Filles à papa
Filles à papaInfo
Lauched in 2009 by Carol and Sarah Piron, the brand FILLES A PAPA has its roots in Liège. The sisters were soon joined by fashion photographer Gregory Derkenne who, beyond his eye for aesthetics, honed the label’s ethos. The duo-cum-trio was quick to understand that fashion and style is a question of identity.
FILLES A PAPA is an attitude, a deliberate rebellious streak and a clothing line in which the word “contemporary” reveals all its paradoxes and sharpness. Postmodern you might add, as this celebration of the modern young woman reflects the cynicism of our time. Behind the propriety of the name [meaning “Daddy’s girls”] lies sharp off-the-peg fashion that attracts boutiques, magazines and it-girls around the world thanks to its offbeat mood and a perfectly calibrated fit with the here and now. FILLES A PAPA offers a very distinctive but daringly different wardrobe.
Emerging through its collections and images, which are produced each season like a manifesto, is the portrait of an heiress who hasn’t forgotten to be a rebel or a rock star who’s made her aggressiveness part of her charm. Fuse, combine, hybridize and surprise, because as philosopher Michel Serres has said, “Nothing makes more sense than changing the meaning.”
Dries Van Noten
Dries Van NotenInfo
Biography
Born in Antwerp in 1958, Dries Van Noten is the third generation in a family of tailors. At the age of 18, Dries entered the fashion design course of Antwerp’s Royal Academy. On graduating, he began to freelance as a consultant designer before starting his own collection of menswear in 1986. Since its beginnings Dries Van Noten has presented collections for women and men for Spring/Summer and Autumn/Winter each year. He
celebrated his 50th fashion show in 2004 and 100th fashion show in 2017.
In June 2008, the Council of Fashion Designers of America honoured Dries Van Noten with its International
Designer of the Year Award. 2014 began with the grand opening of Dries Van Noten, “Inspirations”, a first
ever exhibition featuring his designs and influences at the Musée des Arts Décoratifs in Paris. Another
configuration of the exhibit moved to Antwerp in 2015. In July France decorated Dries Van Noten with the
honour of ‘Officier de l’Ordre des Arts et des Lettres.’ In October 2016, Dries Van Noten wins the Culture
Award from The Province of Antwerp for his contribution to Culture.
In June 2018 Puig entered the capital structure of Dries Van Noten as majority owner. The designer remains, over the long term, a significant minority shareholder and continues his role as chief creative officer and chairman of the board.
2019 saw Mr Van Noten collaborate with world renowned fashion designer Mr Christian Lacroix on his
collection for Women, Spring/Summer 2020. In June 2020, and September 2021, the Council of Fashion Designers of America (CFDA) has again nominated Dries Van Noten for its International Designer of the Year Award.
Q&A with dries van noten
When did you know that designing clothes was your path & passion?
There was a certain logic to my choice as my family had been involved in fashion and the garment business for generations. My father created one of Belgium’s most innovative retailers of ‘Pret-a-Porter’ and my grandfather was a tailor. I inherited my love of garment making, its traditions and rituals, from these men and my mother. Family immersed me in the craft and skill of fabrics, impassioned me with the power of flair and style for women and men that fired my quest to explore and question the subjectivity of “beauty” and the role it would play in my life. My family was very supportive and encouraged me to continue its fashion tradition. I regularly accompanied my parents to Paris and Milan on their many buying trips for collections. Though they had imagined I might take over the retail business, that I was passionate to become a fashion designer came as a great surprise to them.
What is your design signature?
I see a garment as a singular item of excellence that is part of a larger story told, firstly, within a designer’s vision for a collection and ultimately as part of the final wearer’s expression of their style through their wardrobe. My joy is to create a garment that fuses and balances beauty, craft and function, a garment that can perform well and continue in time to become part of life’s story. I enjoy juggling with colours, textures and light in a way that evokes rather than provokes.
Where do you come up with your best ideas?
The spark of inspiration for the narrative a collection rarely ever comes in the same way. The initial idea can sometimes come quickly and remain constant throughout the design process… occur on a walk in my garden, encountering a painting or the life and work of an artist. It can be something rarefied or ordinary, for example, suddenly looking at something that has surrounded me every day and seeing it in a different way that inspires. It can be a photograph in a book or a magazine, a re-read passage in a loved book, a conversation with friends or my design team or a piece of music. For other collections the story is more of a journey, deliberate, considered, and evolves through time and the design process. Anything can be that spark that ignites the creative process. What I have learned is that one recognises the spark when it happens, it may not be too planned, be ‘of its time’ and is more emotional than cerebral.
Is there a difference between style and fashion?
Of course, style comes from within..
What colour or fabric would you never use?
None actually! Often, challenging myself to work with colours, fabrics, or forms that I have disliked and bringing them into a collection can be an important aspect of the creative process.
What is beauty?
The idea of beauty is supremely subjective and very personal. Time also plays a role when our view on what is beautiful to us evolves. A flower, a building or a garment can be a thing of wonder for one while leaving another completely indifferent. What was beautiful to us even recently may be ugly today. Luckily, all designers have their own eye on and language of beauty.
What is ugliness?
It resonates in the same way as beauty for me. It is exciting when the formerly ugly becomes beautiful.
Timeline
- 1981 Dries Van Noten graduates from Royal Academy of Fine Arts in Antwerp
- 1986 Dries Van Noten started his first own collection of menswear after working as a freelance consultant designer
- 1989 Flagship store opens in Antwerp, Belgium
- 2004 50th Show
- 2007 Paris store opens at Quai Malaquais, Paris France
- 2008 Dries Van Noten wins Internation Designer of the year at CFDA awards./ Dries Van Noten Sacred “Royal Designer for Industry” from the RSA Trustee Board in London
- 2009 Flagship store opens in Aoyama, Tokyo, Japan/ Stores opens for the men at Quai Malaquais, Paris, France
Dries Van Noten Induction to The “Galerie Des Eminents” By The Flemish Chamber Of Commerce (Voka)
Dries van Noten is gifted a gold medal by The Flemish Royal Academy of Belgium
Dries Van Noten Is Honored With the “Couture Council Award for Artistry of Fashion” By the Couture Council of the Museum at Fit In New York - 2010 Dries Van Noten Is Invited To Preside Over the 25th Edition of the “Festival International De Mode et De Photographie” of Hyres, France
- 2013 Olfactory portrait by Frederic Malle with The Nose Bruno Jonanovic
- 2014 xhibition at The Musée Des Arts Décoratifs in Paris, France
A book that accompanied his exhibition at Musée des arts Décoratifs in Paris, France - 2015 Dries Van Noten is decorated by Jack Lang of the medal
Opening of Dries Van Noten Osaka - 2016 Wins Culture Award from The Province of Antwerp
- 2017 An intimate portrait into the life, mind and creative heart the designer
A book in two volumes that depicts and documents his first 100 collection and Fashion shows
In recognition of his career as fashion designer and his contribution to the Cultural life of his native land - 2018 DVN enters in partnership with Puig as Major Stakeholders
- 2019 Collaboration with Mr Christian Lacroix
- 2020 Nominated by The CFDA for International Designer of The Year Award
Stores opens in Shanghai, China
Flagship stores opens in Los Angeles, USA the first Dries Van Noten store in the Unites States of America
Godefriduskaai 36 Antwerpen 2000 Belgium
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caroline biss offers the modern, self-confident woman elegant and classy women’s fashions with glamorous style.
perfectly fitting ready-to-wear collections that combine stylish simplicity, subtle colours and new materials – resulting in a contemporary yet timeless collection.
comfortable designs for every day of the week, weekend sporting outfits with just that little bit more, fashion dresses for a night out and sparkling party wear.
Kouterbaan 44 Lebbeke 9280 Belgium
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Since the appointment of Glenn Martens as Creative Director of Y/Project in 2013, the Paris based label has combined conceptual and inventive detailing with playful proportions and a witty take on historical references.
At the core of Y/Project, Martens has since established an emphasis on individuality and independence. Fusing the energy of the street with thought-provoking silhouettes, his unique take on interpreting masculinity and femininity blends eccentric references with unisex looks that transcend versatility.
In June 2017, Y/Project won the esteemed ANDAM Grand Prize, one of the most respected recognitions in fashion worldwide. And in September 2017, Glenn Martens was selected as one of the Business of Fashion’s 500 people shaping fashion globally today.
Martens’ contemporary expression has created a fascinating narrative for the brand, leading to an impressive period of growth earning both critical acclaim and commercial success. Y/Project has solidified its position within the luxury market with over 150 stockists.
Natacha Cadonici
Natacha CadoniciInfo
Of Italian and Russian origin, everything predisposed me to become a designer and craftsman: Russian great-grandparents breeders of Astrakhan sheep, a daddy shoemaker who worked diligently with his sewing machine and maintained joyful contact with his customers, a mother who had made-to-measure dresses at a local seamstress and an Italian aunt who had set up her own beauty and hairdressing salon in the center of Milan, a magnificent woman, sunny, stylish, smiling, full of energy.
After studying at the Free University of Brussels (Roman Philology / Letters), then in Fashion Design (Institut Saint-Luc), I decided, in 2006, to create some tops that are sorely lacking in my wardrobe: tops that are elegant but not too much, comfortable but stylish.
I am going straight away for viscose jersey because it is an ultra comfortable material, very pleasant on the skin, natural, easy to work with, easy to wash, which lasts over time.
But to give it a more stylish look than a simple T-shirt, I quickly decided to add some nice details:
– other materials such as cotton, wool in cutouts
– asymmetrical necklines that you can’t see anywhere else
– punchy graphic elements, like piping, ribbed edges, which give light to my basic colors: navy blue and black. The ribbing that I create are knitted exclusively for my brand. They are therefore not found anywhere else!
MADE IN BRUSSELS
Beautiful, joyful, luminous and lasting
One of the recognizable characteristics of my work is the use of ribbons that finish the garment in the neckline, the sleeve ends and the bottom of the tops, with peppy and bright colors: a base of mostly ecru with touches of fluorescent orange, fluorescent pink, fluorescent yellow, copper lurex etc. These ribbons are designed by me: I select, among 200 different colors from my manufacturer, the right combination of colors, the height of the lines, the best fabrics. These 100% cotton creations are produced exclusively for my brand in the north of France. You won’t find them anywhere else!
Make in a small conscientious clothing workshop in Brussels
From the start, I have all my creations made in a clothing workshop in Brussels which has excellent craftsmanship. I found Alicia a bit by chance and how lucky I was to cross her path: she works for all Belgian designers, including the cream of the crop! I am proud to give a job to this super Polish woman who set up her business on her own in Belgium and hired 4 seamstresses who were her colleagues in Poland. Over time, we have developed a very nice relationship of trust, respect and we understand each other in a single glance.
Alicia and her employees work at their own pace, without pressure and she practices fair prices for all which allow her to pay her 4 seamstresses with dignity and fairness. I really feel that she makes my designs as if they were her own: conscientiously, with love and with a smile. They all always discover my new models and my new fabrics with curiosity and impatience. They love my design and therefore work with it with pleasure, which is priceless to me.
All the advantages of preorders
- It reduces the use of the earth’s primary resources
- It allows me to have more cash, which is more comfortable for me
- It allows me to dare more to offer you less commercial and more daring models since I only invest money in a prototype and not in a complete blind production without knowing if this new creation will please you or in what sizes will I sell it
- It allows me to make the best use of certain exclusive fabrics that I only have in limited quantities: I only produce the right sizes that you pre-order; I can thus satisfy all of you; whereas when I was producing blind I had some models left in unsold sizes and some of you were frustrated that you couldn’t order it in their size since I no longer had this precious fabric
- It allows me to offer you creations that are really in line with the weather and adapt to it
- It allows my clothing workshop to produce at a much more humane pace: the seamstresses sew throughout the year instead of having to produce a production that must last 6 months in a single month
g requires a little patience. This is not a compulsive purchase but a real crush. I am also very available by email or phone to answer all your questions. I am committed to offering you sustainable, soft, joyful creations that will do you good. And you have a double pleasure: that of pre-ordering and that of receiving it a few weeks later.
Rue du Marché au charbon 62 Brussels 1000 Belgium
La Rosa
La RosaInfo
Matteo La Rosa started the brand in June 2019.
In October 2020, he showed his first official collection to the public during Paris Fashion Week.
In June 2021, his second collection was shown through an online show. His first official men’s collection was shown then.
Matteo La Rosa is a Belgian/italian fashion designer and stylist from Antwerp. In 2019 he started his label MATTEO LA ROSA .
He mainly takes inspiration from the 80s. Where he is inspired by music such as new wave. The darkness and the color black he draws fully on to his collections.
Matteo designs for the powerful woman. A woman who knows what she wants and is not afraid to show it. He embraces the female body in a way of pure elegance and adores how the garments fall over the body. The essence of this comes from his strong bond with his mother and grandmother. Two power women in Matteo La Rosa’s life.
Although he designs his silhouettes based on the female body, gender neutrality plays a very important role in Matteo’s designs. He actually designs for the person rather than the gender.
He usually shows his creations on models where the phenomenon of “woman” or “man” is non-existent. Only a true harmony between the garment and the body.
The sustainability aspect is very important in Matteo’s design process. Thus, everything is made in MATTEO LA ROSA’s own ateliers in Belgium.
He does not have a large stock of garments which means that no unnecessary fabrics are used and no waste is produced.
The brand MATTEO LA ROSA is built from a love for recycling old pieces and transforming them into new pret a porter pieces. As a result, each new collection will be a mix of archive pieces and newly produced pieces.
Collections include pieces for both men and women who feel good in an edgy basic silhouette of monotone colors.
Weg naar As 255 Genk 3600 Belgium
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Aymara is the result of the love story between a Belgian engineer, Sven Van Gucht, who met Yannina Esquivias, a young Peruvian travel agent, during a sabbatical year and fell in love. Yannina and Sven quit their jobs and started a knitting factory in Peru together with Yannina’s family. In 2007, the knitwear label Aymara was born. The name Aymara refers to a native ethnic group in the Andes of South America.
Concept
The magic of Aymara lies in the combination of Belgian design and Peru’s extraordinary fibers and textile craftmenship. Aymara’s knitwear is produced in our own knitting factory in Arequipa, in the south of Peru, managed by Yannina’s family. Thank’s to our strong relationship with them and their unconditional commitment, this incredible intercontinental project could be achieved. We believe that in today’s world of fast fashion and mass consumption, people are looking for authentic products with a soul. When buying Aymara, you are sure to get longlasting, sustainable products with an extraordinary story.
Design
Excellent natural fibers play a key role and are the starting point of each Aymara design. This is why Aymara chooses to offer pure styles available in a wide colour palette of bright and soft colours. Our designers take into account the fashion trends but at the same time, we make sure that each Aymara product is timeless and longlasting. A lot of attention has been paid for the perfect fitting form and discrete refined details. The kids collection, designed by Yannina has a playful character whereas the women’s collection, designed by Saskia Van Herzeele is very feminine.
Fiber
Peru manufactures some of the world’s finest quality fibers. For our summer collections, Aymara uses Peruvian pima cotton which is considered to be one of the softest and finest cottons in existence. In winter, garments made of precious alpaca blends are always an important part of our collection. Alpaca is a cousin of the llama and is prized for it’s thermal properties, silkiness and durability. Alpaca is a fiber which does not come at the expense of the environment. In today’s world, dominated by artificial materials, alpaca is the natural option. Alpacas graze at elevations of 3500 to 5000 meters in the Peruvian Andes. This precious fibre is used by top designers world wide. Aymara only uses the finest alpaca fibers, called baby alpaca. In our winter collections we also offer garments made of fine merino wool from Argentina.
Production
Aymara’s knitting plant is fully integrated and employs about 60 persons on the pay roll. This assures us to be in complete control of the production process and the quality of the garments. Although the knitting process itself has been industrialized, the production process is labour intensive and still requires a lot of manual operations. A lot of attention is been paid to the linking and finishing processes. Aymara garments are fully fashioned ; this means that the cutting and overlocking process is avoided as much as possible. By doing so, Aymara’s customers are getting a high quality product with one of the finest linking and finishing standards on the market. Turn your Aymara garment inside out and you will see what we mean !
Although most of the collection is produced on industrial knitting machines, each winter season Aymara offers a small theme of hand knit accessories. This enables women to generate an income by hand knitting at their home while taking care of their children. For a lot of these women it would be impossible to work inside a company because of their family situation and the lack of childcare. You can recognize these products by the “Aymara hand knit” hang tag. We are currently investigating how this could be integrated into a wider social project.
Head office & International Sales Aymara bvba Bornem 2880 Belgium
Showroom Aymara Antwerp Kielsevest 70 Antwerpen 2018 Belgium
Sarah Josis
Sarah JosisInfo
Sarah Josis studied fashion design and journalism in Brussels, her home town. After a post-master’s degree at S Mode in Paris, the young designer started working for major fashion houses such as Burberry and Joseph. It was only natural that she wanted to start her own business in Brussels.
In a desire to keep a line in phase with her time and her creative desire, the designer has developed a line for weddings, minimal and timeless.
Her latest collection is anchored in an era where the modern woman combines strength and softness. From an early age, Sarah Josis has always been surrounded by women of character who have inspired her creative evolution. Seeing her grandmother elegantly wear a jacket with a clean cut, masculine and almost committed to her time, was the reason for this collection launched from its centerpiece, the masculine-feminine jacket proposed for a resolutely modern marriage.
In a society where the impression of being against the current, the designer wanted to carry more than just a collection but a movement of words, an ode to union where each piece carries the wish to defend a sustainable future and where we are one with the ecological and ethical values in which the designer believes. Marriage becomes a strong symbol where the garment takes on a minimalist look with clean but straightforward lines. Each fabric, whose material is designed to be combined with a certain colourful future, allows us to project ourselves towards more than just a single event.
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Les Soeurs, the holy triangle. Or 3 sisters with a full time passion for fashion and jewellery, who collect the latest fashion musthaves for you!
In 2011, Belgian fashion-girls Jules, Kay & Clio baptised their label ‘Les Soeurs’. Die hard fashionista’s they are, their mission for that unique bracelet, ring, necklace or handbag is endless. A girl’s gotta do what a girl’s gotta do: they gathered in a journey to bring together the most beautiful gemstones, natural leathers and precious metals. The outcome is an exclusive jewellery and accessory collection with a very personal touch, like loads of sister love, created on Belgian territory.
Industrieweg 100A Tessenderlo 3980 Belgium
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ABOUT CESAR
In addition to being a model, food lover, traveler and proud author of my two cookbooks Model Kitchen and Cesar’s Kitchen and the travel guide Trippin, I have launched the Cesar Casier Knitwear Collection. While growing up, I was always surrounded by fashion. My mom owns a high-end fashion boutique “OONA” in Ghent and my stepmom is a fashion designer. They were my biggest influencers and shaped my views on fashion while growing up, the logical next step was to start my own collection.
100% MADE IN BELGIUM.
KNITWEAR COLLECTION
The Cesar Casier Knitwear Collection is 100% made in Belgium, something that is very rare nowadays. Everything I design is produced in a small family owned factory located in Sint-Niklaas, a city between Antwerp and my hometown Ghent. Fact is that back in the days there were about 300 factories located in this area and now there are only two left, a sad reality. Therefore, it is important to support the revival of Belgian knitwear as much as possible!
GENDER NEUTRAL FASHION
Next to my roots, my brand represents Gender Equality. A human right I hold dear and it is something I stand for. I translate this into my designs, as they are mostly unisex. I want my brand to lead the way in gender-neutral fashion. In my opinion, gender no longer dictates the way people dress and it does not force anyone into a box. That is why I try to design as much gender neutral pieces as possible, this allows us to express ourselves exactly the way we all want to. My designs are timeless, comfortable and basic, yet fashionable and with an eye for detail and great quality
CHARITY
I’ve always loved nature and even more, the animals who live in it. That’s why, for every sold item on my website, I’ll donate 1 euro to a charity. For my previous collection I’ve donated money to help save the dolphins, The Great Barrier Reef and the Giraffes in the wild. By donating money to a good cause, I want to send awareness to the public about the beauty of nature and to support animal and nature welfare!
Hubert Frere Orbanlaan 629 Ghent 9000 Belgium