Dries Van Noten
Dries Van Noten
Info
Biography
Born in Antwerp in 1958, Dries Van Noten is the third generation in a family of tailors. At the age of 18, Dries entered the fashion design course of Antwerp’s Royal Academy. On graduating, he began to freelance as a consultant designer before starting his own collection of menswear in 1986. Since its beginnings Dries Van Noten has presented collections for women and men for Spring/Summer and Autumn/Winter each year. He
celebrated his 50th fashion show in 2004 and 100th fashion show in 2017.
In June 2008, the Council of Fashion Designers of America honoured Dries Van Noten with its International
Designer of the Year Award. 2014 began with the grand opening of Dries Van Noten, “Inspirations”, a first
ever exhibition featuring his designs and influences at the Musée des Arts Décoratifs in Paris. Another
configuration of the exhibit moved to Antwerp in 2015. In July France decorated Dries Van Noten with the
honour of ‘Officier de l’Ordre des Arts et des Lettres.’ In October 2016, Dries Van Noten wins the Culture
Award from The Province of Antwerp for his contribution to Culture.
In June 2018 Puig entered the capital structure of Dries Van Noten as majority owner. The designer remains, over the long term, a significant minority shareholder and continues his role as chief creative officer and chairman of the board.
2019 saw Mr Van Noten collaborate with world renowned fashion designer Mr Christian Lacroix on his
collection for Women, Spring/Summer 2020. In June 2020, and September 2021, the Council of Fashion Designers of America (CFDA) has again nominated Dries Van Noten for its International Designer of the Year Award.
Q&A with dries van noten
When did you know that designing clothes was your path & passion?
There was a certain logic to my choice as my family had been involved in fashion and the garment business for generations. My father created one of Belgium’s most innovative retailers of ‘Pret-a-Porter’ and my grandfather was a tailor. I inherited my love of garment making, its traditions and rituals, from these men and my mother. Family immersed me in the craft and skill of fabrics, impassioned me with the power of flair and style for women and men that fired my quest to explore and question the subjectivity of “beauty” and the role it would play in my life. My family was very supportive and encouraged me to continue its fashion tradition. I regularly accompanied my parents to Paris and Milan on their many buying trips for collections. Though they had imagined I might take over the retail business, that I was passionate to become a fashion designer came as a great surprise to them.
What is your design signature?
I see a garment as a singular item of excellence that is part of a larger story told, firstly, within a designer’s vision for a collection and ultimately as part of the final wearer’s expression of their style through their wardrobe. My joy is to create a garment that fuses and balances beauty, craft and function, a garment that can perform well and continue in time to become part of life’s story. I enjoy juggling with colours, textures and light in a way that evokes rather than provokes.
Where do you come up with your best ideas?
The spark of inspiration for the narrative a collection rarely ever comes in the same way. The initial idea can sometimes come quickly and remain constant throughout the design process… occur on a walk in my garden, encountering a painting or the life and work of an artist. It can be something rarefied or ordinary, for example, suddenly looking at something that has surrounded me every day and seeing it in a different way that inspires. It can be a photograph in a book or a magazine, a re-read passage in a loved book, a conversation with friends or my design team or a piece of music. For other collections the story is more of a journey, deliberate, considered, and evolves through time and the design process. Anything can be that spark that ignites the creative process. What I have learned is that one recognises the spark when it happens, it may not be too planned, be ‘of its time’ and is more emotional than cerebral.
Is there a difference between style and fashion?
Of course, style comes from within..
What colour or fabric would you never use?
None actually! Often, challenging myself to work with colours, fabrics, or forms that I have disliked and bringing them into a collection can be an important aspect of the creative process.
What is beauty?
The idea of beauty is supremely subjective and very personal. Time also plays a role when our view on what is beautiful to us evolves. A flower, a building or a garment can be a thing of wonder for one while leaving another completely indifferent. What was beautiful to us even recently may be ugly today. Luckily, all designers have their own eye on and language of beauty.
What is ugliness?
It resonates in the same way as beauty for me. It is exciting when the formerly ugly becomes beautiful.
Timeline
- 1981 Dries Van Noten graduates from Royal Academy of Fine Arts in Antwerp
- 1986 Dries Van Noten started his first own collection of menswear after working as a freelance consultant designer
- 1989 Flagship store opens in Antwerp, Belgium
- 2004 50th Show
- 2007 Paris store opens at Quai Malaquais, Paris France
- 2008 Dries Van Noten wins Internation Designer of the year at CFDA awards./ Dries Van Noten Sacred “Royal Designer for Industry” from the RSA Trustee Board in London
- 2009 Flagship store opens in Aoyama, Tokyo, Japan/ Stores opens for the men at Quai Malaquais, Paris, France
Dries Van Noten Induction to The “Galerie Des Eminents” By The Flemish Chamber Of Commerce (Voka)
Dries van Noten is gifted a gold medal by The Flemish Royal Academy of Belgium
Dries Van Noten Is Honored With the “Couture Council Award for Artistry of Fashion” By the Couture Council of the Museum at Fit In New York - 2010 Dries Van Noten Is Invited To Preside Over the 25th Edition of the “Festival International De Mode et De Photographie” of Hyres, France
- 2013 Olfactory portrait by Frederic Malle with The Nose Bruno Jonanovic
- 2014 xhibition at The Musée Des Arts Décoratifs in Paris, France
A book that accompanied his exhibition at Musée des arts Décoratifs in Paris, France - 2015 Dries Van Noten is decorated by Jack Lang of the medal
Opening of Dries Van Noten Osaka - 2016 Wins Culture Award from The Province of Antwerp
- 2017 An intimate portrait into the life, mind and creative heart the designer
A book in two volumes that depicts and documents his first 100 collection and Fashion shows
In recognition of his career as fashion designer and his contribution to the Cultural life of his native land - 2018 DVN enters in partnership with Puig as Major Stakeholders
- 2019 Collaboration with Mr Christian Lacroix
- 2020 Nominated by The CFDA for International Designer of The Year Award
Stores opens in Shanghai, China
Flagship stores opens in Los Angeles, USA the first Dries Van Noten store in the Unites States of America
Godefriduskaai 36 Antwerpen 2000 Belgium
Info
JASNA ROKEGEM
A young and energetic pioneer in combining innovative fashion and cutting-edge technology. Not only in creating unique projects and collections, but also in bringing these to life by using techniques such as virtual and augmented reality. She has a strong vision on the clothing of the future and how it can add value to our daily lives. To achieve more and think further, Jasna likes working closely together with professional partners from around the globe.
These collaborations and projects brought her a lot of recognition and exposure. As a result she received various awards, gives lectures and gets invited to big events in different fields.
In January 2016, aged 23, she founded Jasna Rok, the first FashTech design studio in Belgium.
Jasna Rok provides a window to show the endless possibilities of technology and science today, by making them visible, tangible and understandable for the big audience through interactive fashion.
Raapstraat 6 Antwerpen 2000 Belgium
Les Tontons Racleurs
Les Tontons RacleursInfo
Les Tontons Racleurs is a creative duo made of Maud Dallemagne & Nicolas Belayew. Based in Brussels, Belgium, they use mainly DIY screenprinting as their media of choice. They develop products like posters and tee-shirt, set up shows, give workshops and more.
They like to collaborate with other artists and to involve the audience in their artworks.
Info
Arlette Schmitz is a Belgian slow fashion label…
….that came about in 2018 when former journalist Sophie De Laere decided to switch careers and become a fashion designer. She studied fashion designat SASK Sint-Niklaas and specialised in pattern making.The name of the label was coined after both Sophie’s mothers. The surname of her birthmother who died a very young woman and the first name of her adoptive mother.
Towards sustainability
Our collections are conceived and manufactured locally in Belgium. For the greater part in our own atelier. This local approach results in less carbon emission and no exploitation of workers in low income countries. One of the biggest problems in fashion today is massive overproduction. Our own volumes are kept low to avoid dead stock. Our collections are not discarded after one season and remain available for an indefinite period of time. Fabrics are sourced from European mills. Most of our suppliers hold environmental certificates. Occasionally we use dead stock. We are currently investigating the use of recycled materials. We do not exclude off hand any kind of material in our collection as it is a well known fact that natural as wel as synthetic materials both pose advantages and problems regarding sustainability. Arlette Schmitz aims to make beautiful clothes that you may enjoy for many years. Our customers are encouraged to lovingly mend any wear and tear that may occur. In accordance with the Japanese philosophy of WABI SABI we see beauty in imperfection:
Nothing lasts, nothing is finished, nothing is perfect.
Or as Vivienne Westwood would have it:
Buy less, choose well, make it last
Vivienne Westwood
Code of conduct
We make sure no one is exploited during the production of our collections. Inclusivity matters to us. Although our focus lies on the female form, we welcome all persons binary and non binary, straight and queer into the Arlette Schmitz world. A well made sustainable garment comes at a cost showing respect for all fashion industry workers
Blekerijstraat 75 Gent 9000 Belgium
François van Impelaan 75 Gent 9041 Belgium
Info
WE ARE PRINT MAKERS,
WE DESIGN EXCLUSIVE PATTERN FOR FASHION BRANDS AND DESIGNERS. WE CREATE STRONG URBAN GRAPHIC PATTERN INSPIRED FROM LIFE STYLE.
31 rue de Lausanne Brussels 1060 Belgium
Roxane Baines
Roxane BainesInfo
A graduate of La Cambre Mode fashion school, Roxane Baines began her career creating accessories for iconic fashion brands such as Givenchy and Louis Vuitton Paris. She then became freelance and began collaborating with small Parisian designers.
The brand philosophy combines sobriety, modesty and embodies everyday elegance. The collection embraces femininity and simplicity with a clean, minimal design that echoes her love of nature and her journeys to Japan.
All cuts are created with simple, everyday use in mind.
Roxane Baines creates timeless pieces with common and necessary features. Extreme clean lines, devoid of any decorative elements, give free reign to the expression of the fabric…
In her search for the essence, Roxane Baines reaffirms her desire to create timeless pieces, allowing them to express their individuality and personality in everyday life.
SHOP Sur Rendez-vous 114 rue Souveraine Brussels 1000 Belgium
Howlin’
Howlin’Info
ABOUT
We are an Antwerp based knitwear brand.
Since 1981 we have been producing quality knitwear in Scotland and in 2009 we launched our new label Howlin’ (scottish slang for smelly). The way of manufacturing remains traditional but Howlin’ offers more room for fantasy in shape and pattern.
At Howlin’ we strive for timeless, playful products that are made with care. So whether it is a scarf or a shaggy waistcoat; all our products are individually manufactured and hand finished by traditionally skilled craftsmen in either Scotland, Ireland or Belgium using the highest quality yarns possible.
Small is beautiful.
MADE IN SCOTLAND
Scotland has a long history of producing the best knitwear in the world and we are happy to be involved in it for over 30 years.
Since the start of Howlin’ our goal was to bring a fresh somewhat twisted approach to Scottish knitwear while respecting its rich heritage. Keeping the best of the old techniques and mix it with new technology, patterns, colors and ideas.
In an ever faster and more automated economy we are happy to slow things down and have our focus on well made products. It’s a niche, we know, but we like niche products, a lot. Just like a small record label doing hand stamped 7 inches with personal liner notes. It’s the beauty in the details.
Each Howlin’ garment is handled individually and tenderly, throughout its entire production, from the first precise stitch to the delicate pressing and folding.
All our yarns are carefully sourced according to their quality and sustainability standards. Our beloved planet earth has a special place in our heart and we think it’s the best planet out there (as far as we know) so we want to have the lowest impact on it as possible.
Our natural yarns come from local mills, some even complete all the stages of yarn production under one roof. This includes grading, scouring and dyeing fleece before colour blending, carding, spinning, twisting and balling to produce this unique 100% pure Shetland yarn.
A quality which is often imitated but never duplicated.
MADE IN IRELAND
Over the years we have been working closely with a small Irish family run company established centuries ago.
Together with these master crafts people we produce the highest quality knitwear with local Irish yarns.
We have to admit, at first we got strange looks when we came up with our ideas but that changed over the years, now it’s simply that classic smile when they see a new Howlin’ design.
We are very happy to contribute to this unique art and craft which is not only beautiful but also important culturally to remain alive.
Producing in Ireland (and Scotland, and Belgium) not only means you have a truly unique product in your hand, it also means that the people making your goods are well paid and looked after.
MADE IN BELGIUM
Next to our Scottish and Irish knitwear we are happy to create products in our home country Belgium.
Together with several small factories in Belgium, each carefully chosen for their own speciality, we managed to make a diverse range of products which include lighter weight knitwear, jersey and towel fabric garments.
Our goal was to create durable, functional and original products which far outlives seasonal trends.
All pieces are produced in small batches and with close attention to details.
Extra special is the fact that for our jersey we don’t import fabrics but that we knit everything entirely in-house.
Therefore we can proudly say that all our Howlin’ products are truly 100% produced in Belgium.
Nationalestraat 20 Antwerpen 2000 Belgium
Kopstraatje 3 2000 Antwerp Belgium
Info
We go way back..
After traveling extensively, a close friendship that started 10 years ago brought us, Loredana and Anke, together again. On the other side of the world. In Bali.
Living the island life, we were introduced to a moving world of opportunities and challenges. Of a different lifestyle, freedom and creativity. And inspired by diverse countries and numerous cultures as well, we created a fierce fashion vision. While holding on to Western values and trends, our designs breath out cultural influences in casual and timeless pieces.
Each design is unique..
and tells a story. We believe in exclusive and traditional fabrics. In sophisticated items which show that details matter, in philosophy of colours, and in the strength of every woman to create her own wearable story. With every collection, we try to spread out a certain vibe, life values that women can relate to, will be inspired from and hopefully make them inspire others.
Traditional artisans..
is who we team up with. Their cultural richness and talented hands, inspired by generations and generations of crafting beauty is what we choose for. In the midst of endless rice field views, daily temple offerings and living a true life, every day again they give the very best of themselves to be part of our brand. And your wearable story.
Info
WELCOME TO
OUR BEAUTIFUL
CHAOS
Essentiel Antwerp stands for refreshing, offbeat & luxurious fashion, renowned for its graphic or floral prints and trendy mixes of color. The rich and unique collections are designed to provoke an emotional response.
STEP INTO OUR WORLD WHERE IMAGINATION AND BEAUTY REIGN, WHERE LACK OF ORDER CREATES A SPACE FOR SURPRISE.
The Antwerp-based brand is influenced by the numerous life experiences of its founders Esfan Eghtessadi and Inge Onsea. Esfan, the son of Nicole Cadine, grew up in a world of textiles, sketches and fashion collections. Inge had a vintage loving mother, was a fashion model and spent five years in India, where she fell in love with colors, prints and unexpected combinations.
WE WANT
TO BE YOUR
PINK PILL
In 1999 Esfan and Inge took a chance and launched a T-shirt collection. Four styles, twenty different colors: their response to the monochrome fashion landscape. After a year, the first store opened in Antwerp. Four seasons later, knitwear, jackets, dresses, shirts, and trousers in trendy colors, new materials, and an entire range of accessories were added. Essentiel Antwerp grew into a global brand with a powerful message of love, fun, and colorful surprises. A universal message that translates anywhere and everywhere in the world.
WE WANT
TO BATTLE
BOREDOM
WE CONSIDER OUR ACCESSORIES AS THE CHILLI PEPPERS IN OUR ALREADY TASTY DISH.
LIFE LOOKS BETTER IN COLOR: STAY CURIOUS AND ORIGINAL TO KEEP THINGS SURPRISING AND CELEBRATE LIFE.
Arenbergstraat 21 Antwerpen 2000 Belgium
I Love Mr. Mittens
I Love Mr. MittensInfo
When Belgian born Stéphanie Caulier visited a small knitting cafe in New York back in 2007, she was reminded of her childhood passion of knitting. Growing up in a family surrounded by knitting and sewing, it was only natural that Stéphanie developed an interest in knitwear. It has been a labour of love over the years and from small beginnings of knitting for family and friends, the brand has evolved into `I love Mr Mittens`. Stéphanie’s passion for knitwear and design is clearly illustrated through her multiple social media avenues and her masses of followers built in the last few years.
Whilst not following traditional academic design study, Stephanie has honed her skills through years of experience in her chosen craft. She combines this knowledge with her keen fashion eye to create a line of unique chunky wool garments.
I Love Mr Mittens is not only a fashion label, it is a label based upon community and sustainability whilst maintaining timeless aesthetics. This ideal also flows through to the I Love Mr Mittens stockists. The I Love Mr Mittens range is available through a carefully selected array of stockists. Quality over quantity is Stephanie’s vision for her brand and this is seen through her select group of stockists across the globe. It is also important to recognise I love Mr Mittens “Heartworking” philosophy. Each garment is hand knitted with love by Stephanie and her team. This collaboration of small, independent businesses (rather than large conglomerates) completes the vision of I love Mr Mittens to create a brand that provides a genuine contribution back to the local community. University students and retired pensioners alike, work with a common objective of executing Stephanie’s vision of how knitwear should be, simple, elegant, timeless and fashionable.
HEAD OFFICE 101 Napier street Cottesloe WA 6011 Australia