Discover the places where BelgianFashion is born
Haute Ecole Francisco Ferrer
Haute Ecole Francisco Ferrerrue de la Fontaine 4 Brussels 1000 Belgium
More Info
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The workshops are a moment of sharing where time stands still : a unique immersive experience in a cosy atmosphere where participants return home with a personalised leather piece and a strong feeling of pride 🙂
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Experience is not required. Only good eyes, and your good mood!
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You will find below the calendar of workshops. And at the bottom of the page you have more info & pictures about each workshop.
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Note that we also offer customised and team building workshops. Do not hesitate to contact us 🙂
The Brand
Kinamania is an independent Brussels-based atelier with a passion for leather. We make fine iconic footwear inspired by cultural heritage and revisited with elegance and dare. The shoes are made in Spain and Portugal.
“I find my inspiration in basic footwear styles that have stood the test of time to which I add fashion-forward details. This is my way of reinventing heritage.” Kristina
The brand has two main lines – The Essentials which are timeless collections and The Collaborations where Kristina partners with artists, artisans and craft-based NGOs to put their craft in the spotlight.
Collaborations
Kristina has a deep appreciation of makers and cultural heritage combined with a passion for leather as a primary raw material. Driven by her curiosity and her hunger for discovery of creative works, she collaborates with artisans and artists on her shoe collections and takes great pride in partnering, when possible, with craft-based NGOs that drive real changes in people’s lives.
The founder
Former designer and production director to the Johnny Farah House of leather accessories – between Beirut & NY – Kristina Zouein spent countless hours in artisans’ workshops. As a self-taught designer, this was a very formative experience.
In 2015 and with more than 10 years experience, she decides to create Kinamania, a slow fashion brand of accessories with a balanced mix of humility, sobriety and dare.
Of Canadian-Lebanese origins, Kristina lived most of her life in Beirut, until she met her partner and moved to Brussels a few years ago
A committed brand : Kinamania X Cancer
“In November 2019, I was diagnosed with breast cancer which pushed me to redefine the way I am leading my life and my business. Statistics show that 1 in 8 women are diagnosed with breast cancer, and I was chocked when I learnt those numbers, especially to discover that so many women, like myself, below the age of 40 go through this for reasons that are still unclear. Since then, I have committed to support cancer research.”
Leather and sustainability
Kinamania shoes are made from domesticated animal skins that are raised in agricultural settings and treated in European tanneries that are certified for their environmentally friendly working method.
The European leather industry is at the forefront of the conversation and innovation towards lower impact and circular practices :
+ to reduce chemical usage, water, and waste compared to traditional tanning processes.
+ to make sure that animals from which the hide is used are being treated well
+ to ensure that people who produce the leather are treated fairly
Fun facts to know 🙂
+++ It is through a failed romance with a Spaniard that Kristina discovered the abarca sandal style. This traditional Spanish sandal was the trigger to her shoe brand.
+++ KinaMania is a brand name with roots in ‘menorquina’, the alternative name for the abarca sandal which was originally handmade on the island of Menorca in the Baleares. The mania for Kinas is born from menorquina mania!
+++ The shoes have singer name and the subtitles refer to uplifting songs that align to the Craft Your Day tagline.
+++ The tag line says CRAFT YOUR DAY with two dashes. The two dashes symbolise the craftsmanship and hand-stitched design signature of the Kinamania fine footwear atelier.
Atypical leather-craft workshops
Kristina also offers creative leathercraft workshops combining leather and modern technology.
The objective behind those workshops is that participants personalise a beautiful object – in a warm and friendly atmosphere – and proudly return home with a unique souvenir.
WE ARE OPEN !
In the prestigious Royal Gallery of Saint Hubert, center Brussels !
Kinamania will be here until July 25.
Looking forward to welcoming you!
Galerie du Roi 22, 1000, Brussels
Open Tue-Sun from 11H-19H
Galerie du Roi 22 Brussels 1000 Belgium
13 Bollinckx Street Brussels 1070 Belgium
More Info
LA PREMIÈRE BOUTIQUE DE CADEAUX ÉCO-RESPONSABLES ZÉRO DÉCHET DE BRUXELLES
Orybany rassemble une communauté d’artisans/créateurs locaux. Nos activités se déclinent sur 4 axes : la boutique éthique et durable – les ateliers créatifs – les marchés de créateurs – un accompagnement de nos artisans/créateurs pour le développement de leurs activités. Découvrez notre sélection de produits éthiques et durables sur notre E-Shop.
ENSEMBLE VERS UN NOUVEAU MODÈLE DE CONSOMMATION
La communauté des artisans/créateurs d’Orybany porte à bras le corps le projet d’Orybany. Tous soucieux de proposer un mode de vie éthique, écologique et durable, nous mettons tous nos énergies à vous proposer des alternatives de consommation en accord avec nos valeurs. Comme chaque petit geste compte et comme le changement commence par soi, nous voulons faire la différence et incarner le changement.
Aujourd’hui, Orybany est la première boutique de cadeaux éco-responsables zéro-déchet de Bruxelles.
L’ASBL Ateliers Orybany est un concept fédérateur de la scène créative bruxelloise lancé en 2013 par Juliette Berguet et Liliane Malemo, le projet est maintenant porté par la communauté des artisans/créateurs qui forme la famille d’Orybany. De la boutique, à l’atelier, en passant par l’organisation des ventes privées et des marchés d’artisans/créateurs (anciennement connu sous le nom de “Re:Creation Hall/ Marché de Demain”) ; l’ASBL Ateliers Orybany promeut un modèle économique de proximité, avec une dimension durable et sociale.
OryBany est la combinaison des mots « Oryginis » -les origines- et « Banynga » – la communauté – en langue lingala. D’où viennent les hommes, la matière ressource et comment leur interaction fait naître une création.
AU COEUR DE BRUXELLES
Après 6 années passées aux Ateliers des Tanneurs, l’ASBL Ateliers Orybany a posé ses valises à la Place Saint Géry depuis juin 2019.
La place Saint Géry et ses halles sont le symbole d’une cité ouverte et pluriculturelle et reflètent le caractère intimiste de la ville.
Orybany réunit dans ce lieu des artisans-créateurs locaux d’univers différents. Chaque artisans-créateur a son histoire et nous la racontons avec lui.
ARTISANS – CRÉATEURS ET MARQUE ÉTHIQUE
Les artisans-créateurs sont le coeur d’Orybany.
Notre mission est de les aider à développer leurs projets en leur offrant une vitrine, un contact avec leurs clients à travers la boutique et ou les ateliers créatifs. Malgré leur univers parfois éloignés, nous partageons les mêmes valeurs “humaines et durables” avec nos collaborateurs (artisans-créateurs & marques).
Une production locale et durable pour une consommation responsable et respectueuse de notre environnement.
Espace pour les artisans-créateur(trice)s :
Si vous aussi vous êtres créateur/créatrice de mode, à la recherche d’un endroit chaleureux, accueillant, accessible en plein centre de Bruxelles, Orybany est là pour vous.
Vous pouvez nous rejoindre de plusieurs manières:
Dans la Boutique sous forme de contrat “dépôt/vente” pour une longue période (3mois min).
Pour l’Atelier de façon ponctuel pour y organiser vos ateliers créatifs.
Pour une “Vente Exclusive” le temps d’une semaine et/ou un weekend. Nous privatisons une partie de la boutique rien que pour vous.
Pour un “Expo/Vente” le temps d’un weekend lors de nos rendez-vous mensuel.
Pour nous rejoindre, on vous invite à compléter le formulaire créateurs via ce lien .
Nous ne manquerons pas de reprendre contact avec vous dans les plus brefs délais. Besoin de plus d’informations, envoyez-nous un mail à info@orybany.com, et nous nous ferons un plaisir de vous renseigner sur nos différentes formules créateurs ainsi que nos conditions.
Orybany est avant tout un espace de co-création. Venez créer, rencontrer d’autres artisans-créateur(trice)s, partager votre passion avec eux et nos clients.
Ateliers 62 rue des Tanneurs Brussels 1000 Belgium
La Cambre
La CambreMore Info
La Cambre is one of Belgium’s leading schools of art and design.
Founded in 1927 by the architect and designer Henry van de Velde, the Ecole nationale supérieure des arts visuels of La Cambre (ENSAV) has some 700 students spread across 17 departments: ceramics, animation, drawing, urban design, engraving and the printed image, painting, photography, sculpture, and an art restoration department. Its design departments include industrial and textile design, book and paper design (bookbinding), interior design, set design, fashion design, as well as two graphic sections – graphic and visual communication and typography. A new Master’s degree in accessories design completes the curriculum.
Students attend several cross-disciplinary courses, either optional or compulsory, including digital art, live model, colour, video, body arts and performance, book art and illustration. As well as art training, they are taught theory and technical skills, both general and specialised, and are encouraged to go on work experience by taking part in the Erasmus student exchange programme, as artists’ assistants, and at arts centres, creative studios or with companies.
TEXTILE DESIGN
Through its history and its ubiquitous presence in everyday life, textiles embrace symbolic and functional, cultural and decorative dimensions in uses which are both personal and collective. A flexible material, textiles are moveable, made of fibres and threads, wefts and stitching; they nurture complicity with the line, the text and digital processes. They are the bearers of countless expressions of ancestral know-how and a prospective terrain for research, the catalyst for a vast industrial sector. The search for textures and structures, rhythms, drawings and colourations is the very subject of the work of the textile designer, which they implement as a means of autonomous expression or towards established applications.
The studio’s programme enables students to understand the issues of textiles within a wide vista and through them to make coherent choices in accordance with their aspirations. The transversal nature of textiles leads students to imagine it deployed across art, fashion and design and invited into hitherto unseen terrains. The demanding character of interactivity with different fields of application takes the form of individual or collective working partnerships.
The students develop a personal language by fundamentally questioning the medium, as much in terms of its sensory, functional and cultural resonances as through its technical processes. This implies the acquisition of tools of analysis, creation and production through the varied professional backgrounds of the studio’s teachers, and thanks to the assistants who bring to creation the general courses and optional arts-course tutorials. The experimental processes develop through learning the techniques of weaving, stitching and printing. Successive interpretations of the work enable its multiple issues to become more apparent, its special features to be honed, and its status to be formulated. Working partnerships with external bodies or other studios within the school, training courses and enrolling the studio in international networks aim to stimulate the creative processes, to kindle exchanges and encounters, to refine the developments of the project. In addition to the general compulsory training course available to the different studios organized at La Cambre, the bachelor’s aims to provide the student with an understanding of the whole of the textile industry, of its multiple sources and issues. Over the course of the three years, the students develop experimental protocols and respond to given topics by questioning the different levels, statuses and applications of textiles. The demanding nature of a technical polyvalence permits an opening to various specializations.
The master’s entails an engagement on the part of the student in a domain of creation, based on an awareness of what they are undertaking and accomplishing in the professional, artistic and social world. The programme helps the student to choose a personal project, developed over two years and whose implementation transcends the scope of the school. The students have access, in optional form, to different courses and multidisciplinary studios at La Cambre or in other establishments, in such a way to adapt the programme to the demands of the subject chosen. Internships and residences in various contexts at an international level are encouraged during the master’s.
Pedagogical coordination:
Linda Topic, textile designer Anne Masson, textile designer
FASHION DESIGN
The Stylisme and Fashion Design studio offers training which hinges on the two primary axes of its title. Stylisme meets a precise demand in a given context. It immerses itself in brand strategy development from every angle: product, communication, distribution, extensive research. Cultural, social, aesthetic and technical skills combined with analysis abilities, the accuracy of perception and of communication are the assets of a fashion designer positioned at the centre of the company. The design of fashion(s), less influenced by economic logic, develops a more personal and innovative writing. The two disciplines, stylisme and fashion design, have in common the highlighting of the body through the use of volume, images, colours and materials: they study every facet of fashion as a contemporary form of expression.
Through exercises and specific projects, the student is led to work on concrete statements and to develop, collection by collection, an ever-more personal style. Through their investigations they are ineluctably brought face to face with a language rich in signs, which they have to learn how to decrypt in the light of its sociocultural context. It is from this approach that they draw the elements which will permit them to develop a personal and innovative style. Apart from a sound knowledge of what is going on in the world of fashion, a good general grounding in terms of art, history, literature and cinema as well as a large openness of mind and a boundless curiosity will be indispensable for them. The studio’s curriculum highlights a number of fundamentals:
observation of the body and construction of volume ;
creative approach: personal research through the analysis of texts and images, and subsequently the development of themes, collection concepts, the composition of a range of colours and producing a personal dossier;
development of volume through the techniques of moulding, sewing and mesh work, as well as working on materials through various techniques, including screen printing;
construction of a coherent collection through the drawing of silhouette outlines, developing canvas, the choice of materials, producing prototypes in definitive form;
finishing the collection through accessorizing, fashion photography, casting and choosing the staging for the various modes of presentation (installation, catwalk parade, performances, video editing, etc.)
In the bachelor’s, alongside the core curriculum, the student is led to work on concrete statements, to build for themselves a technical vocabulary in terms of cut, couture, the handling and the finishing of textiles, drawing silhouette outlines, graphic design, etc. and to develop over successive projects an ever-more personal style. It is also during the bachelor’s that they acquire the concept of collection and that they complete two external internships in a fashion house or with a designer.
The master’s is the setting for the culmination of a long process of maturation and osmosis between creativity and acquired technical skills. The student must be able to assume full responsibility for their creative choices. They must also be capable of defending them through a coherent sales pitch and an end product which is perfectly in line with them. They complete two long-term internships in a renowned fashion house or with a designer abroad. Their final-year thesis concludes an educational curriculum of at least five years spent within the studio and constitutes a genuine business card to gain entry into the profession.
Pedagogical coordination :
Tony Delcampe, fashion designer
21 Abbaye de La Cambre Brussels 1000 Belgium