Herman
HermanMore Info
About
Since 1874, Herman Headwear has been a Belgian and international benchmark in terms of variety of hats and accessories. Our products cover a wide range of styles and models: caps, beanies, berets, chapkas, straw, felt or leather hats etc. Each year, we offer summer and winter collections for the whole family.
We launched our online sales site to give everyone access to our products. Building on a tradition passed down from father to son for over a hundred years, our main ambition is to share with you the love of a world we know well: that of the hat.
A world with varied atmospheres in which we invite you to stroll. Whatever your style – elegant, classic or fashion – and whatever the weather – rain, snow or sun – you will find the product that suits you on our site.
Rue Jean Meunier 6 Wellin 6922 Belgium
Acie’s Cabinet
Acie’s CabinetMore Info
Handmade. Unique. Belgian.
Hi!
Welcome to Acie’s Cabinet.
First of all, I would like to thank you for taking your time to visit my website. I really appreciate it.
My name is Amber. I’m a bookworm, cat lover and potterhead; I’m a creative soul and am a fan of nordic noir (or ‘noir’ in general, really 😉).
In 2017 I started my small company Acie.
In this digital cabinet, you can find all manner of accessories for yourself, your house or your family and friends.
After having received multiple trainings (fashion design, historical costume, leather works and bookbinding), I combine different trades in unique items.
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There are certain choices I make for ecological reasons. In my personal life, this means I never travel by aeroplane (or, indeed, seldom travel at all), and in my professional life as well, I strive to have a low impact on the environment.
The number of items I produce out of one particular fabric is limited, and never will two accessories look 100% alike. Because I create items in small amounts, it is perfectly possible to create different kinds of accessories with one fabric. I design and make everything in my atelier in Belgium.
Most items are packed in upcycled boxes, and are shipped with pre-used packaging as much as possible.
Materials
The fabrics I use are purchased or designed in small amounts. Not only does this intensify the uniqueness of the accessories, it also means I have very little “waste”. I save all the scraps of fabric that are left from projects, to create new pieces with later on.
Furthermore, I buy from local shops and fairs and often go to factory sales, to rescue fabric that would otherwise be thrown away.
Linen is one of my favourite materials to work with. Linen is made from the fibres of the flax plant. This plant does not attract a lot of harmful insects, which means farmers don’t have to use pesticides to protect their harvest.
Flax needs very little water and produces a lot of fibres. Isn’t that just great?!
Leather is a material that is often not considered environmentally friendly. There are a lot of chemicals involved in the tanning process. However, there are a few steps we can take to make it a bit less harmful:
The leather I use to create bow ties with, are scraps from a shoemaking factory. The leftover pieces are too small to cut into shoe panels, but are perfect for the creation of bow ties! Zero waste fashion: check!
If I need bigger pieces of leather, I go to local shops to purchase leather that is already on hand. This means leather is never ordered or designed especially for me. Sometimes I even get the chance to find some second hand rescue leather, which always makes me very happy! The scraps from these hides are also saved to produce small items with, for example The Book Manager.
If leather is cared for properly, it will last many, many years. By buying less but better, we can all help a little in our ‘Save the planet’-mission!
Schooling
As mentioned above, I received multiple trainings:
Fashion design
Bookbinding
Leatherworks
Furthermore, I did courses in millinery, historical costume, and I learnt how to mend clothes.
I always continue to learn. I think it is important to keep improving your skills, and thanks to the combination of courses, I’ve learnt a few tricks of the trade. Or, rather, trades 😉.
Please roam freely! The pictures on this website show the kind of items I usually make. You can place an order in my webshop.
If you see an item you like, but would prefer a different colour or material, don’t hesitate to contact me for a custom order.
See you soon!
Amber
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About
After reading the book “The Emperor wears no clothes” by hemp advocate Jack Herer, Emilio De Baudringhien got inspired to start a company that would bring this amazing plant and all of its benefits, back to humanity.
Since hemp is a carbon negative crop we strongly believe it can be a key player in fighting global warming… think of it this way: we are growing a plant in 100 days that takes huge amounts of carbon from our atmosphere and stores it safely in the ground, actually increasing the fertility of the soil. After the plant is harvested we can use every single aspect of the plant for a different purpose, leaving no waste. All this with a minimum input of water and nutrients and no use of pesticides and herbicides.
1 acre of hemp takes in 10 times the amount of carbon compared to 1 acre of rainforest.
Emilio doesn’t consider The Ornament Hemp Co. a fashion company since we don’t follow fashion trends or seasons. Instead we see the company as a vehicle to support the hemp movement in all its forms.
Emilio never started this company for money gaining purposes. All of the money that comes in is directly re-invested in creating more products made from hemp to help increase global hemp crop production and help create a world with more durable products made from replenishable crops such as hemp.
At the end of 2017, Emilio set up a crowdfunding campaign to set up his label. Thanks to 110 lovely backers, Emilio got his project funded and was able to take off.
Hoeden – Martine Verstraeten
Hoeden – Martine VerstraetenMore Info
Over ons
Van opvoedster tot hoedenontwerpster: hoe twee kinderdromen werkelijkheid werden!
Als jong meisje droomde ik van twee dingen: werken met kinderen en hoeden. Ik koos het pad van de kinderen en werd opvoedster van mentaal en visueel gehandicapte kinderen. Iets later werd ik moeder van vier kinderen (twee dochters en twee zonen). Na 17 jaar ten volle te genieten van mijn werk koos ik het pad van de hoeden, en eindigde mijn loopbaan van opvoedster, weliswaar vanwege gezondheids-en familiale redenen. Mijn tweede grote droom? Die werd werkelijkheid.
Ik volgde een opleiding tot modist in het erkend VIZO centrum Brucemo bij Christophe Coppens, de toen bekende Brusselse hoedenontwerper. Op 10 maart 1999 had ik mijn diploma in handen en startte mijn hoedenatelier aan huis waar ik handgemaakte dameshoeden ontwierp. Toen de kinderen groter werden, kreeg ik de behoefte om mijn vleugels uit te slaan. Op 30 juli 2009 opende ik mijn eerste hoedenwinkel in de Stationsstraat 7 te Haacht. De uitbreiding met hoeden en petten voor heren was een feit.
Na enkele jaren verhuisde ik naar nummer 13 in dezelfde straat. In maart 2013 opende ik mijn nieuwe hoedenwinkel mét atelier welke ik volledig naar mijn smaak liet inrichten. In deze winkel vind je ruime collecties hoeden en petten voor heren. Zowel voor verschillende smaken (klassiek, sportief of modern) als maten (van extra klein tot extra grote maten) ben je bij mij aan het juiste adres.
Mijn aanbod? Mijn oog viel vooral op Europese merken als Stetson, het Belgische merk City Sports Caps en het Italiaanse merk Guerra. En het aanbod voor de dames? Daar staat vooral mijn eigen collectie centraal. Een exemplaar volledig naar de maat en smaak van de klant ontwerpen, dat is wat ik doe in het atelier onder de winkel.
Daarnaast is er een ruim aanbod aan confectiehoeden en mutsen van grote Europese merken en zijn er ook nog de mooie chemomutsen van het Belgische merk LookHatMe. Toch behoren niet enkel hoeden tot mijn handelsmerk. Ook bruids-en suiteschoenen en tasjes van het Nederlandse merk Elsa Coloured Shoes kunnen op bestelling aangekocht worden. Deze kunnen ingekleurd worden in elke kleur naar keuze (de kleur van je hoed of jurk bijvoorbeeld).
En naast dit alles ben ik als docente verbonden aan het CVO Crescendo te Mechelen. Ik geef er de opleiding modist en accessoires.
Hoeden Martine Verstraeten is de speciaalzaak voor iedereen die houdt van mooie, comfortabele en kwaliteitsvolle hoeden en petten.
Martine Verstraeten
STATIONSSTRAAT 13A | HAACHT B-3150 Belgium
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Ma première collection, je l’ai faite pour un marché de Noël à Jodoigne, le petit bourg où j’habite. Cette collection avait suscité de l’enthousiasme autour de moi, un vrai démarrage sur les chapeaux de roue !
Quand je repense à ces tout débuts, j’ai parfois la nostalgie d’une démarche très libre, instinctive, parfois bien téméraire face aux obstacles techniques.
Il s’agissait alors de chapeaux pour tous les jours, en polar, en velours, en lainages, même en tissu d’ameublement…
J’ai pu me sensibiliser aux formes et aux volumes et ainsi découvrir leur effet plus ou moins harmonieux
Très vite j’ai eu envie de créer un autre type de chapeau… Des chapeaux d’été et des chapeaux plus sophistiqués et originaux pour les mariages.
J’ai pu dénicher çà et là quelques moules à chapeau dans des brocantes… Utilisant « à défaut » seaux en plastique d’un diamètre correspondant à celui d’un tour de tête, plats en bois… Jusqu’au jour où j’ai eu l’opportunité d’acheter un lot entier de formes à chapeaux dans une maison de mode qui fermait…
Au fil des années, j’ai élargi la gamme de mes ressources… Passer du travail du para sisal, au tissu sisal, au visca, rami, buntal et bien sûr aussi découvrir le plaisir de « tirer des feutres » en hiver… De challenge en challenge, j’ai reculé mes limites techniques, consultant au besoin des modistes confirmées pour recevoir aide et conseil. C’est ainsi que j’ai appris la teinture, le travail du crin, de la toile élastique et de la sparterie, la maitrise des apprêts aussi…
Quand on me demande quel est mon style, j’ai souvent du mal à répondre… Oui j’ai mes goûts personnels et aussi ma patte, ma sensibilité. Néanmoins plus que mon style à mettre en avant, je me sens au service du style de ma cliente… C’est très moteur pour développer ma créativité de rencontrer les femmes qui porteront mes chapeaux… Tant de personnalités avec chacune, bien sûr, leurs palettes de couleur, morphologies de tête, de visage, de silhouettes. Créer chaque fois pour quelqu’un d’unique est un exercice permanent et donne un supplément d’âme à mon travail.
Dès mes débuts, j’ai travaillé avec un statut « d’indépendante complémentaire » compatible avec mon travail d’infirmière. Grâce à quelques expositions, j’ai eu mes premières clientes ensuite le bouche à oreille a fonctionné….
Ce dont je suis fière :
De la couverture du vogue américain, d’avoir été dans les coulisses par mes créations de certains grands mariages belges, de quelques expos-ventes à Paris (Carré rive gauche), mais par-dessus tout, ce dont je suis la plus fière ce sont tous les retours positifs de mes clientes qui me partagent par une photo, un petit mot, un coup de téléphone leur bonheur d’avoir porté une de mes créations…. C’est vraiment cette reconnaissance là qui dynamise mon travail !
Ce que je pense de l’avenir de ce métier.
Malgré la crise économique, je crois en l’avenir de notre métier. L’histoire de la mode témoigne qu’en temps de crise plus que n’importe quand, les créateurs sortent leur génie !
J’aime le slogan de la Grande Bretagne d’après guerre: « Go ahead, get a hat !». S’habiller avec recherche et fantaisie comme un acte de résistance aux difficultés et à la morosité ambiante !
Notre époque est intéressante dans la mutation qu’elle traverse… Nous sommes en occident inondés de textiles de fabrication asiatique….Une production qui n’est pas que « bas de gamme » mais qui est néanmoins marquée par la mondialisation et la production de masse. Dans ce contexte, l’article personnalisé, le « supplément d’âme » d’une pièce artisanale a de l’avenir ! J’ose croire que la crise économique va nous pousser à consommer moins et mieux…
En habillement, les accessoires ont de beaux jours devants eux….
De nouvelles attitudes se développent : telle la démarche de recyclage …et dans cette mouvance un concept qui m’est cher, le concept du « réchauffé ». Ce concept n’a rien à voir avec celui du « seconde main »….Dans le «seconde main », l’objet en passant de main à main perd de sa valeur… Le concept du réchauffé est tout autre chose… Il s’agit d’une réappropriation d’un vêtement pour en faire un autre … Ce processus donne une plus value créative à l’objet qui est revisité et réinvesti dans un cycle de vie…J’aimerais pouvoir développer ce concept plus particulièrement pour mes chapeaux d’hivers, une ligne « streetwear » poétique…
Rue de la Grande Montagne 5 Jodoigne 1370 Belgium
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Ria’s hand-made hats
As a trained sculptor, Ria searches out different and surprising shapes, creating unique hats in her own style.
Which hat to choose?
A hat will fit on any woman’s head, but not just any hat. For each hat, we talk through the design with you to find the perfect hat to make your personal beauty shine through. We also mold the edges to give it that perfect finish. A hat that makes you look beautiful, complements the wearer and not the other way around.
Materials
Hat-making is a profession, a true craft. Felt, Sisal, Wool, Yarn and other fabrics; each requiring a different kind of preparation process to be then crafted using different techniques. Ria’s fashion training together with many years experince give her a natural advantage.
The approach
A hat worn for a special occasion requires a rather different approach than one that would be worn on a daily basis. A common starting point is taking a piece of material from the dress to be worn, with which Ria can start to colour match. A colour can then be used in just a piece, or for the whole hat. The shape, colour and fabric should form one entity.
Accessories
For those who aren’t really looking for a hat, Ria also designs various kinds of headwear (Tiaras, Diadems etc.) which are of course a must at any wedding.
Winter-hats
Besides winter-hats, each year Ria designs a selection of matching hat and scarf sets. The shape of which is of significant importance.
Sluizeken 29 Gent 9000 Belgium
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MEET THE FOUNDER
WHO IS HIDING BEHIND THE PROJECT 1971?
This high-quality Belgian fashion brand was founded by current Creative Director Christelle Loozen.
With over twenty years’ experience as a freelance denim product developer for both national and international brands and designers, Christelle is now ready to take up her own challenge through her brand 1971, offering an exclusively-designed original, high-quality and ethical product, one that is as original as it is a ‘revival’.
‘I’m passionate about fashion and I always have been. Through 1971, I am offering clothes inspired by my childhood memories, my experience of motor sports, and my unconditional love for denim.
My clothes are designed to fit most people, providing a casual yet trendy touch. With my many years of experience, I have been able to source the best sustainable yarns and fabrics from across Europe.
I’ve made the decision to work with the same European suppliers I have already worked with over the last 15 years. We share the same goals and overall vision, leaving no room for compromise when it comes to product quality, environmental impact, and the provision of good working conditions for our employees.’
We choose only the finest materials and best factories to make our timeless products, with the hope that they will last you many years, even decades.
Our prices are calculated as precisely as possible, while our partners, from workers to stores, are paid the right amount, with each and every possible cent reinvested into the local economy of each country.
We believe in a fair economy that works for the everyday.
Gerard-Sart 1 Dalhem 4606 Belgium
Fabienne Delvigne
Fabienne DelvigneMore Info
Her Story
Since 1987
Fabienne Delvigne is a Belgian milliner and has specialized since 1987 in the design and manufacturing of Haute Couture hats, jewellery, headgear, handbags and other fashion accessories. After studying Marketing, she launched her own company and became an iconic designer in Belgian fashion.
The elegant headwear that Fabienne Delvigne has created since the late 80’s has secured the Belgian milliner’s position as the go-to designer for members of the Royal Families of Belgium, The Netherlands, Grand-Duchy of Luxembourg and Sweden.
Her know-how has been rewarded since 2001, when she was initially awarded the official patent of « Belgian Royal Warrant Holder ». Fabienne Delvigne’s sophisticated and timelessly chic millinery has won her wide acclaim and this title was followed by the appointment of Fabienne Delvigne as a member of the Chamber of High Commerce « Brussels Exclusive Labels » in 2004. The same year, Fabienne Delvigne participated in the « 5 femmes de goût » catwalk show and conference at the Royal Evian alongside Chantal Thomass, Pascale Mussart (Hermès) and Anne-Sophie Pic (starred Chef).
In 2013, for the inauguration of H.R.H. King Philippe I, his wife Queen Mathilde wears the « Envolée » hat made of abaca fibre and silk. The trim of this hat symbolizes two wings that the designer imagined to symbolize the takeoff of Belgium under the reign of the new royal couple. Shortly after his nomination, H.R.H. King Philippe, like his father King Albert II had done in 2001, granted Fabienne Delvigne the title of Supplier to the Court of Belgium, perpetuating her position as a provider to the Belgian royal family.
Fabienne Delvigne collaborates with other fashion houses such as Giorgio Armani, Chanel, Dior or Natan. In 2007, she created a hat for the Van Cleef & Arpels catalogue.
Very imaginative, she likes to collaborate with other talents to express her know-how in new and original ways, but always with refinement.
In 2014, for example, she was asked by the Carrières du Hainaut to design their new booth at the Biennale de Courtrai (a design and decoration fair).
Two years later, her talent was once again asked to create hats for Maison Guerlain launching their new perfume « Intense » for the « La Petite Robe Noire » collection.
She has also made crystal or chocolate hats and, more recently, she collaborated with BMW and created two hats for the launch of the new i8 Roadster.
Reasonably eccentric with a touch of originality, her fashion accessories are aimed to make woman look more beautiful and attractive. Her style is definitely feminine, aerial and innovative.
In 2008, the Studio Collection offering hats for everyday wear was launched, it is also available for gentlemen. Today, these collections can be purchased through her e-shop launched in 2018.
On the occasion of the 30th anniversary of la Maison, Fabienne Delvigne retraces her extraordinary career as a Belgian entrepreneur, hat designer and holder of high luxury craftswoman. Her book “Sublimer par la différence” is prefaced by Stéphane Bern and Diane von Furstenberg.
In the year 2021, the Caring Hat project was born. This line of hats, turbans and caps is designed for people suffering from alopecia (hair loss) as a result of cancer treatment or a serious illness.
Fabienne Delvigne’s hats and accessories are designed and handmade in her designer’s studio in Brussels.
Fabienne Delvigne Portrait Red Hat
The designer regularly holds conferences on the magic of her craft as a designer and on the « Art of Elegance ». These conferences can be held in her workshop where you will be able to discover Fabienne Delvigne’s universe during a privileged visit in an exclusive and unique setting.
rue André Fauchille, 8 Brussels 1150 Belgium
Delphine Quirin
Delphine QuirinMore Info
The trunks belonging to Delphine Quirin’s grandmother were veritable treasure chests when she was a child. The dresses, suits and costumes that they contained would later go on to provide the future designer with an important source of inspiration. And already as a child, hats stood out above everything else as a thing of wonder.
History of Art studies completed later in life at the University of Liège left Delphine with a real store of data and a clear preference for the talents of artists as diverse as Vermeer, De La Tour and Edward Hopper.
After training as a fashion designer, Delphine set up her own design business in 1996 and started creating her first hats – unique and tailor-made creations essentially to accompany formal dress. She then opened a shop in the historic centre of Liège and continued to create the framework for what would soon become not just a business but an expression of her personality. Being open to a wide range of influences, she soon discovered knitting and this then gradually become her preferred production technique. She really played a trump card in Paris in 1999 when she drew attention to a mini-collection of gloves and scarves – and of course hats – created out of mohair and boiled wool.
Delphine had found her niche! She was now creating regular collections, and presenting and selling them at large trade fairs in several European countries, as well as in the US and Japan.
By following her instincts and desires, Delphine has reached her goal. She has elevated the hat back to its rightful position of elegance, saving it from the stagnation of long-produced designs. She has made it a practical and light daily accessory that can be worn in all circumstances. Delphine’s hats are a subtle mix of colours and designs, reflecting our own contemporary mix of cultures and ideas. And although they do not follow ephemeral fashion trends, they are in tune with the world around them and each piece tells its own story
Delphine is proud of her Liège roots and refuses to use industrial production methods. Her hats are made using traditional techniques by a small team of knitters, embroiderers and seamstresses, enabling her to oversee all the production stages, and at the same time, to take meticulous care in order to ensure that all of her knits are perfectly finished.
26, rue Pierreuse Liège 4000 Belgium
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Raising the concept of a scarf to the status of an exceptional item imbued with character. That is what Emmanuel Demuynck of the Belgian company Monsieur Maison succeeds in time after time. And with flair. One could describe his creations as unique stories. They are almost poetic and above all beautiful. They are the fruit of an exciting search for rare couture and haute couture fabrics from days gone by, the unique combinations of which today constitute the clearly recognisable trademark of Monsieur Maison. With each of his scarves, Emmanuel creates a link to a very special figure from the 20th century.
The secret of the perfection of Monsieur Maison scarves lies in its capacity to create the perfect blend of designs, colours and fabrics.
The scarves are made in Belgian workshops which is a very conscious choice on the part of the designer. The workshops guarantee an outstandingly high-quality approach and the seamless translation of what Monsieur Maison seeks to communicate in its unique models. The handwork and the know-how result in quality and durability, two aspects that are very important to Demuynck.
Who is the designer Emmanuel Demuynck?
Emmanuel studied painting at the Royal Academy for Fine Arts in Ghent. In addition to designing this collection, he also offers his freelance services for design and merchandising projects. He is also a purchaser and consultant for Belgian labels and multi-brand stores.