marylène

“The idea that I could combine my fascination for fashion & interiors with this never-ending love for drawing and creating … It was and still is the ultimate dream life to me.”
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About
What if reducing our waste and our environmental footprint went through the relocation of natural textile fibers and an ethical and transparent textile industry?
Design for resilience Studio is a textile research workshop based in Braine-L’Alleud (Brabant Wallon, Belgique), for a zero waste, zero plastic, and an healthy lifestyle, founded by Vanessa Colignon.
We want to allow everyone to reduce their environmental and social footprint, by reducing our waste and the spread of micro-plastics in nature through the creation of clothing and accessories in natural, local and solid fibers, produced in circuit- short and with respect for the living.
The relocation of production, brought about by a strengthening of European environmental standards in the 90s and the attractiveness of low-cost labour; not benefiting from any social protection in countries where lax environmental regulations do not allow to protect the nature, health, land and drinking water of the inhabitants of the producing countries has allowed the advent of fast fashion such as we know it today, to the detriment of living beings and the planet.
Today, we can no longer tolerate this race for productivity and the resulting toxicity of production. This is why we are focusing our forces in particular on the relocation of the production of natural, resistant and ecological textile materials in Belgium and on innovation in the craftsmanship of naturally ecological materials by working in particular with one of the last hosiery factories from Belgium.
Producing in a short circuit allows us to guarantee respect for workers and living things, while limiting our dependence on fossil fuels.
Braine-l’Alleud Belgium
Mirabel Slabbinck
Mirabel SlabbinckMore Info

Heritage
The origins of the Mirabel Slabbinck brand date back to 1903, the year Hendrik Slabbinck, skilled gold embroiderer, started his workshop in Bruges, Belgium. The Slabbinck family has worked to make the company an international reference for liturgical vestments. The fourth generation decided to diversify into home linens. Their craftsmanship, eye for detail and service-minded company culture got noticed by the finest interior designers and architects. Today Mirabel Slabbinck offers a collection of refined bed, bath and table linens of the highest quality and realises bespoke projects all over the world.

About Mirabel Slabbinck
As a child I spent hours exploring my father’s workshop, where my great-grandfather laid the foundation of our family business. I still find it to be one of the most exciting places I know. It’s where our designs and creations come alive in the hands of our talented craftsmen. Working with the finest materials, seeking inspiration in nature when creating new collections, going the extra mile to service our demanding clientèle, having the chance to realise bespoke projects. Applying and fine-tuning century-old techniques to create contemporary beauty and comfort with exceptional linens and cottons is, and will always be, our pride and pleasure.I feel thankful to write a new chapter in our rich family history.

Atelier
In addition to our classic and contemporary collections we specialise in bespoke projects ranging from private homes to yachts and aircraft interiors. Every item we produce is handmade in our workshop in Bruges, even the standard collection. With over a century of experience, and with the help of our dedicated team of skilled craftsmen, we can guarantee items of the highest quality while respecting timely deliveries all over the world.
Lieven Bauwensstraat 18 Sint-Andries 8200 Belgium
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Anne Masson and Eric Chevalier have collaborated since 2006.
Both trained in textile design, their work results of an investigation and experiment with materials. The pair explores different possible levels of working on the design of textiles, from the raw material to the finished product and its multiple facets -sometimes on the yarn, sometimes on the pattern, on a structure, texture or on a specific shape-. They deal with a wide range of processes and techniques that reveal unexpected views of materials. Radical and precise gesture changes some used or waste items into a new shape and functionality. They often use craft-related processes combined with industrial implementation, sometimes each practised in turn on the same item.
Besides a self-initiated production seen as an exploratory field, the tandem questions textiles in different contexts, as a medium linked to intimate and collective issues. Driven by the pleasure of making and stimulated by transdisciplinary practices, they collaborate with architects, designers and choreographer. The experience with architect offices has brought the studio to meet sharp technical requirements with a sensitive approach, in order to influence effective and affective qualities of the inhabited space. Investing different scales from the very structure of materials to scale 1 of prototypes and space, working with a network of selected suppliers, makers and external collaborators are driving forces for their practice.
Their work is part of private and public collections, such as Gent Design Museum, CID Grand Hornu, Brussels Mode et Dentelle Museum, CNAP in Paris and Barbier-Mueller in Geneva.
Anne runs the textile design Master degree at La Cambre art and design academy in Brussels. Graduated from La Cambre, textile design department, she won the Federal Swiss cultural award (1994, 1996, 1998), collaborated with the accessories designer Eric Beauduin in Brussels and with the Edelkoort Studio in Paris.
Eric teaches in the Textile design and in the Fashion department at La Cambre. After graduating from l’ESAAT in Roubaix (DSAA, 1996), Eric worked as a free lance textile designer for Christian Lacroix Haute-Couture and in research for the automotive industry.
Flore Fockedey has been a regular collaborator since 2018, after an Architecture Master degree at ULB La Cambre Horta in Brussels.
21 Place Saint Denis Brussels B-1190 Belgium
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About
Fabric Fabrik is a products & textile design studio based in Ghent, Belgium. Founded in 2021 by Katrijn Respeel. Coming from a creative family, a father who’s a product designer and a mother who is a textile and sewing addict, Katrijn fell in love with the combination of both. Fabric Fabrik creates design objects with a playful approach.

ed by time, shadow games, architecture,… . Using the carpet technique to bring these patterns and colors back to people’s homes as a carpet or tapestry offers a lot of beautiful possibilities.”

Nieuwpoort 11 Gent 9000 Belgium
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About us
Who we are
Alice et Maman is a Belgian brand that has been creating, producing and distributing nightwear, homewear and loungewear since 2004. Our brand mainly focuses on dynamic and fashion-conscious ladies & women who love pure simplicity and have an eye for refined details.
Our collection consists of 4 different lines: nightwear, homewear, pregnancy/maternity and knitwear (during winter) or beachwear (during summer). We emphasize simple concepts/lines, elaborated in soft fabrics and contemporary colours. We strive for a high quality finish. Alice et Maman is distributed in about 80 points of sale. We are mostly active in Belgium & some new stores Europe: lingerie stores, experience shops and concept stores.
Fair trade is of utmost importance to us. We work together with suppliers who strive to work as ethical as possible, just like we do. We find it important that all our goods are made in correct conditions. We also make sure that all fabrics are provided with the Oeko-Tex Standard 100 label. This label guarantees that the end product does not contain any harmful substances and color fastness and wash resistance are included.
In addition, we try to choose natural materials such as organic cotton, viscose, modal, wool,… as much as possible so that we can contribute to a more sustainable and ecological way of creation and production. We strongly believe in the principle of slow fashion, where fair trade, eco friendly, artisanal and organic are the key items to achieve a consistent way of creating our brand, product & story.
A story of women for women…
JACQUETBOSLAAN 9 , DOTTENIJS 7711 Belgium
De Witte Lietaer
De Witte LietaerMore Info
History
1898 De Witte Lietaer was founded
In 1898 Zeno De Witte and Leonie Lietaer started a workshop for flax weaving: De Witte Lietaer was born.
The founders of the company, as well as the many generations of workers and employers who succeeded them, have transformed De Witte Lietaer into a textile company renowned for its quality products, knowhow and perseverance.
1900 one of the most well-known Jacquard weavers
In 1900 the company had 9 weaving looms and before World War I, De Witte Lietaer was already one of the most important Jacquard weavers in the world. (1350 employees and 750 weaving looms).
1983 De Witte Lietaer receives the Oscar for Belgian Export
1989 De Witte Lietaer is part of Gamma Holding
2004 The company was divided in two divisions
– the Division De Witte Lietaer “Industries”, specialised in manufacturing and knitting fibers for the automotive industry;
– the Division De Witte Lietaer “Style in Textiles”, specialised in the manufacturing of household linens.
2006 De Witte Lietaer International Textiles
The Gamma Holding sold the division -specialized in household linens- to the group HDM Finance and the company name was changed to De Witte Lietaer International Textiles. HDM Finance is the holding company covering: Tissage Denantes, Garnier Thiebaut, Mulliez-Flory, IME Mulliez and De Witte Lietaer. The owner and president of this company is Hervé de Montclos. This French textile group manufactures and distributes household linen and furnishing fabrics to institutions, hotels, restaurants, laundry companies and retailers all over the world. The turnover of this group is about €135 million.
2008 Take-over Maes Textiles nv
In 2008 De Witte Lietaer International Textiles took over the company Maes Textiles nv based in Waregem, also a household linen manufacturer.
2013 Take-over Byttebier Home Textiles
De Witte Lietaer integrates Byttebier Home Textiles in its activities; a Textile trading company which is mainly focused on distribution and the production of bath linens.
Today
De Witte Lietaer operates in the hospitality, project market, retail and contract markets. Our headquarters are situated in Belgium (Lauwe) and we have our own production unit in Turkey.
Our reference list includes well known international hotels, restaurants and industrial laundries. We mainly export our products to Western Europe: Benelux, France, Germany, Spain and partly to the Middle East.
The company offers a diverse assortment of bath, table, kitchen and bed linen collections for all kinds of retailers such as department stores, boutiques and specialist shops.
Julien Cagniestraat 24 Lauwe 8930 Belgium
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QUE ONDA VOS is a fairtrade design label that produces scarves,, carpets and blankets which are all handmade by Indigenous Mayan weavers in Guatemala.
Hanne De Wyngaert graduated in fashion design at the Royal Academy Of Fine Arts in Antwerp in 2006. She was a co-founder and co-designer of the Belgian Designers Label ‘Ti+Hann’ from 2007 til 2012. Following this, Hanne started thinking about designing and developing products that have a social impact on the community that produces them.
In 2013 she travelled to Guatemala and founded the design label QUE ONDA VOS in cooperation with a local fair trade organization. This organization offers support to Mayan women in the Guatemalan countryside by making weaving, a traditional part of their daily lives, a solid source of income. The majority of these women live in extreme poverty, but with this collaboration the weavers receive a fair wage for their work. They also preserve and promote an ancient tradition that is threatened to disappear due to mass production. Since then Hanne has started collaborations with various organizations and cooperatives located in Guatemala, all known for their own handicraft specialties and techniques.
QUE ONDA VOS is Guatemalan street slang for ‘Yo, what’s up?’. The label Q.O.V stands for a combination of Mayan tradition and Western culture in the form of design and fair trade. QUE ONDA VOS develops products such as scarfs, bags, carpets and blankets, all 100% handmade by the Mayan weavers in Guatemala. The design of the products is a result of the dialogue, co-operation and interaction between the two cultures.
The project’s goal is to develop an awareness about conscious consumption and to create jobs in indigenous communities ensuring fair wages.
QUE ONDA VOS is about respect.
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About
After studying textile design and masterclasses at home and abroad, I immersed myself in hand weaving.
My love for the craft is immense. Through a skilful play with threads I arrive at colorful structures and minimalistic compositions.These being a theme that runs throughout my work.
My designs betray a preference for sustainable natural materials such as Tencel, hemp, linen and merino wool.
I translate my passion for textiles by meticulously creating and finishing with high quality in mind. This makes them as unique as they are timeless!
I draw inspiration from the fine piano music of Wouter Dewit, Jean-Michel Blais and Abdullah Ibrahim, among others.
I like to compose my fabrics with a subtle play of keys and strings.
Giving demonstrations and workshops or collaborating with other creative minds also inspires me endlessly.
In my open studio in Hasselt I guide my patrons with enthusiasm.
Spoorwegstraat 50 Hasselt 3500 Belgium










