Bernard Depoorter
Bernard DepoorterInfo
Luxury Couture – Prestigious Ready-to-wear . A Style in honor of “Women.” a world of mystery, where austerity and fragility intertwine. A mystical, ghostly, monastic atmosphere. In secret castles of many years, in the reflection of the mirrors and the strangest yet tender memory of Empress Sissi. This is the sphere in which evolves Bernard Depoorter. His creations give back to the woman of today her elegance and purity. He draws silhouettes that emphasize small waists and long legs enhanced with endless stilettos.
Rue du Béguinage 39 Wavre 1300 Belgium
La Rosa
La RosaInfo
Matteo La Rosa started the brand in June 2019.
In October 2020, he showed his first official collection to the public during Paris Fashion Week.
In June 2021, his second collection was shown through an online show. His first official men’s collection was shown then.
Matteo La Rosa is a Belgian/italian fashion designer and stylist from Antwerp. In 2019 he started his label MATTEO LA ROSA .
He mainly takes inspiration from the 80s. Where he is inspired by music such as new wave. The darkness and the color black he draws fully on to his collections.
Matteo designs for the powerful woman. A woman who knows what she wants and is not afraid to show it. He embraces the female body in a way of pure elegance and adores how the garments fall over the body. The essence of this comes from his strong bond with his mother and grandmother. Two power women in Matteo La Rosa’s life.
Although he designs his silhouettes based on the female body, gender neutrality plays a very important role in Matteo’s designs. He actually designs for the person rather than the gender.
He usually shows his creations on models where the phenomenon of “woman” or “man” is non-existent. Only a true harmony between the garment and the body.
The sustainability aspect is very important in Matteo’s design process. Thus, everything is made in MATTEO LA ROSA’s own ateliers in Belgium.
He does not have a large stock of garments which means that no unnecessary fabrics are used and no waste is produced.
The brand MATTEO LA ROSA is built from a love for recycling old pieces and transforming them into new pret a porter pieces. As a result, each new collection will be a mix of archive pieces and newly produced pieces.
Collections include pieces for both men and women who feel good in an edgy basic silhouette of monotone colors.
Weg naar As 255 Genk 3600 Belgium
Natacha Cadonici
Natacha CadoniciInfo
Of Italian and Russian origin, everything predisposed me to become a designer and craftsman: Russian great-grandparents breeders of Astrakhan sheep, a daddy shoemaker who worked diligently with his sewing machine and maintained joyful contact with his customers, a mother who had made-to-measure dresses at a local seamstress and an Italian aunt who had set up her own beauty and hairdressing salon in the center of Milan, a magnificent woman, sunny, stylish, smiling, full of energy.
After studying at the Free University of Brussels (Roman Philology / Letters), then in Fashion Design (Institut Saint-Luc), I decided, in 2006, to create some tops that are sorely lacking in my wardrobe: tops that are elegant but not too much, comfortable but stylish.
I am going straight away for viscose jersey because it is an ultra comfortable material, very pleasant on the skin, natural, easy to work with, easy to wash, which lasts over time.
But to give it a more stylish look than a simple T-shirt, I quickly decided to add some nice details:
– other materials such as cotton, wool in cutouts
– asymmetrical necklines that you can’t see anywhere else
– punchy graphic elements, like piping, ribbed edges, which give light to my basic colors: navy blue and black. The ribbing that I create are knitted exclusively for my brand. They are therefore not found anywhere else!
MADE IN BRUSSELS
Beautiful, joyful, luminous and lasting
One of the recognizable characteristics of my work is the use of ribbons that finish the garment in the neckline, the sleeve ends and the bottom of the tops, with peppy and bright colors: a base of mostly ecru with touches of fluorescent orange, fluorescent pink, fluorescent yellow, copper lurex etc. These ribbons are designed by me: I select, among 200 different colors from my manufacturer, the right combination of colors, the height of the lines, the best fabrics. These 100% cotton creations are produced exclusively for my brand in the north of France. You won’t find them anywhere else!
Make in a small conscientious clothing workshop in Brussels
From the start, I have all my creations made in a clothing workshop in Brussels which has excellent craftsmanship. I found Alicia a bit by chance and how lucky I was to cross her path: she works for all Belgian designers, including the cream of the crop! I am proud to give a job to this super Polish woman who set up her business on her own in Belgium and hired 4 seamstresses who were her colleagues in Poland. Over time, we have developed a very nice relationship of trust, respect and we understand each other in a single glance.
Alicia and her employees work at their own pace, without pressure and she practices fair prices for all which allow her to pay her 4 seamstresses with dignity and fairness. I really feel that she makes my designs as if they were her own: conscientiously, with love and with a smile. They all always discover my new models and my new fabrics with curiosity and impatience. They love my design and therefore work with it with pleasure, which is priceless to me.
All the advantages of preorders
- It reduces the use of the earth’s primary resources
- It allows me to have more cash, which is more comfortable for me
- It allows me to dare more to offer you less commercial and more daring models since I only invest money in a prototype and not in a complete blind production without knowing if this new creation will please you or in what sizes will I sell it
- It allows me to make the best use of certain exclusive fabrics that I only have in limited quantities: I only produce the right sizes that you pre-order; I can thus satisfy all of you; whereas when I was producing blind I had some models left in unsold sizes and some of you were frustrated that you couldn’t order it in their size since I no longer had this precious fabric
- It allows me to offer you creations that are really in line with the weather and adapt to it
- It allows my clothing workshop to produce at a much more humane pace: the seamstresses sew throughout the year instead of having to produce a production that must last 6 months in a single month
g requires a little patience. This is not a compulsive purchase but a real crush. I am also very available by email or phone to answer all your questions. I am committed to offering you sustainable, soft, joyful creations that will do you good. And you have a double pleasure: that of pre-ordering and that of receiving it a few weeks later.
Rue du Marché au charbon 62 Brussels 1000 Belgium
Oxana Yan
Oxana YanInfo
Since my childhood, my grandmother taught me not to throw anything away, always recover clothes by transforming them into something else.
Always passionate about fashion, I taught myself to sew and create the models I wanted. My studies in architecture allowed me to acquire the precision necessary for the development of a pattern. Thanks to this, I worked in the fashion field, as a production manager in the “Mulieris” clothing workshop and as a seamstress in the “Recréart” boutique workshop specializing in the transformation of second-hand clothing.
While working at “Recréart” I realized that transforming clothes, giving them a second life, really appealed to me. In addition, the fruits of my labor sold well. I am passionate about creation.
I notice that in our consumer society, few people really pay attention to an important concept: recycling. Our planet does not have unlimited resources, so little by little we must take responsibility and begin to have a spirit of respect towards the planet.
By recycling, we prove and demonstrate that it is possible to live as eco-responsible people capable of not exaggerating the use of the Earth’s resources. Already in Belgium, more and more people are interested in organic products, I want to be part of this movement and produce clothes showing that the world of couture is not only pomp and luxury.
Info
ILKECOP (°2015) is a young high end label for women based in Brussels. All our garments are fully produced in Belgium with extreme care and attention to detail. This way we guarantee an honest production process with fair wages as well as a low ecological burden on the environment as shipping is minimized.
1aangepast
Ilke Cop (°1988) graduated in June 2014 from the fashion department of the academy of Sint-Niklaas (Belgium). In March 2015 she launched her own label ILKECOP and presented her first capsule collection ‘Extinct’ for A/W1516.
“As an art historian and young fashion designer I aspire to bring a refreshing view on women’s wear. The fun and wonder of fashion are essential to my collections.”
KOOLMIJNENKAAI 64 BRUSSELS 1080 Belgium
Jan-Jan van Essche
Jan-Jan van EsscheInfo
AS FOR MANY OTHERS, THE HUMAN COLLECTIVE CULTURE REMAINS AN ENDLESS INSPIRATION FOR JAN-JAN VAN ESSCHE TO CREATE NEW GARMENTS, EACH NEW DESIGN A GENUINE ATTEMPT TO OPEN UP NEW PERSPECTIVES AND TO PUSH CONFLICTING DIALOGUES FORWARD.
WITH EVERY SERIES OF GARMENTS, TRADITIONAL PATTERNS FROM DIFFERENT ETHNO-CULTURAL ORIGINS ARE CAUTIOUSLY STUDIED AND SUBSEQUENTLY INTERPRETED IN THE DESIGNER’S INDIVIDUAL PATTERN LANGUAGE; ONE SPEAKING THE POETRY OF SIMPLICITY.
JAN-JAN VAN ESSCHE MOSTLY OPTS TO REMOVE ALL POSSIBLE SEAMS AND MINIMALIZING DETAILS AND CULTURAL CONNOTATION, WHILE MAXIMIZING COMFORT FOR THE WEARER AND THEREFORE PROPOSING AN EXPERIENCE THAT WORKS FROM THE WITHIN.
UNLIKE CLASSIC WESTERN APPROACH TO CONFINE AND SHAPE THE BODY, JAN-JAN PROVIDES THE BODY THE LUXURY AND FREEDOM TO SHAPE THE GARMENT.
HIS SINCERE AND DISCRETE DESIGNS ARE EXECUTED IN CAREFULLY SOURCED, REFINED QUALITY FABRICS OF NATURAL FIBERS, ALL CONTRIBUTING ELEMENTS INDUCING ONES AWARENESS AND STATE OF MIND.
CONTRIBUTING TO THIS STORY OF MINIMIZING ANECDOTIC CONNOTATIONS SOME FABRICS REMAIN UN-DYED OR EVEN LOOM STATE, THE COLOURS ARE RATHER TO THE MUTED PALETTE AND THE BLACK COLOUR WITH ITS ENDLESS SHADES IS ALWAYS PRESENT TO RIGOROUSLY ACCENTUATE THE SILHOUETTES.
JAN-JAN VAN ESSCHE CONTINUOUSLY AIMS TO DEVELOP NEW INSIGHTS ON CONTEMPORARY YET EFFORTLESS AND GENDERLESS ELEGANCE.
HIS PIECES ARE LAYERED WITH SUBTLETY, INTEGRATED INTO MODERN-DAY CITY LIFE AND INTO PERSONAL WARDROBES, SLOWLY AND CAREFULLY PLAYING THEIR HUMBLE ROLE IN FINDING CONNECTION AND ACCEPTANCE.
THEY SEE NO BOUNDARIES, NO LIMITATIONS, NO RESTRICTIONS NO EXCLUSIONS.
THE CONVENTIONAL SILHOUETTE IS AMPLIFIED AND EACH INDIVIDUAL GARMENT LITERALLY LEAVES ROOM FOR INTERPRETATION, ENGENDERING OPENNESS.
THE WEARER OF JAN-JAN VAN ESSCHE IS A GENTLE SOUL IN CONSTANT DIALOGUE WITH ONE’S PERSONAL CONTEXT AS WELL AS WITH THE WORLD AS A WHOLE.
LIKE THE GARMENTS THE WEARER IS HUMBLE AND IS UNRESTRAINED.
JAN-JAN VAN ESSCHE IS BORN IN ANTWERP, BELGIUM, WHERE HE HAS HIS DESIGN STUDIO. HE’S A 2003 GRADUATE OF THE ANTWERP ROYAL ACADEMY OF FINE ARTS.
IN JUNE 2010 JAN-JAN VAN ESSCHE LAUNCHED HIS FIRST EPONYMOUS LABEL AS AN ANNUAL WARDROBE. COLLECTION#1 – ‘YUKKURI’, JAPANESE FOR ‘TAKE IT EASY’ OR ‘SLOWLY’.
THIS TITLE ALSO BECAME HIS INTRINSIC AND CONCEPTUAL APPROACH TO CONTEMPORARY WARDROBES AS A DESIGNER.
- COLLECTION#2 – SATTA AMASSAGANA (JUNE 2011)
- COLLECTION#3 – IN AWE (JUNE 2012)
- COLLECTION#4 — UHURU SASA (JUNE 2013)
- COLLECTION#5 — INITE (JUNE 2014)
- COLLECTION#6 — NO MAN IS AN ISLAND (JUNE 2015)
- COLLECTION#7 — AWARE (JUNE 2016)
- COLLECTION#8 — 無 (MU) (JUNE 2017)
- COLLECTION#9 — ONE IN ALL AND ALL IN ONE (JUNE 2018)
- COLLECTION#10 — CODA (JUNE 2019)
- COLLECTION#11 — GRACE (JULY 2020)
- COLLECTION#12 — CYCLE (JUNE 2021)
THE ANNUAL WARDROBES RECEIVED A COUNTERPART IN 2013 WHEN, DUE TO THE WELL RECEIVED PREVIOUS COLLECTIONS, THE DESIGNER DECIDED TO ADD THE PROJECTS, AUTONOMOUS SERIES OF GARMENTS DESIGNED AND DEVELOPED ACCORDING TO SPECIFIC CRAFTS OR INSPIRATIONS, TAKING THE NECESSARY TIME TO CULTIVATE IDEAS AND UNDERGOING THE SLOW RHYTHM AND PACE OF THE HAND.
THE CREATIVE FREEDOM IS PRESERVED AND IDEAS ARE ENABLED TO FLOURISH.
- PROJECT#1 – PROCEED (JANUARY 2013) — RESEARCH ON PATCHWORK
- PROJECT#2 — REDEEM (JANUARY 2014) &MASH; RESEARCH ON SAKIORI WEAVING
- PROJECT#3 — WADADA (JANUARY 2015) — RESEARCH ON ROPE WEAVING
- PROJECT#4 — EACH ONE TEACH ONE (JANUARY 2016) — RESEARCH ON BORO APPLICATIONS
- PROJECT#5 — ARISE (JANUARY 2017) — PATTERN RESEARCH INSPIRED BY THE KESA GARMENT
- PROJECT#6 — ONE STONE (JANUARY 2018) — PATTERN RESEARCH INSPIRED BY THE AINU KIMONO
- PROJECT#7 — SOLACE (JANUARY 2019) — EMPHASIS ON USE OF FABRICS
- PROJECT#8 — REMEMBRANCE (JANUARY 2020) — RESEARCH ON PADDED GARMENTS & SAKIORI WEAVING
- PROJECT#9 — SUNU (FEBRUARY 2021) — RESEARCH ON PADDED GARMENTS & HAND WOVEN GARMENTS
WADADA BVBA NACHTEGAALSTRAAT 27 ANTWERPEN 2060 BELGIUM
Info
Frieda Degeyter
Frieda Degeyter studied Fashion Design at the Royal Academy of fine arts in Antwerp, Belgium.
From 1993 till now she worked for several labels.
In 1997 she launched her own collection.
At the moment she is still creating and working on different projects.
Barbara Degeyter
After graduating in Graphic Design in Antwerp in 1995, Barbara has been working for several years for Belgium based magazines.
Since 2001, she attends an open ceramics studio near Breda where she has further developed her interest for object design.
Kristof Buntinx
Kristof BuntinxInfo
Brussels designer Kristof Buntinx has already created a furore with his God Save the Queens shirts and gained international fame with a boxer short collection with which he targeted Russian anti-gay laws.
Protest and irony are therefore no strangers to Buntinx, but he also dresses Belgian celebrities in little bespoke gems just as much as he has children photographed as superstars. The exiled Sint-Truiden native has been working under his own label for more than a decade. An official introduction is called for!
Kristof Buntinx was born on 10 September 1975 in the Limburg town of Sint-Truiden. He quickly showed an interest in fashion and design and proceeded to draw from a model and attended sewing and pattern design classes. Buntinx completed internships with several major fashion labels such as Levis jeans and the Amsterdam fashion duo Viktor & Rolf.
His own image language
After his initial designs for the Cinderella Shop in Antwerp he sank his teeth into (and left his fingerprints on) a series of coffee mugs for Godiva. Soon Buntinx would tackle hats, a trick he was able to repeat in 2012 for Royal Ascot.
Shortly thereafter, the Pain clothing line followed, with its own photo series in collaboration with Stijn Vanorbeek. Still inspired by the world of image creation, Buntinx worked with filmmaker Ilke De Vries, this time to explore moving images. The film Vision was the result, in which the designer searched his own conscience by referring to a personal crisis.
Artist’s blood
Between 2008 and 2010 Buntinx focused on hats and a full line of accessories.
Triggered by his own life and personal developments, language associations and puns took up an increasingly important place in his work. Like any true-blue artist, Buntinx also creates from an inner drive. “I have always been crazy about fashion, but designing also proved to be beneficial for my mental health. It is my “therapy with a capital T,” the designer states.
Once Buntinx found his way, an increasing number of opportunities came up: in 2011 the Toga 125 Fashion Awards and a fashion show in which his design Ceci n’est pas un Advocaat shone. That same year Modo Brussels, the MIAT in Ghent and Hong Kong Design week also followed. A prominent fashion watcher from the UK even called Buntinx the most eccentric fashion designer of the Modo Brussels event.
The future is now!
Loved by the international fashion blog scene, Kristof Buntinx does not shun controversy. For example, he came up with a series of socially committed designs such as his answer to the Antwerp rainbow controversy, the God Save the Queens T-shirt’, his Russian boxer shorts, which even reached the American media and the crown jewels for King Philip.
During the last festive period Buntinx surprised friend and foe with a range of crisis jewellery, which questions material luxury. The Christmas dresses designed by Buntinx for Dana Winners’ Christmas tour and for Marlène de Wouters, the presenter at the Queen Elisabeth competition earlier in 2013, were, on the other hand, downright luxurious.
Kristof Buntinx certainly aims to let his designs speak for themselves in 2015.
Stay tuned!
Vieux Jeu
Vieux JeuInfo
About
When you’ve tricked yourself out in a tennis class on a heavy scheduled day, you’ll need a good looking outfit to finish the day in. Hit the court with Vieux Jeu, the modernist sportswear label by Belgian designer Claudia Storme, whose polished yet effortless collection might be just what you’re looking for.
The trend is a classic: we all have a busy schedule but we don’t want to give up our sports class. ‘If you want to make it happen, it’s wise to prioritize style over function’, dixit Claudia Storme.
Discover the boho allure of Vieux Jeu, the Belgian label that captures the mood of a bygone era. Claudia Storme gets inspiration from one of the oldest games. Yet looking to the past doesn’t always suggest a yearning for what’s lost; rather, a desire to reinvent and redeem.
The go-to label for beautiful yet functional tennis clothing and accessories with that easy-to-wear je ne sais quoi, Vieux Jeu celebrates the glamour of a lost era, giving classical shapes a modern spin.
EMMA et MOI
EMMA et MOIbijoux et accessoires de mariage / juwelenInfo
EMMA et MOI – a jewellery label from Belgium.
Here, at EMMA et MOI, we love minimalist lines and natural beauty and focuses on these two aesthetics to create wearable jewellery, designed to be slipped on day in and day out. Gemstones, brass, vintage findings, and dainty chains are the trademark of our designs. If you love subtle forms, clean lines, light colors and natural stones means that we vibe in the same direction 🙂
It’s 100% handmade jewellery
We know, there is no enough jewelry 🙂 Accessories are a very important finishing touch to every outfit. Every year we create few collections in small batches. These collections are inspired by different themes. We choose the themes that inspired us and light up our passion. Our goal is to make jewelry that that portray our love for subtle forms, clean lines and a light color scheme that brings joy to the eyes and to the heart.
We make everything ourself: we design, choose supplies, craft the pieces; we make photos, manage orders, beautifully pack them and ship to you. So when you get your package, you should know, that we work hard and put lots of care to every detail to make you happy with purchase. We hope that our customers also feel unique when wearing our pieces.
It’s jewellery made in Belgium
It is in our studio in heart of Antwerp the magic happens. Our goal is to make jewelry that that portray our love for subtle forms, clean lines and a beautiful color scheme that brings joy to the eyes
and to the heart.
Local manufacturing, quality EU components, eco-friendly packaging and even usage of a bike to bring your packages to the post office to reduce pollution – are part of our philosophy.
Lange Koepoortstraat 55 Antwerpen 2000 Belgium