Stephan Schneider
Stephan SchneiderReynderstraat 53 Antwerpen 2000 Belgium
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About ZUID
Renée van Beurden is the founder and creator of the brand “ZUID” which she started in 1995. The brand was famous for its silky dresses, trousers and their perfect fit. Soon Renée opened her first flagshipstore “ZUID” in Antwerp at the famous Sint-Jorispoort.
After 10 years of hard work, Renée wanted to dedicate more time with her family and young grandchildren, so she decided to stop her own brand ZUID. She transformed her flagshipstore into a multi-brand store for elegant and stylish women.
Renée has the flair to pick out the most outstanding pieces from high fashion labels such as Ottod’ ame, Nanushka, Zenghi and combine them with accessories from Eveline Slijper and sunglasses from Monokel. The shop is open every week from Wednesday to Saturday from 11-18h.
Sint-Jorispoort 11 Antwerpen 2000 belgium
Tim Van Steenbergen
Tim Van SteenbergenInfo
About
Tim Van Steenbergen
Tim Van Steenbergen graduated Magna cum Laude at the Antwerp Royal Academy of Fine Arts (fashion department, textile creation and theatre costume). Subsequently he took classes in drapery and couture techniques and worked as assistant of Olivier Theyskens.
His first collection was launched in 2001 in Paris and in the same year he set up his company Mitzlavv bvba.
Meanwhile he’s up to his twenty third collection/fashion show and the label Tim Van Steenbergen is being sold in the best designer shops all over the world. His style evolves into a refined pureness and female elegance. He is a master of contemporary drapery and every detail, high quality standards, tradition and craftsmanship are being cared for.
Tim designs the costumes for international movie, theatre, dance and opera creations as for Anne Teresa de Keersmaecker, Guy Cassiers and Sidi Larbi Cherkaoui.
Between 2010 and 2013 Tim Van Steenbergen is creating the costumes for Richard Wagner’s opera cycle ‘Der Ring des Nibelungen’, Teatro alla Scala in Milan and the Staatsoper Unter den Linden in Berlin.
Nowadays Tim Van Steenbergen is increasingly evolving into a creative lab.
Recent developments thereof are ‘Metronome’, a first light design for Delta Light, an interior fabrics collection in collaboration with Aristide and total interior concepts Tim Van Steenbergen with Boa Interior.
Philosophy
The challenge in my work is the search for authenticity and artisanship in fashion.
The difference between confection and prêt-à-porter or couture is to be found in how it is made.
Handwork, quality of fabric, building a piece layer by layer, differentiates my work from confection.
I’m in search of old values in a new world.
The motivation in my work is to transfer craftsmanship and the old values into different and modern designs.
Due to my belief in artisanship, every garment is created by hand on the dummy to develop its characteristic shape.
These traditional construction process and unique draping techniques guarantee a high appreciated quality and an exclusive collection.
Studio Tim Van Steenbergen
The studio of Tim Van Steenbergen is located in a 19th century mansion close to the historical site of the Antwerp military hospital. An eclectic interior were fashion meets art, historical elements are confronted with design and vintage furniture.
The studio Tim Van Steenbergen is the optimal place to realize his ideas, situated in the pocketsize metropolis Antwerp. This refreshing cosmopolitan owes its reputation to the mighty part, the world diamond centre and its trendsetting vision of fashion.
This welcoming multicultural city-on-the-river the Scheld, is an intelligent, complex, fascinating and surprising habitat with a magnificent contemporary architecture, opera and theatre, monuments and artworks as well as its historical medieval centre.
The home of the Flemish Baroque master Rubens.
The Red Star line company set off its ships on the transatlantic voyage with millions of emigrants who set out for a new life in the States and Canada.
Nowadays Antwerp is one of the fastest growing cultural cruise destinations in Europe.
“Due to its excellent acces, it pushes you to travel the world looking for new impressions and personal experiences.”
“After all it is an attractive place to come home from where you can work independently and with an open minded view on the rest of the world.”
Creations
- ‘Hanjo’, opera, Festival Lyrique d’Aix-en-Provence / the Monnaie Brussels
- ‘Hersenschimmen’, theater , Ro Theater Rotterdam
- ‘d’Un Soir un Jour’ and ‘Steve Reich Evening’, dance, Rosas / the Monnaie Brussels
- ‘Triptych of Power; ‘Mefisto’, ‘Wolfskers’ and ‘Atropa’, theater, Toneelhuis Antwerp / Festival d’Avignon / Théâtre de la Ville de Paris
- ‘The House of the Sleeping Beauties’, opera, LOD / Toneelhuis Antwerp / the Monnaie Brussels
- ‘Adam in Exile’, opera, Opera of Amsterdam
- ‘La Chanteuse du Tango’, movie by Diego Martinez Vignatti with Eugénia Ramirez.
- ‘Prélude à la Mer’, movie, Rosas / Thierry De Mey
- ‘Das Rheingold’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Blood & Roses, the Song of Joan and Gilles’, theatre , Toneelhuis Antwerp / Festival d’Avignon
- ‘Die Walküre’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Labyrinth’, dance, National Ballet Amsterdam, Sidi Larbi Cherkaoui
- ‘Siegfried’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Götterdämmerung’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Milonga’, dance, Sadlers Wells, Sidi Larbi Cherkaoui
- ‘MCBTH’, theater, Toneelhuis / Spectra Ensemble / Vocaallab
- ‘Romeo & Julia’, ballet, Royal Ballet of Flanders
- ‘Hamlet’, theater, Toneelhuis / Toneelgroep Amsterdam
- ‘Het vertrek van de Mier’, theater, Toneelhuis / Het Paleis / Kunstz
- ‘Firebird’, ballet, Stuttgarter Ballett
- ‘Passions Humaines’, theater, costumes and set, Toneelhuis / Mons Culturele Hoofdstad
- ‘Xerse’, costumes and set, Opéra De Lille
- ‘Caligula’, costumes and set, Toneelhuis
- ‘De welwillenden’, costumes and set, Toneelhuis / Toneelgroep Amsterdam
- ‘Pictures at an exhibition’, ballet, costumes and set, Royal Ballet of Flanders, Sidi Larbi Charkaoui
- ‘Ma mère l’oye’, ballet, costumes and set, Royal Ballet of Flanders, Jeroen Verbruggen
- ‘Trompe la mort’, opera, costumes and set, Opéra national de Paris
- ‘Grensgeval’, theatre, costumes and set, Toneelhuis
- ‘Movement in Blue’ & ‘Movement in White’, Tim Van Steenbergen X Ashtari Carpets
- ‘Het kleine meisje van meneer Linh’, costumes, Toneelhuis
- ‘Vergeef ons’, costumes, Toneelhuis / Toneelgroep Amsterdam
marialei 18 Antwerpen 2018 Belgium
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ILKECOP (°2015) is a young high end label for women based in Brussels. All our garments are fully produced in Belgium with extreme care and attention to detail. This way we guarantee an honest production process with fair wages as well as a low ecological burden on the environment as shipping is minimized.
1aangepast
Ilke Cop (°1988) graduated in June 2014 from the fashion department of the academy of Sint-Niklaas (Belgium). In March 2015 she launched her own label ILKECOP and presented her first capsule collection ‘Extinct’ for A/W1516.
“As an art historian and young fashion designer I aspire to bring a refreshing view on women’s wear. The fun and wonder of fashion are essential to my collections.”
KOOLMIJNENKAAI 64 BRUSSELS 1080 Belgium
Jasmin Blommaert
Jasmin BlommaertInfo
‘Jasmin Blommaert’ stands for original Belgian fashion and captivating bridal wear, characterized by unique, personalized fabric designs and tailoring.
In combination with high-quality fabrics, we go for
a contemporary, stylish and comfortable look.
Clothes that are made for you…
For every occasion.
For every individual
One-stop shop and info:
Monday 12h – 18h
Thursday 12h – 19h
Saturday 10 am – 5 pm
Bride / Made-to-measure clothing: by appointment only
Kontichsesteenweg 47b Aartselaar 2630 Belgium
Roxane Ballon
Roxane BallonInfo
/ WHO AM I
I am a Fashion Designer based in Braine-le-Comte, Belgium.
I graduated from the School of “Francisco Ferrer” (Brussels) in the field of Fashion Design.
I specialize in Accessories Design, with a special focus on leather goods, where I was able to build an extensive expe- rience working for leading brands such as Maison Delvaux.
/ MY PHILOSOPHY
Authenticity • Innovation • Sustainability
My view of fashion is strongly influenced by craftsmanship, culture and art.
My designs are refined and functional with high-end cuts, materials and finishes.
It is important for me to design premium contemporary products, which are authentic, innovative and sustainable.
141 Rue d’Écaussinnes Braine-le-Comte 7090
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VALERIE BACART
VALÉRIE BACART IS A HIGH-END CLOTHING BRAND, MADE IN MONS.
Valérie Bacart was for many years at the head of a museum institution dedicated to textile arts. Holder of a Master’s degree in Art History coupled with a seamstress diploma, she decided to create her own clothing brand.
Valérie Bacart is a brand that develops clothes designed from “dormant stocks”, these high-end fabrics, made for designers but remained unsold.
The collection is created from timeless models which, once revisited, are available as unique pieces.
The clothes are made in limited quantities because the brand’s desire is to respect a production rhythm on a human scale. Each garment is hand-sewn by the designer in her workshop.
Wearing Valérie Bacart means choosing artisanal know-how and expressing your preferences for quality and respectful work.
Valérie Bacart lives in Mons in Belgium. In parallel with the development of her clothing brand, she teaches the history of textile art in a higher art school.
Catalina J
Catalina JInfo
WHO WE ARE
Since 2007 she designed for several women’s wear fashion brands, launching her first label collection in 2016 in order to build a strong visual brand identity, dedicated to modern and individual femininity. Catalina J develops a refined construction of actual silhouette with elaborated crafted lines and sharp details inspired from Couture technique.
Dedicated to intelligent, active and stylish woman, dresses Catalina J are the image of a truly modern urban spirit. Her signature stems are empowered by the mix between geometric cuts and pure lines. The outstanding design places the studied grace of feminine body in the spotlight revealing a continuous search of proportion, fabric and color matching.
Headed in the creative process by inspirational themes in continue progress such as art, architecture and technology, the designer highlights a minimalist, yet polished profile with clean cut, soft and superfine adds up to a superior sartorial vision.
An important step in our brand development now is identifying and implementing innovative-sustainable solutions, choosing the right and responsible way of creating.
OUR APPROACH
We are interested in bringing innovative solutions and sustainable approaches through our active research on how to develop, produce and deliver best and original designs for our customers at the same time minimizing impact on the planet.
Our new journey started in 2018 when we decided to use for our next collection organic certified cotton and next steps are to add other low impact and natural fabrics to our designs.
A new challenge that marks a new beginning for our brand strategy – a responsible consuming lifestyle that correctly integrates into our future creative process.
FABRICS
We source the purest and high quality fabrics directly from our certified suppliers which have already a well established reputation and tradition in producing it.
The organic cotton is certified with international Global Organic Standard GOTS and OEKO Tex standard for textile.
Also we use low impact fabrics which biodegrade faster and use less water to produce them: viscose, tencel and recycled fabrics.
Great things are happening in this space, with many more to come!
OUR VISION
We aim to tell stories through our collections, building a strong identity of high quality, ethically made garments with a conscious concept and sustainable practices behind.
We love to create with respect for our customers and the environment. That’s why we decided to integrate the slow fashion process, and to implement ethic and sustainable opportunities for our production, made in EU.
We bring value and enhanced product experiences to our customer – next to creative signature design while using organic certified fabrics for our collections.
Avenue de Broqueville 94 BRUXELLES 1200 Belgium
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Very Important Pixels is a fresh brand that features iconic pixel portraits on fashionable tops and sweaters. Inspired by 80s video games, Belgian designer Kristof Saelen has developed an original and unique style in which he handcrafts his works pixel by pixel
Very Important Pixels™ is a series of illustrations inspired by icons from the past and present. Each pixel portrait has been manually crafted starting from a blank canvas.
A selected collection of works was featured on apparel and other fashionable merchandise and got picked up by world-renowned boutiques such as Kitson (LA), Patricia Field (NYC), Colette (Paris), Spectrum (Milan), Venturer (Tokyo) and many more. Online prominent mentions and interviews include features on Wired, El País (Spain), My Modern Met and numerous blogs and papers. T-shirts and merch are still available online.
Visit our Rarible collection to find limited edition collectibles, hosted on the Ethereum blockchain in the form of non-fungible tokens (NFTs). Each purchased artwork automatically registers the buyer as a certified owner and unlocks secret features such as exclusive access to source files and unpublished artwork versions.
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T.VDB is the artistic fashion studio founded by Belgian multi-disciplinary fashion artist Tom Van der Borght.
The label focuses on humans rather than gender, as the core of T.VDB is hard to pinpoint under one binary definition, description or title.
T.VDB works as an independent artist, with a focus on fashion, textile, graphics, video, installation and scenography.
He is the producer of his own free work and works on commission for various partners.
Tom Van der Borght got his Fashion Design degree in 2012 at the Stedelijke Academie voor Schone Kunsten of Sint-Niklaas. Both during and after his studies he won international fashion prices and competitions.
From 2012 to 2016 he had the pleasure of showing his work during Berlin, Paris, London and Panama Fashion Week. His collections were sold in the USA, Japan and across Europe.
As a commissioned artist T.VDB worked for companies like Mercedes-Benz, Premiere Vision, DS Automobiles and Le19M. Next to that he creates artwork and video’s for national and international music artists.
In 2021 Tom received a master degree at Zuyd Hogeschool Maastricht, focusing on the intersection between performance, fashion and artistic research.
Before studying arts, Tom got his bachelors degree in Social Studies and worked for in various social organisations for several years.
Discovering at the age of 27 he suffers from a heriditary neuropathic muscle disorder confronted T.VDB with the question what is really important in life. This was the catharsic moment when he decided to study fashion design and pursue his childhood dreams.
During his study he was already confronted with the borders between fashion and art. Reflecting on his own background in social work and his own personal disposition in life led to questioning social structures, definitions, limits, … The visual language T.VDB develops goes far beyond clothes and is always creating a highly personal and questioning universe. It combines media and is crossing borders between fashion and arts.
T.VDB has an ongoing fascination for defects and errors, which comes from his own experience and the questioning of the genetic errors that shaped the designer from his birth.
Finding a place in society has always been a core element in Van der Borght’s work and life. This generated a strong interest for tribal culture, rituals and alternative/indigenous/ social structures, including elements like costumes, ritual dance and performative acts.
Being born in a typical Flemish middle class family, where culture didn’t really exist, T.VDB was fascinated by pop culture, MTV and subcultures.
“My first fashion inspiration came from the 80s, when i looked to magazines like “Mode, C’est Belge”. My mother’s classic couture training also influenced me in my love Of clothing.”
Later on in life I got introduced to more “higher” forms of “culture”. Essential in my work is the mix of those two opposites of “culture”, not necessarily as rivals or opposites. “
Marcel Duchamps once quoted : “ I do not believe in Art, I believe in Artists”.
T.VDB’s generous attitude and authentic radical way of thinking define him as a designer and an artist.
T.VDB ’s view on fashion (and clothes) isn’t purely economics:
his work could be seen as artistic objects. Clothes and outfits become part of a bigger pictures and crossing borders leads to creating a full universe, a total package.
It results in a fascination for creating video, scenography, performance and alternative ways of presentation.
A catwalk presentation has a very strong performative energy, being a boost of energy, a “hic et nunc” reflection on the present with a big artistic value.
Fashion is always a representation of the present. In his work T.VDB translates this in trying to marry the past to the future (which for him is the essence of “present”).
In 2019, T.VDB took a restart. He focuses on an elaborate masterpiece “7 ways to be TVDB”, which is a multidisciplinary selfportrait that borders on the edges between high tech bricolage, haute couture, avantgardistic fashion and low tech performance. A first stage of this work was presented in the FashionClash festival in Maastricht , and won both the Grand Jury Festival Prize as the Audience Award. With this collection the designer won the prestigious Grand Prix du Jury at the 35th Festival Internationale de La Mode de Hyères in 2020, as well as the highly desired Public Prize. His jubilant, theatrical men’s collection was praised by designer Jonathan Anderson, who presided over a jury that included, among others, consultant Amanda Harlech, model Kaia Gerber, sound maverick Michel Gaubert, photographer Tyler Mitchell, journalist Derek Blasberg and editor-in-chief of GQ, Oliver Lalanne
“What we really, really admired in the work of Tom Van Der Borght is that it was a totally new type of form, new type of shape, new type of commitment to a silhouette, and it was uncompromising,” Anderson said during a remote award ceremony. “And in this moment we are in, we as a jury believe that it was about starting this new decade with newness, this idea of originality.” Anderson continued: “It was not about looking at something for its automatic commercial sense. It was about the beauty within fashion, the handmade, the technique, and the risk in it. And I think Tom has really achieved something in what he has done and I think he will go on to do very well.”
In 2021, T.VDB had the honour to open Mercedes Benz Fashion Week Berlin, with a stunning performance he created with choreographer Blanca Li, to accompany his latest collection.
For the 36th edition of the International Festival de la Mode, he launches his new collection “Time For Love”. The collection was realised in close collaboration with Le19M, Chanel’s legendary “ateliers des Metièrs d’Art” and the support of Premiere Vision.
In the troubled world we are living in nowadays, all of us are urging for connection and closeness. We’ve been distanced, physically and psychologically but now, it’s time for love.
T.VDB welcomes you to a brighter future and a celebration of human connection. The collection is an invitation to enter the playful and colorful universe of the collection. Garments leave the borders of the individual human body and search for connections with other humans through cut, detail and accessories. The pieces play on the intersection of textures, artwork and colour.
Everybody is invited to join this contemporary tribe of neo-hippies, lonesome cowboys and genderfluid hybrid creatures, feeling the emotion in the silence and embracing love as an empowerment tool.