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WE ARE ZLQ.
WE BELIEVE IN BEAUTY AND DESIGN.
WE BELIEVE IN THINGS THAT LAST AND
TRANSCEND FUGITIVE TRENDS
AND SEASONAL FLINGS.
WE BELIEVE IN SOLID CRAFTSMANSHIP AND
DURABLE MATERIALS.
WE BELIEVE IN HIGH-END QUALITY.
WE BELIEVE IN THE SIGNIFICANCE OF A DURABLE OBJECT,
AN EXCEPTIONAL THING WHICH BECOMES AN INDIVIDUALITY
THROUGH DAILY USE AND A BELOVED PARTNER OVER TIME.
ZLQ BELIEVES THAT BEAUTY DESERVES TIME TO FLOURISH AND MATURE. RATHER THAN FOCUSSING ON SHORT-LOVED TRENDS OR SEASONAL DEMANDS, ZLQ STRIVES FOR TIMELESS PERFECTION. BY TAKING THE TIME TO FULLY EXPLORE THE POSSIBILITIES OF BOTH MATERIAL AND CUT, ZLQ AIMS TO REFINE ITS CONTEMPORARY CLASSICS WITH PATIENCE AND CARE. DOING SO, ZLQ EMBODIES THE VERY ESSENCE OF SLOW FASHION, A STORY IN WHICH THE TRANSIENCE OF TIME BECOMES A BLESSING.
DESIGNED TO STAND THE TEST OF TIME, EACH PIECE IS HANDCUT AND HANDCRAFTED IN LIMITED QUANTITIES. ROOTED IN TRADITION AND FASCINATED BY MODERN LIFE, ZLQ REFLECTS THE PERFECT BALANCE BETWEEN QUALITY AND FUNCTIONALITY. ZLQ REPRESENTS A FUTURE WHERE BEAUTY AND SUSTAINABILITY INTERTWINE GRACEFULLY. USING ONLY THE FINEST MATERIALS, THE CAREFULLY SELECTED LEATHER IS PRAISED FOR ITS RAW ELEGANCE AND SUBTLE PATINA. INTELLIGENT AND REFINED. SOPHISTICATED YET ADVENTUROUS.
ZLQ’S DESIGNS GAIN THEIR UNIQUE IDENTITY THROUGH DAILY USE AND BECOME A BELOVED PARTNER OVER TIME.
BEHIND ZLQ STANDS A PASSIONATE DUO DETERMINED TO TRANSLATE THEIR BELIEFS INTO A GENUINELY EXCLUSIVE PRODUCT. FROM THE FIRST SKETCH TO THE FINISHING TOUCH,
LIESBETH VERHELST AND TIM BROOTHAERS TREAT EACH ASPECT OF THEIR DESIGNS WITH GREAT ATTENTION TO DETAIL.
ZLQ DESIGNS FOR THE STRONG-MINDED WITH A SOFT SPOT FOR LEATHER LUXURY. TRUE TO ITS CORE VALUES, ZLQ’S DESIGNER GOODS WILL ACCOMPANY YOU IN YEARS TO COME.
TODAY, ZLQ HAS FOUR TIMELESS DESIGNS, EACH THE RESULT OF AN INTENSE DESIGN PROCESS. TIME DOESN’T STAND STILL, HOWEVER. ZLQ’S DESIGN PROCESS IS A NEVER-ENDING ONE, OPEN TO CHANGE AND MOTION. ZLQ’S SLOW FASHION PHILOSOPHY TRANSLATES INTO AN UNINTERRUPTED, CAREFUL EXPLORATION OF PERFECTION.
Rooigemlaan 126 Gent 9000 Belgium
Eric Beauduin
Eric BeauduinMore Info
Eric Beauduin started working with second hand materials ten years ago.
This decision was more instinctively than from an ecological conviction and he dissected old clothes to make bags.
The details and secrets of clothes and accessories such as pockets, buttonholes, lining and reinforcements have always caught his interest more than the overall aspect of clothes.
Initially he used clothes in fabric, men’s suit, shirts, coats, but quickly moved on to leather clothes.
The patina of a used leather trench, bomber or jacket gives the soul of his accessories.
Season after season he invents hand made bags with techniques coming from clothes tailoring and leather goods traditions.
Each piece is an experiment. The original clothes pockets, seams and details, the different leathers,
the colors of the passed fashion are transposed into the bags.
The shapes and the use of the bags change following the demands and desires, but the concept is always the same.
Everything is made in the designer’s house in Brussels.
Impossible to duplicate a piece.
A limited production of by number labeled pieces.
Few sofisticated selling points in Belgium, France, Japan, USA.
Should this be named slow fashion?
THINGS
All bags are cut in second hand leather jackets, trenches, bombers, skirts.
The handles, slings, straps, piping are made in the same leather.
The material is all kinds of soft and smooth leather such as lamb’s leather, calfskin, goat’s leather used in manufacturing leather clothes.
The leather is usually lined with fabric.
Some of the models are reinforced with felt inside.
The inside is made with the same leather and a black “pocketting” fabric so that keys or sharp metal
objects don’t cause any damage.
Ateliers & flagship store Rue de Laeken 86 Lakensestraat Brussels 1000 Belgium
Acie’s Cabinet
Acie’s CabinetMore Info
Handmade. Unique. Belgian.
Hi!
Welcome to Acie’s Cabinet.
First of all, I would like to thank you for taking your time to visit my website. I really appreciate it.
My name is Amber. I’m a bookworm, cat lover and potterhead; I’m a creative soul and am a fan of nordic noir (or ‘noir’ in general, really 😉).
In 2017 I started my small company Acie.
In this digital cabinet, you can find all manner of accessories for yourself, your house or your family and friends.
After having received multiple trainings (fashion design, historical costume, leather works and bookbinding), I combine different trades in unique items.
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There are certain choices I make for ecological reasons. In my personal life, this means I never travel by aeroplane (or, indeed, seldom travel at all), and in my professional life as well, I strive to have a low impact on the environment.
The number of items I produce out of one particular fabric is limited, and never will two accessories look 100% alike. Because I create items in small amounts, it is perfectly possible to create different kinds of accessories with one fabric. I design and make everything in my atelier in Belgium.
Most items are packed in upcycled boxes, and are shipped with pre-used packaging as much as possible.
Materials
The fabrics I use are purchased or designed in small amounts. Not only does this intensify the uniqueness of the accessories, it also means I have very little “waste”. I save all the scraps of fabric that are left from projects, to create new pieces with later on.
Furthermore, I buy from local shops and fairs and often go to factory sales, to rescue fabric that would otherwise be thrown away.
Linen is one of my favourite materials to work with. Linen is made from the fibres of the flax plant. This plant does not attract a lot of harmful insects, which means farmers don’t have to use pesticides to protect their harvest.
Flax needs very little water and produces a lot of fibres. Isn’t that just great?!
Leather is a material that is often not considered environmentally friendly. There are a lot of chemicals involved in the tanning process. However, there are a few steps we can take to make it a bit less harmful:
The leather I use to create bow ties with, are scraps from a shoemaking factory. The leftover pieces are too small to cut into shoe panels, but are perfect for the creation of bow ties! Zero waste fashion: check!
If I need bigger pieces of leather, I go to local shops to purchase leather that is already on hand. This means leather is never ordered or designed especially for me. Sometimes I even get the chance to find some second hand rescue leather, which always makes me very happy! The scraps from these hides are also saved to produce small items with, for example The Book Manager.
If leather is cared for properly, it will last many, many years. By buying less but better, we can all help a little in our ‘Save the planet’-mission!
Schooling
As mentioned above, I received multiple trainings:
Fashion design
Bookbinding
Leatherworks
Furthermore, I did courses in millinery, historical costume, and I learnt how to mend clothes.
I always continue to learn. I think it is important to keep improving your skills, and thanks to the combination of courses, I’ve learnt a few tricks of the trade. Or, rather, trades 😉.
Please roam freely! The pictures on this website show the kind of items I usually make. You can place an order in my webshop.
If you see an item you like, but would prefer a different colour or material, don’t hesitate to contact me for a custom order.
See you soon!
Amber
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About Boshra
Boshra (بُشْرَى) (f.): good omen, good news, good tidings Boshra Bagherpour is born in Tehran, Iran, in 1985.
Political instability in Iran soon forces Boshra and her parents to leave the country. She settles in Belgium where she has a positive and happy childhood, surrounded by love, colour and creativity. From a young age, Boshra looks up to her mother, Pari, who is a fashion designer with an exceptional talent for drawing and painting. Inspired by her mother’s creativeness, Boshra soon starts creating her very first designs. From figures and patterns to fashion and accessories. As Pari passes away at an early age, Boshra’s passion fades and her sketchbook is stowed away.
Years later, in her late 20’s, Boshra rediscovers her passion for designing and feels compelled to get back to her drawing board. Brand new designs flow through her sketchbook and come to life at her sewing machine. She follows a course in leathercrafting and pursues her biggest passion: handbags. In her improvised workshop she finishes her first official bag and names it Pari, in honour of her mother. To this day, it is still her favourite model.
Boshra’s first official designs are an instant success and she is prompted to develop her brand and open a web store. Throughout her designs, Boshra has remained true to her name, choosing positive and elegant designs, happy bags and lovely colours. With clear Eastern influences and carefully chosen Persian names, she always keeps her background and culture in mind. Boshra loves iconic and exclusive handbags with sustainable design and premium quality. All handbags are still drafted, designed and handmade by Boshra in her workshop, according to customer’s preference.
Get in touch and be inspired by Boshra’s happy and iconic designs:
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CELEBRATING WOMEN SINCE 2001
LolaLiza was founded in 2001 by three entrepreneurs who cherished the same wish: to design fashionable and affordable fashion for all women.
At LolaLiza, we believe that outer appearance reflects the inner soul, which is why it is our aim to dress confident women confidently. Each woman is beautiful, and deserves to feel alike. Therefore our customers can always count on the best service – with a smile!
Lolawhat? L-o-l-a-L-i-z-a !
Our name refers to two personal traits shared by all women: mystery and charm. While ‘Lola’ alludes to the sexy, mysterious side of women, ‘Liza’ highlights her gentle and kind-hearted personality. Women indeed have more than just one quality, and LolaLiza allows you to display them all, every single day.
EMPOWERED WOMEN
EMPOWER WOMEN
What makes us stand out? Let’s start with our ultimate favorite: the dress! Mini, midi or maxi, there is not a single piece of clothing that says femininity like the dress does. But women don’t just look their best in a dress, of course.
That’s why our collections always include playful jumpsuits, cool shorts, comfy pants and cute skirts as a fixed value in our collections.What more? Prints and color, of course! Each LolaLiza garment is defined by its unique print or combines the most beautiful hues and colors.
LOLALIZA IS A PROUD, 100% BELGIAN FASHION BRAND.
The largest part of our collections is made “in house”, in our headquarters situated in the heart of Brussels. We create fashion for women with spunk who love expressing their personality. For women who are not afraid to show who they truly are – beautiful in every way.
We design fashion for you. Women have the power to determine their own success and are even more empowered to do so in an outfit that allows them to completely be themselves.
Sexy, comfy, elegant, or extra festive? LolaLiza has got you covered on any occasion. What’s more? Our clothing is available in a wide range of sizes to ensure every woman can both feel and look good.
OUR VALUES
SIMPLICITY
UNITY
PASSION
EXCELLENCE
RESPECT
BUSINESS ETHICS
At LolaLiza, we highly value respect for our planet and our colleagues. That’s why we very much believe that doing business sustainably and in a socially responsible manner is the only way to continue creating our colorful and affordable collections in the long term.
Consequently, we think it is extremely important that the whole of our production process – from the tiniest button to the most complex print – is always in line with the International Labour Standards, which protect the rights of workers.
OUR COLLECTIONS
by our own LolaLiza designers? Our designers create all LolaLiza garments “in house”, in our headquarters in the heart of Brussels. At headquarters, they continuously deploy their creativity and expertise to develop refreshing, colorful collections.
Did you know that our collections are made
Our designers closely follow the latest trends, to which our clothing is constantly adjusted. New designs, fabrics, colors and eventually our collections find their origin when our designers merge their ideas with the latest fashion trends.
And things move fast at LolaLiza; new items are added to our collections each week. As a result, we can guarantee feminine, trendy and colorful fashion – day after day.
LOLALIZA FROM 2001-TODAY
LolaLiza has been celebrating women since 2001 and wants to keep the party going. Since the foundation of LolaLiza, our colleagues have been committed every day to help our customers dress fashionably and with confidence. Today, LolaLiza boasts over 100 stores across 4 different countries. We are a leading retailer in the Belgian fashion industry, but also leave our mark on the Luxembourgian, Dutch and French market.
The future is digital, and we are well aware of that. Besides focusing on our stores, we increasingly concentrate on digitalization, e-commerce and –to be even more close to our customers- personalisation. This way, we inspire thousands of women online on a daily basis through our fun and easily accessible web shop. In short, a lot has changed since 2001, when LolaLiza first started with only 7 stores in Belgium.
The timeline below illustrates how we have grown from a local family business into an international women’s brand.
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DIDDA
Being a ‘touche à tout’ with a theoretical background in art history & anthropology, and a bottom-up one in i.a. jewelry-design, sculpture, maroquinerie, I found myself playing around with leather way too long… So, that’s when DIDDA came up.
DIDDA was born out of a passion for craftsmanship and the desire to make durable goods with personality. Is it possible to merge beauty, functionality and sustainability?
For me, there’s nothing more challenging and rewarding than building a solid companion – to care and carry – out of a skin with my bare hands. And also, I admit, just for the smell of it…
I love building functional goods; playing with dualities; line vs volume, format and function, contrast in materials and texture, concept vs detail, directness and confusion, always searching for that certain tension.
PRODUCTION
All my leather goods are unique and handmade in my modernist rooftop-atelier in Laken – Belgium.
DIDDA proposes a main ‘solid’ collection and a more volatile one; a series of unique one-shots
made in the mood of the day. Your order can be personalized (length, left/right wear etc.) or completely tailor-made. Don’t hesitate to contact me for quotes and special requests.
All DIDDA goods are made of locally sourced skins. The leather is – depending on the design – either veg-tan, up-cycled or production residue from meat-production.
For me (an this is a vegetarian speaking…), no other material can yet replace the touch, feel and quality of leather (although we keep a wide eye open on upcoming alternatives). This very emotive and ancient material used by man – to carry and protect – remains for me a very ecological choice. It is a leftover natural material, ages nicely and with good care, a high quality leather DIDDA-bag will last at least a lifetime.
MATERIALS
*Vegtan leather:
Vegtan or vegetable tanned leather is tanned with natural materials like tree bark. Less than 10% of the world’s leather is tanned this way today. Vegtan is a thicker and stronger leather, so the designs don’t need lining, which makes the bags lighter. Vegtan has that gorgeous leather smell, tends to age better and develops a rich patina over time. This eco-friendly product is the ideal material to most of the ‘neat’ DIDDA designs. Color-options are smaller (mostly black/nude and cognac). The leather is sourced at a Belgian tannery.
*Standard full-grain leather
This leather is generally rather smooth and comes in a wide variety of colors, textures and finishing. All the skins used by DIDDA come from European tanneries (meeting the highest standards) and are
a leftover product from meat-industry. Always keep in mind that leather is a natural product that once had a life, so every skin will
have his story and tiny imperfections, which adds up to the charm and patina.
*Lining
I prefer to work with 100 % leather lining, mostly pigskin. It makes the bag slightly more heavy but it’s much stronger & more consistent in design.
*Zippers
5mm or 7mm metal zippers of superior quality by Belgian Zip Factory KROKO (zip manufacturer since 1944).
*Rope / sling
I mainly use 10 or 11mm round non-stretch/static polyamide cord of superior quality (used by sailors & mountaineers). This material – supplied by the ‘maisons’ corderie Smits-Henin and Corderie Barrois, can bear extreme (weather) conditions and will probably last forever.
When the design includes flat slings; those are made of 100% leather, sometimes doubled with flat polypropylene belts of superior quality provided by corderie Smits-Henin. These add up to the strength and anti-stretch of the slings.
Adrien Bayetlaan 11 Laken 1020 Belgium
La Maison Degand
La Maison DegandMore Info
La Maison Degand en quelques mots
Chaque homme est unique
La vocation de ce lieu incontournable de l élégance masculine est de valoriser votre personnalité, de s’adapter à votre style de vie.
Vos désirs, vos souhaits, rencontreront toutes les réponses.
Le service et le conseil n’ont pas de limites, la créativité et la passion s illustrent dans les moindres détails.
Au cSur de cet univers, deux maîtres mots :
Professionnalisme et Passion. Pour chacun d entre vous, Messieurs, selon vos aspirations :
Degand Tailleur, Degand Sport & Business et Degand Shoes.
415, Avenue Louise Brussels 1050 Belgium
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BABBI was founded in 1992 by Barbara Giaclina. The founder had the desire to see her children wear home shoes that were both elegant and comfortable. She combined her passion with the “savoir-faire” of European craftsmen – working with the finest double face sheepskin wool – and thus created home shoes for the whole family.
Burggraaf Henri de Spoelberghdreef 2 Deurle 9831 Belgium
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About
1961: Birth
The story begins in a little village in south eastern Turkey. We are Sunday, it is October 29, 1961, Manufer Gulcu was born. Coming from a modest family, his father is farrier and his mother is housewife. In 1966, the family leaves the village to settle in the city, where his father opens his own workshop and reconverts into the manufacturing of horse saddles. During his early childhood, Manufer goes to school while working in his father’s workshop, where he gets familiar with a craftsmanship profession.
1972: Arrival in Istanbul
In 1972, Manufer Gulcu arrived with his family in Istanbul. The city is large and living conditions difficult, forcing Manufer to quit school at the age of 11 to find work. After accumulating odd jobs, Manufer found an apprentice position in a workshop located in the Beyazit district of Istanbul and discovered the profession of sewing there. Skillful with his hands, he quickly learns and develops technical skills. Very early on, working with leather and natural materials fascinates and ambitions him.
1978: Opening of his first workshop
In 1978, when he was only 17 years old, Manufer becomes an experienced couturier, the most respected position in the profession. His boss then offered him to take over the management of the workshop. He will accept the proposal and team up with his best friend to lead a team of eight workers. At a time considered to be the beginnings of the golden age of leather, Manufer saw its activity grow steadily.
1981: Arrival in Belgium
In 1981, in a tumultuous socio-economic context, Manufer decided to leave Istanbul for Europe, where everything had to be rebuilt. He will work for 3 years in different sewing workshops until the opening of his own workshop, which will later allow him to meet his wife. At that time, the importance of leather and shearling in the world of ready-to-wear was at its peak.
1987: The workshop burns down
On November 12, 1987, the building where the workshop is located burned down. Once again, everything has to be rebuilt. The accident prompted Manufer to renovate the Maison de Maître in Brussels located at 138 Avenue du Roi. He set up his workshops there, which he named MANUFERO, as a tribute to his origins. There he will develop his activities of creation, sales to professionals and individuals. He will also put his couturier know-how at the service of other designers, and will collaborate with prestigious houses such as Natan, Yves Saint-Laurent, Kris Van Assche and Jean-Paul Knot.
1992: 29thOctober is born
In his spirit of creation, Manufer Gulcu decides to put a name on his collections. In 1992, he created his brand, 29THOCTOBER, referring to a triple symbolic date for him and his family.
1999: Marie-Claire France
In 1999, the 29THOCTOBER brand obtained its first publication in a renowned magazine, Marie-Claire France.
2004: Paris international fair
In 2004, the 29THOCTOBER brand was present for the first time at the international ready-to-wear fair in Paris. This event will open the doors of French boutiques to the Maison and give it its European dimension.
2012: MIEL Catwalk
In 2012, the Maison took part in its very first fashion show, the MIEL Catwalk, and presented a preview of its winter 2013-2014 collection.
2018: The team is growing
In 2018, the 29THOCTOBER team is growing and becomes more than ever a family house. Benjamin and Lucie, Manufer’s children, join the company and give it a digital dimension by creating the online store.
2020: The range is growing
The brand takes precedence over innovation and diversification. More than ever willing to perpetuate its craftsmanship and put its know-how at the service of innovative and committed fashion, 29THOCTOBER is launching its first capsule collection in vegetable leather. On the occasion of its birthday, October 29, 2020, the brand unveils its bag line.
Avenue du Roi 138 Brussels 1190 Belgium
Rue Joseph Stevens 41 Brussels 1000 Belgium