Info
We go way back..
After traveling extensively, a close friendship that started 10 years ago brought us, Loredana and Anke, together again. On the other side of the world. In Bali.
Living the island life, we were introduced to a moving world of opportunities and challenges. Of a different lifestyle, freedom and creativity. And inspired by diverse countries and numerous cultures as well, we created a fierce fashion vision. While holding on to Western values and trends, our designs breath out cultural influences in casual and timeless pieces.
Each design is unique..
and tells a story. We believe in exclusive and traditional fabrics. In sophisticated items which show that details matter, in philosophy of colours, and in the strength of every woman to create her own wearable story. With every collection, we try to spread out a certain vibe, life values that women can relate to, will be inspired from and hopefully make them inspire others.
Traditional artisans..
is who we team up with. Their cultural richness and talented hands, inspired by generations and generations of crafting beauty is what we choose for. In the midst of endless rice field views, daily temple offerings and living a true life, every day again they give the very best of themselves to be part of our brand. And your wearable story.
Cycleur de Luxe
Cycleur de LuxeInfo
BRAND INFO
CYCLEUR de LUXE is a lifestyle brand with a wide range of women, men and kids shoes and a brand new women and men textile collection. The story of CYCLEUR de LUXE starts with the world of cycling. We get our trends and the inspiration for our trends from the Belgian cycling culture.
We offer a diverse collection of women’s, men’s and kids trainers. The collection runs from signature to innovative footwear. CYCLEUR de LUXE tries to combine affordable, comfortable, innovative and trendy shoes. The stylish footwear is made of sturdy and high-quality leather, and makes use of colors that ensure a timeless design.
CYCLEUR de LUXE also offers a range of ecological men’s shoes. With awareness for people and the environment, CYCLEUR de LUXE has developed a sustainable shoe line, the RE>CYCLEUR line. The shoes are made of recycled materials and chrome free leather.
After years of preparation and months of hard work, our first CYCLEUR de LUXE apparel collection for men and women is finally on the market! It is a dream to style people from head to toe and this is the next step to accomplish this goal.
The sneaker and textile collections are offered online or in over 450 dealer locations. For a store nearby, check our store locator.
Antoon Catriestraat 39C Drongen 9031 Belgium
Info
Manice is a Belgian brand of young and colorful dresses. You will find your happiness among cocktail dresses, evening dresses, suite dresses, wedding outfits, processions of children of honor, original and exclusive dresses for everyday life, but also for your exceptional events… Thanks to the Mosaïques By Manice collection, create your own strapless dress and all the matching accessories: jewelry, stoles, clutches, headpieces and matching ties!
About the brand…
The red wire? The dress… Evening dress, cocktail dress or more simply a secret, bewitching, intimate and seductive dress.
Fresh and elegant silhouettes, charming lightness, shimmering colors… each dress is a journey! The young Belgian brand tastefully mixes the rock spirit and a creativity full of impertinence, a bit daring, all embellished with a romantic touch. The Manice collection stands out for the explosion of colors, dynamic, sparkling and light models. Special attention is paid to detail and complements each piece, giving each dress a unique and exclusive character.
Made for the active, romantic and sophisticated woman, Manice offers both dressy and urban or casual dresses, but always imbued with elegance. Each piece is handmade and unique. The outfits are available in limited quantities in order to preserve their exclusivity. Not to mention the low prices!
A subtle blend of elegance and audacity, Manice dresses casually highlight your natural femininity. They adapt to your style while allowing you to distinguish yourself. Everything is allowed…be dazzling!
Behind Manice hides…
Graduated in management engineering, trained by various designers (Elvis Pompilio, Pierre Gauthier) and abroad (Milan, Caracas, Madrid), fascinated by India and in love with fabrics, Charlotte Boute (27) keeps the best of each of her experiences to create shimmering dresses. Under the Manice label, she offers a collection of dresses offering the lightness and freshness of a young designer far from large productions. With Mosaïques, it unveils an innovative and up-to-date collection facing the difficulties of the sector while meeting the requirements of the clientele.
Chaussée de Charleroi, 53A Thorembais-Saint-Trond 1360 Belgium
Patou Saint Germain
Patou Saint GermainInfo
Her firstname smells like the best fragrances and her name takes us to the artists’ Paris.
It’s because Patou Saint Germain has the exoticism of her ethnic background – she was born at Pointe-à-Pitre – and the creativity of the most famous fashion designers. She doesn’t hesitate to try new and inspiring experiences.
In her shop, located at rue Africaine in Saint-Gilles (Brussels), Patou creates for women. She wants to highlight the best part of womanhood in each women.
The purpose of the choice of shapes and materials is to beautify the body while maintaining the practical and comfort characteristics.
Patou Saint Germain creates ready-made clothes (directly or tailor-made) like evening wears, wedding dresses…but temporary creations, art pieces, and chocolate dresses too.
She likes to surprise and play with the different faces of her personality through her art.
Let’s start from the beginning…
Patou Saint Germain was born in 1970 in Guadeloupe and, when she’s 2 years old, comes in France with her parents.
She grows up in a family of six children. From a very young age, Patou creates clothes for her dolls.
At 15, she decides to become a fashion designer and passed the entrance exam of the school “Ecole supérieure des Arts appliqué Duperré”, the only public fashion school in Paris.
She dives into the fashion world like we can do with a religion.
During her studies, she works as a salesperson at Promod and wins the competition of young designers. Promod hires her immediately as a junior fashion designer.
Quickly propeled as a chief fashion designer, she travels a lot to “type” her products…USA, Italy, Japan…
The love brings her to Brussels where she works during one year for Caroline Biss.
In no time, she wants to stand on her own feet : she opens her shop and begins to draw, create and produce. That’s where Patou entertains her clients, offers ready-made clothes and…some tea.
An other approach of the fashion world.
« I always wanted to revolutionize the fashion world. The relation between the women and the clothes is very important. It’s the extension of her body and reflects her state of mind. When a women says that she hasn’t anything to wear while the wardrobe is full, it means that she’s a new person and wants other thing that she doesn’t own. A few husbands understand it thus.
I want to support women and give them a « tool » for making them feel ease and seducing. I am at their service for their aesthetic appearance including my two cents’ worth. For example, I love the crossed heart structure because it’s enveloping and draws body’s curves. It’s comfortable and feminine.»
From the story of the suit to the Japanese influence
« By studying the story of the suit, we realize that the unsaid was implicit via the suit. This one has been replacing the language in a time when the women did not have a say. »
Patou Saint Germain feels attracted by Japan, especially by Issey Miyake and her conceptual shapes with the search of simplicity that gives some strength.
« I’m an African from Europe and, like many people that feel displaced, pursue a sort of quest for an identity. »
This search is found in her creations that involve Africa and Occident via shapes and materials. Ideas and models emerge from the discoveries of different materials, variation of silk, flax, mesh or African basin.
« I love the « Makeba »(*) style drawing and the Japanese lines like hide-and-seek jackets of kimonos. »
The worry of womanhood and originality of the style serve as a conductor line for the creation of the models.
The enhancement of the feminine body , the search of the appropriate garment and the availability are Patou’s work characteristics too.
(*) in reference to the South African singer Miriam Makeba
Original creations
We should step out of our comfortable zone and search other inspiring sources, try the unknown and show ourselves in other aspects.
That’s what Patou does when she creates amazing and audacious chocolate dresses with the chocolate maker Laurent Gerbaud for The Salon du Chocolat.
Or whether when she creates a dress with ropes and the top hat for the exhibition City Doll in Brussels. This one has been sold in an auction for a charitable work.
And tomorrow ?
« I want to continue showing that it’s possible to wear clothes differently to highlight the most beautiful part of the women. Her body is a treasury. It needs to be pampered and highlighted. What gives me the most pleasure ? It’s seeing a women’s face changing when she wears a dress…It illuminates !
OPENING HOURS
Monday & Sunday – Closed
Tuesday– Saturday – 11:30 – 18:30
96, rue Africaine Brussels 1060 Belgium
Nathalie Vleeschouwer
Nathalie VleeschouwerInfo
Nathalie Vleeschouwer offers the kind of subtle elegance to women of character who want to enjoy life actively and confidently.
The Belgian designer launched her collection in 2011, but the roots of her fashion house go back as far as 1990. Inspiration is derived from all corners of the globe and distilled by Nathalie and her team at their headquarters in Antwerp. Because the soul of the collection is inextricably bound to the designer herself, it has an authentic style and is continually evolving, just like Nathalie’s creative ideas.
Experience, craftsmanship and lasting partnerships with a handful of suppliers and workshops form the basis of every garment that bears her name. Made with love, so that you can wear it again and again, and mix & match it with different items every season. Where the creativity of this collection – released once every six months – stops, yours begins.
Who is Nathalie?
Nathalie Vleeschouwer really does exist. She is not just the designer of the collection; she is also a wife, the mother of three children and two dogs, a traveller, nature lover, city-tripper, swimmer, connoisseur, and so much more.
Nathalie actively enjoys life and the clothing she wears plays an important part in this. It gives her confidence and supports her in all her activities, making it an essential part of her life.
There may be only one Nathalie Vleeschouwer, but many women can identify with her.
Why did she create the collection?
Nathalie Vleeschouwer’s interest in fashion stems from her childhood. Her father was a purchaser for a clothing chain, and as a child she loved nothing more than to accompany him to the big clothing factories. The Antwerp Academy of fashion was a logical next step in her career, but she decided – at the age of 22 – to swap the Academy with learning from practice. This resulted in the launch of Fragile, a maternity wear collection, in 1990. In those days, making fashionable maternity clothing was unheard of. That is how Nathalie became a global pioneer in the world of maternity fashion. The collection was a great success, all the way from Antwerp to Tokyo, and many brands have since followed in Fragile’s footsteps.
Having won the Womed Award in 2010 for female entrepreneurship, Nathalie felt she was ready to embark on a new venture in addition to Fragile. To underscore the authentic style of this new collection she decided to give it her own name: Nathalie Vleeschouwer.
The first collection was presented at the international trade fair in Paris in September 2010 and was available in shops in the spring of 2011.
What does the company Natale do?
Natale stands for Nathalie, and also for the Italian word for ‘birth’.
The family business comprises two collections: Fragile & Nathalie Vleeschouwer. Both are the artistic creations of designer Nathalie Vleeschouwer. The management of Natale is in the hands of Nathalie herself and her husband, Jan.
A staff of approximately 40 work hard every day, prominently or behind the scenes, in a wide range of jobs from pattern designer to sales assistant. By outsourcing as little work as possible experience is combined, ensuring a dynamic business culture.
Who makes your favourite pieces?
Nathalie Vleeschouwer is the head designer of a creative team, and collaborates with her own pattern maker. Each design is developed in detail by our team. We strive to build relationships of trust with all our suppliers and manufacturers, in which transparency and long-term cooperation are of the essence. We regularly visit our partners on site with a view to strengthening our ties and building a genuine relationship of trust and mutual respect.
Socially responsible entrepreneurship and sustainability
Respect for people, the environment and society are key values at Natale.
By opting for quality goods at fair as a starting point, we hope to contribute to enhancing the sustainability of the fashion industry. We deliberately choose to release only two collections a year and are adverse to hypes as well as overproducing. By adhering to this long-term vision we can make honest fashion that you will enjoy for many years to come and in which both the maker and the wearer take pride.
Our collections are produced without any use of child labour, in pleasant working conditions and for honest wages by audited suppliers with whom we build up partnerships with a long-term vision.
Keeping our creative, commercial and administrative departments under one and the same roof in Antwerp ensures that Natale’s environmental impact remains limited. We make every effort to minimise our ecological footprint throughout our production chain as well. This is one of the reasons why we have been sourcing more than half of what we produce from Belgian manufacturers for over 20 years. The remaining half is primarily produced in Europe.
Step by step, we aim to integrate more ecological fabrics into the collection every season – depending on the offering – while always maintaining a correct price/quality ratio.
Kammenstraat 82 Antwerpen 2000 Belgium
Kammenstraat 82 Antwerpen 2000 Belgium
Onderbergen 17 9000 Gent Belgium
Grote Markt 62 2500 Lier Belgium
Ernest Allardstraat 8 Brussel 1000 Belgium
Driehoeksplein 8 Knokke-Heist 8300 Belgium
Jasmin Blommaert
Jasmin BlommaertInfo
‘Jasmin Blommaert’ stands for original Belgian fashion and captivating bridal wear, characterized by unique, personalized fabric designs and tailoring.
In combination with high-quality fabrics, we go for
a contemporary, stylish and comfortable look.
Clothes that are made for you…
For every occasion.
For every individual
One-stop shop and info:
Monday 12h – 18h
Thursday 12h – 19h
Saturday 10 am – 5 pm
Bride / Made-to-measure clothing: by appointment only
Kontichsesteenweg 47b Aartselaar 2630 Belgium
Dries Van Noten
Dries Van NotenInfo
Biography
Born in Antwerp in 1958, Dries Van Noten is the third generation in a family of tailors. At the age of 18, Dries entered the fashion design course of Antwerp’s Royal Academy. On graduating, he began to freelance as a consultant designer before starting his own collection of menswear in 1986. Since its beginnings Dries Van Noten has presented collections for women and men for Spring/Summer and Autumn/Winter each year. He
celebrated his 50th fashion show in 2004 and 100th fashion show in 2017.
In June 2008, the Council of Fashion Designers of America honoured Dries Van Noten with its International
Designer of the Year Award. 2014 began with the grand opening of Dries Van Noten, “Inspirations”, a first
ever exhibition featuring his designs and influences at the Musée des Arts Décoratifs in Paris. Another
configuration of the exhibit moved to Antwerp in 2015. In July France decorated Dries Van Noten with the
honour of ‘Officier de l’Ordre des Arts et des Lettres.’ In October 2016, Dries Van Noten wins the Culture
Award from The Province of Antwerp for his contribution to Culture.
In June 2018 Puig entered the capital structure of Dries Van Noten as majority owner. The designer remains, over the long term, a significant minority shareholder and continues his role as chief creative officer and chairman of the board.
2019 saw Mr Van Noten collaborate with world renowned fashion designer Mr Christian Lacroix on his
collection for Women, Spring/Summer 2020. In June 2020, and September 2021, the Council of Fashion Designers of America (CFDA) has again nominated Dries Van Noten for its International Designer of the Year Award.
Q&A with dries van noten
When did you know that designing clothes was your path & passion?
There was a certain logic to my choice as my family had been involved in fashion and the garment business for generations. My father created one of Belgium’s most innovative retailers of ‘Pret-a-Porter’ and my grandfather was a tailor. I inherited my love of garment making, its traditions and rituals, from these men and my mother. Family immersed me in the craft and skill of fabrics, impassioned me with the power of flair and style for women and men that fired my quest to explore and question the subjectivity of “beauty” and the role it would play in my life. My family was very supportive and encouraged me to continue its fashion tradition. I regularly accompanied my parents to Paris and Milan on their many buying trips for collections. Though they had imagined I might take over the retail business, that I was passionate to become a fashion designer came as a great surprise to them.
What is your design signature?
I see a garment as a singular item of excellence that is part of a larger story told, firstly, within a designer’s vision for a collection and ultimately as part of the final wearer’s expression of their style through their wardrobe. My joy is to create a garment that fuses and balances beauty, craft and function, a garment that can perform well and continue in time to become part of life’s story. I enjoy juggling with colours, textures and light in a way that evokes rather than provokes.
Where do you come up with your best ideas?
The spark of inspiration for the narrative a collection rarely ever comes in the same way. The initial idea can sometimes come quickly and remain constant throughout the design process… occur on a walk in my garden, encountering a painting or the life and work of an artist. It can be something rarefied or ordinary, for example, suddenly looking at something that has surrounded me every day and seeing it in a different way that inspires. It can be a photograph in a book or a magazine, a re-read passage in a loved book, a conversation with friends or my design team or a piece of music. For other collections the story is more of a journey, deliberate, considered, and evolves through time and the design process. Anything can be that spark that ignites the creative process. What I have learned is that one recognises the spark when it happens, it may not be too planned, be ‘of its time’ and is more emotional than cerebral.
Is there a difference between style and fashion?
Of course, style comes from within..
What colour or fabric would you never use?
None actually! Often, challenging myself to work with colours, fabrics, or forms that I have disliked and bringing them into a collection can be an important aspect of the creative process.
What is beauty?
The idea of beauty is supremely subjective and very personal. Time also plays a role when our view on what is beautiful to us evolves. A flower, a building or a garment can be a thing of wonder for one while leaving another completely indifferent. What was beautiful to us even recently may be ugly today. Luckily, all designers have their own eye on and language of beauty.
What is ugliness?
It resonates in the same way as beauty for me. It is exciting when the formerly ugly becomes beautiful.
Timeline
- 1981 Dries Van Noten graduates from Royal Academy of Fine Arts in Antwerp
- 1986 Dries Van Noten started his first own collection of menswear after working as a freelance consultant designer
- 1989 Flagship store opens in Antwerp, Belgium
- 2004 50th Show
- 2007 Paris store opens at Quai Malaquais, Paris France
- 2008 Dries Van Noten wins Internation Designer of the year at CFDA awards./ Dries Van Noten Sacred “Royal Designer for Industry” from the RSA Trustee Board in London
- 2009 Flagship store opens in Aoyama, Tokyo, Japan/ Stores opens for the men at Quai Malaquais, Paris, France
Dries Van Noten Induction to The “Galerie Des Eminents” By The Flemish Chamber Of Commerce (Voka)
Dries van Noten is gifted a gold medal by The Flemish Royal Academy of Belgium
Dries Van Noten Is Honored With the “Couture Council Award for Artistry of Fashion” By the Couture Council of the Museum at Fit In New York - 2010 Dries Van Noten Is Invited To Preside Over the 25th Edition of the “Festival International De Mode et De Photographie” of Hyres, France
- 2013 Olfactory portrait by Frederic Malle with The Nose Bruno Jonanovic
- 2014 xhibition at The Musée Des Arts Décoratifs in Paris, France
A book that accompanied his exhibition at Musée des arts Décoratifs in Paris, France - 2015 Dries Van Noten is decorated by Jack Lang of the medal
Opening of Dries Van Noten Osaka - 2016 Wins Culture Award from The Province of Antwerp
- 2017 An intimate portrait into the life, mind and creative heart the designer
A book in two volumes that depicts and documents his first 100 collection and Fashion shows
In recognition of his career as fashion designer and his contribution to the Cultural life of his native land - 2018 DVN enters in partnership with Puig as Major Stakeholders
- 2019 Collaboration with Mr Christian Lacroix
- 2020 Nominated by The CFDA for International Designer of The Year Award
Stores opens in Shanghai, China
Flagship stores opens in Los Angeles, USA the first Dries Van Noten store in the Unites States of America
Godefriduskaai 36 Antwerpen 2000 Belgium
Chauncey
ChaunceyInfo
Chauncey is Belgium brand, founded by knitwear designer Nathalie Bouhana, who worked for Hermès, Jean-Paul Gaultier and Ferragamo and photographer David Sdika. The brand is a mix of traditional elegance, with a touch of humour and surrealism. Using only the highest quality yarns, Chauncey prides itself on craftsmanship. All pieces are made of the softest natural yarns in Italy
Info
About
1961: Birth
The story begins in a little village in south eastern Turkey. We are Sunday, it is October 29, 1961, Manufer Gulcu was born. Coming from a modest family, his father is farrier and his mother is housewife. In 1966, the family leaves the village to settle in the city, where his father opens his own workshop and reconverts into the manufacturing of horse saddles. During his early childhood, Manufer goes to school while working in his father’s workshop, where he gets familiar with a craftsmanship profession.
1972: Arrival in Istanbul
In 1972, Manufer Gulcu arrived with his family in Istanbul. The city is large and living conditions difficult, forcing Manufer to quit school at the age of 11 to find work. After accumulating odd jobs, Manufer found an apprentice position in a workshop located in the Beyazit district of Istanbul and discovered the profession of sewing there. Skillful with his hands, he quickly learns and develops technical skills. Very early on, working with leather and natural materials fascinates and ambitions him.
1978: Opening of his first workshop
In 1978, when he was only 17 years old, Manufer becomes an experienced couturier, the most respected position in the profession. His boss then offered him to take over the management of the workshop. He will accept the proposal and team up with his best friend to lead a team of eight workers. At a time considered to be the beginnings of the golden age of leather, Manufer saw its activity grow steadily.
1981: Arrival in Belgium
In 1981, in a tumultuous socio-economic context, Manufer decided to leave Istanbul for Europe, where everything had to be rebuilt. He will work for 3 years in different sewing workshops until the opening of his own workshop, which will later allow him to meet his wife. At that time, the importance of leather and shearling in the world of ready-to-wear was at its peak.
1987: The workshop burns down
On November 12, 1987, the building where the workshop is located burned down. Once again, everything has to be rebuilt. The accident prompted Manufer to renovate the Maison de Maître in Brussels located at 138 Avenue du Roi. He set up his workshops there, which he named MANUFERO, as a tribute to his origins. There he will develop his activities of creation, sales to professionals and individuals. He will also put his couturier know-how at the service of other designers, and will collaborate with prestigious houses such as Natan, Yves Saint-Laurent, Kris Van Assche and Jean-Paul Knot.
1992: 29thOctober is born
In his spirit of creation, Manufer Gulcu decides to put a name on his collections. In 1992, he created his brand, 29THOCTOBER, referring to a triple symbolic date for him and his family.
1999: Marie-Claire France
In 1999, the 29THOCTOBER brand obtained its first publication in a renowned magazine, Marie-Claire France.
2004: Paris international fair
In 2004, the 29THOCTOBER brand was present for the first time at the international ready-to-wear fair in Paris. This event will open the doors of French boutiques to the Maison and give it its European dimension.
2012: MIEL Catwalk
In 2012, the Maison took part in its very first fashion show, the MIEL Catwalk, and presented a preview of its winter 2013-2014 collection.
2018: The team is growing
In 2018, the 29THOCTOBER team is growing and becomes more than ever a family house. Benjamin and Lucie, Manufer’s children, join the company and give it a digital dimension by creating the online store.
2020: The range is growing
The brand takes precedence over innovation and diversification. More than ever willing to perpetuate its craftsmanship and put its know-how at the service of innovative and committed fashion, 29THOCTOBER is launching its first capsule collection in vegetable leather. On the occasion of its birthday, October 29, 2020, the brand unveils its bag line.
Avenue du Roi 138 Brussels 1190 Belgium
Rue Joseph Stevens 41 Brussels 1000 Belgium
Nathalie Vleeschouwer
Nathalie VleeschouwerInfo
ABOUT US
Nathalie Vleeschouwer offers the kind of subtle elegance to women of character who want to enjoy life actively and confidently.
The Belgian designer launched her collection in 2011, but the roots of her fashion house go back as far as 1990. Inspiration is derived from all corners of the globe and distilled by Nathalie and her team at their headquarters in Antwerp. Because the soul of the collection is inextricably bound to the designer herself, it has an authentic style and is continually evolving, just like Nathalie’s creative ideas.
Experience, craftsmanship and lasting partnerships with a handful of suppliers and workshops form the basis of every garment that bears her name. Made with love, so that you can wear it again and again, and mix & match it with different items every season. Where the creativity of this collection – released once every six months – stops, yours begins.
Who is Nathalie?
Nathalie Vleeschouwer really does exist. She is not just the designer of the collection; she is also a wife, the mother of three children and two dogs, a traveller, nature lover, city-tripper, swimmer, connoisseur, and so much more.
Nathalie actively enjoys life and the clothing she wears plays an important part in this. It gives her confidence and supports her in all her activities, making it an essential part of her life.
There may be only one Nathalie Vleeschouwer, but many women can identify with her.
Why did she create the collection?
Nathalie Vleeschouwer’s interest in fashion stems from her childhood. Her father was a purchaser for a clothing chain, and as a child she loved nothing more than to accompany him to the big clothing factories. The Antwerp Academy of fashion was a logical next step in her career, but she decided – at the age of 22 – to swap the Academy with learning from practice. This resulted in the launch of Fragile, a maternity wear collection, in 1990. In those days, making fashionable maternity clothing was unheard of. That is how Nathalie became a global pioneer in the world of maternity fashion. The collection was a great success, all the way from Antwerp to Tokyo, and many brands have since followed in Fragile’s footsteps.
Having won the Womed Award in 2010 for female entrepreneurship, Nathalie felt she was ready to embark on a new venture in addition to Fragile. To underscore the authentic style of this new collection she decided to give it her own name: Nathalie Vleeschouwer.
The first collection was presented at the international trade fair in Paris in September 2010 and was available in shops in the spring of 2011.
What does the company Natale do?
Natale stands for Nathalie, and also for the Italian word for ‘birth’.
The family business comprises two collections: Fragile & Nathalie Vleeschouwer. Both are the artistic creations of designer Nathalie Vleeschouwer. The management of Natale is in the hands of Nathalie herself and her husband, Jan.
A staff of approximately 40 work hard every day, prominently or behind the scenes, in a wide range of jobs from pattern designer to sales assistant. By outsourcing as little work as possible experience is combined, ensuring a dynamic business culture.
Who makes your favourite pieces?
Nathalie Vleeschouwer is the head designer of a creative team, and collaborates with her own pattern maker. Each design is developed in detail by our team. We strive to build relationships of trust with all our suppliers and manufacturers, in which transparency and long-term cooperation are of the essence. We regularly visit our partners on site with a view to strengthening our ties and building a genuine relationship of trust and mutual respect.
Socially responsible entrepreneurship and sustainability
Respect for people, the environment and society are key values at Natale.
By opting for quality goods at fair as a starting point, we hope to contribute to enhancing the sustainability of the fashion industry. We deliberately choose to release only two collections a year and are adverse to hypes as well as overproducing. By adhering to this long-term vision we can make honest fashion that you will enjoy for many years to come and in which both the maker and the wearer take pride.
Our collections are produced without any use of child labour, in pleasant working conditions and for honest wages by audited suppliers with whom we build up partnerships with a long-term vision.
Keeping our creative, commercial and administrative departments under one and the same roof in Antwerp ensures that Natale’s environmental impact remains limited. We make every effort to minimise our ecological footprint throughout our production chain as well. This is one of the reasons why we have been sourcing more than half of what we produce from Belgian manufacturers for over 20 years. The remaining half is primarily produced in Europe.
Step by step, we aim to integrate more ecological fabrics into the collection every season – depending on the offering – while always maintaining a correct price/quality ratio.
Tulpstraat 104 , Antwerp 2060 Belgium