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SENNES combines Portuguese and Belgian tradition, high-sustainable Portuguese Wool & Belgian Linen, two noble, ecological fibers with opposite natural characteristics as guiding principles towards function and shape.
SENNES is globally inspired by climate change in nature and culture, therefore conceived as an annual wardrobe. A continuous developing collection where with every series of bags & garments, high quality woven fabrics, know-how and skills from ethno cultural origins are studied and subsequently interpreted in each individual pattern language.
A sustainable brand with a focus on uniquely textile crafted design. The human collective culture is our inspiration to create new collection items; each new design is a genuine attempt to open up new perspectives to intercultural dialogue.
Nele De Block
Art Director and founder Nele De Block is Belgian and studied Textile Design at ENSAV La Cambre, Brussels.
She develops her passion and technical skills for weaving at first as a textile designer for automotive.
She then becomes Art Director for BETET SKARA: (Antwerp, 1999-2007) originally created as a social integration program for political Assyrian refugees. In this weaving studio she conducts the process of woven prototyping and production for fashion designers, artists and architects such as Haider Ackermann, Christian Wynants, Bruno Pieters, Stijn Helsen, Tim Van Steenbergen, Bernhard Willhelm, Dries Van Noten and Peter Pilotto.
Simultaneous she teaches Textile Design at Saint Lucas Art School Ghent and is trend forecaster for the Textile Industry.
SENNES is setup in 2010, when Nele is introduced in Portugal as a textile designer to one of the last remaining traditional wool weavers of the Serra da Estrela region.
Since SENNES combines Portuguese and Belgian tradition, high-sustainable Portuguese Wool & Belgian Linen, two noble, ecological fibers with opposite natural characteristics as guiding principles towards function and shape.
Hofstraat 5 Antwerp 2000 Belgium
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rue blanche has been appealing to women since 1987. Clothes from Marie-Chantal Regout – which are fun, luxurious yet minimalist – fit in easily with their wardrobe, becoming steadfast companions in their everyday life. This intimate familiarity defines the Belgian brand, whose shops and many retailers around the world reflect the sensitive, cosy world of its designer. A rue blanche creation is tactile and sensual.
It arouses buried emotions and feelings, alluding to past actions that we find poignant. Vivid colours, soft fabrics and timeless designs characterize the collection. Rather than a total look for special occasion, Marie-Chantal Regout likes to mix garments and accessories, revealing the individuality and essence of each woman. As a gateway to the imagination, rue blanche addresses fashion with verve and generosity.
History
Ms. Regout founded rue blanche in Brussels in 1987 together with Patrick van Heurck. The company name is a tribute to the name of the street where the firm was first located. The first collection included seven models, all made of jersey, which was unusual for that time.
The collection boasted many stripes and original prints. Over the years, this became the DNA of rue blanche. Today, rue blanche has shops in all major cities in Belgium and is distributed in more than 70 multi-brand stores all over the world.
Rijshout 3 Groot-Bijgaarden 1702 Belgium
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T.VDB is the artistic fashion studio founded by Belgian multi-disciplinary fashion artist Tom Van der Borght.
The label focuses on humans rather than gender, as the core of T.VDB is hard to pinpoint under one binary definition, description or title.
T.VDB works as an independent artist, with a focus on fashion, textile, graphics, video, installation and scenography.
He is the producer of his own free work and works on commission for various partners.
Tom Van der Borght got his Fashion Design degree in 2012 at the Stedelijke Academie voor Schone Kunsten of Sint-Niklaas. Both during and after his studies he won international fashion prices and competitions.
From 2012 to 2016 he had the pleasure of showing his work during Berlin, Paris, London and Panama Fashion Week. His collections were sold in the USA, Japan and across Europe.
As a commissioned artist T.VDB worked for companies like Mercedes-Benz, Premiere Vision, DS Automobiles and Le19M. Next to that he creates artwork and video’s for national and international music artists.
In 2021 Tom received a master degree at Zuyd Hogeschool Maastricht, focusing on the intersection between performance, fashion and artistic research.
Before studying arts, Tom got his bachelors degree in Social Studies and worked for in various social organisations for several years.
Discovering at the age of 27 he suffers from a heriditary neuropathic muscle disorder confronted T.VDB with the question what is really important in life. This was the catharsic moment when he decided to study fashion design and pursue his childhood dreams.
During his study he was already confronted with the borders between fashion and art. Reflecting on his own background in social work and his own personal disposition in life led to questioning social structures, definitions, limits, … The visual language T.VDB develops goes far beyond clothes and is always creating a highly personal and questioning universe. It combines media and is crossing borders between fashion and arts.
T.VDB has an ongoing fascination for defects and errors, which comes from his own experience and the questioning of the genetic errors that shaped the designer from his birth.
Finding a place in society has always been a core element in Van der Borght’s work and life. This generated a strong interest for tribal culture, rituals and alternative/indigenous/ social structures, including elements like costumes, ritual dance and performative acts.
Being born in a typical Flemish middle class family, where culture didn’t really exist, T.VDB was fascinated by pop culture, MTV and subcultures.
“My first fashion inspiration came from the 80s, when i looked to magazines like “Mode, C’est Belge”. My mother’s classic couture training also influenced me in my love Of clothing.”
Later on in life I got introduced to more “higher” forms of “culture”. Essential in my work is the mix of those two opposites of “culture”, not necessarily as rivals or opposites. “
Marcel Duchamps once quoted : “ I do not believe in Art, I believe in Artists”.
T.VDB’s generous attitude and authentic radical way of thinking define him as a designer and an artist.
T.VDB ’s view on fashion (and clothes) isn’t purely economics:
his work could be seen as artistic objects. Clothes and outfits become part of a bigger pictures and crossing borders leads to creating a full universe, a total package.
It results in a fascination for creating video, scenography, performance and alternative ways of presentation.
A catwalk presentation has a very strong performative energy, being a boost of energy, a “hic et nunc” reflection on the present with a big artistic value.
Fashion is always a representation of the present. In his work T.VDB translates this in trying to marry the past to the future (which for him is the essence of “present”).
In 2019, T.VDB took a restart. He focuses on an elaborate masterpiece “7 ways to be TVDB”, which is a multidisciplinary selfportrait that borders on the edges between high tech bricolage, haute couture, avantgardistic fashion and low tech performance. A first stage of this work was presented in the FashionClash festival in Maastricht , and won both the Grand Jury Festival Prize as the Audience Award. With this collection the designer won the prestigious Grand Prix du Jury at the 35th Festival Internationale de La Mode de Hyères in 2020, as well as the highly desired Public Prize. His jubilant, theatrical men’s collection was praised by designer Jonathan Anderson, who presided over a jury that included, among others, consultant Amanda Harlech, model Kaia Gerber, sound maverick Michel Gaubert, photographer Tyler Mitchell, journalist Derek Blasberg and editor-in-chief of GQ, Oliver Lalanne
“What we really, really admired in the work of Tom Van Der Borght is that it was a totally new type of form, new type of shape, new type of commitment to a silhouette, and it was uncompromising,” Anderson said during a remote award ceremony. “And in this moment we are in, we as a jury believe that it was about starting this new decade with newness, this idea of originality.” Anderson continued: “It was not about looking at something for its automatic commercial sense. It was about the beauty within fashion, the handmade, the technique, and the risk in it. And I think Tom has really achieved something in what he has done and I think he will go on to do very well.”
In 2021, T.VDB had the honour to open Mercedes Benz Fashion Week Berlin, with a stunning performance he created with choreographer Blanca Li, to accompany his latest collection.
For the 36th edition of the International Festival de la Mode, he launches his new collection “Time For Love”. The collection was realised in close collaboration with Le19M, Chanel’s legendary “ateliers des Metièrs d’Art” and the support of Premiere Vision.
In the troubled world we are living in nowadays, all of us are urging for connection and closeness. We’ve been distanced, physically and psychologically but now, it’s time for love.
T.VDB welcomes you to a brighter future and a celebration of human connection. The collection is an invitation to enter the playful and colorful universe of the collection. Garments leave the borders of the individual human body and search for connections with other humans through cut, detail and accessories. The pieces play on the intersection of textures, artwork and colour.
Everybody is invited to join this contemporary tribe of neo-hippies, lonesome cowboys and genderfluid hybrid creatures, feeling the emotion in the silence and embracing love as an empowerment tool.
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Les Soeurs, the holy triangle. Or 3 sisters with a full time passion for fashion and jewellery, who collect the latest fashion musthaves for you!
In 2011, Belgian fashion-girls Jules, Kay & Clio baptised their label ‘Les Soeurs’. Die hard fashionista’s they are, their mission for that unique bracelet, ring, necklace or handbag is endless. A girl’s gotta do what a girl’s gotta do: they gathered in a journey to bring together the most beautiful gemstones, natural leathers and precious metals. The outcome is an exclusive jewellery and accessory collection with a very personal touch, like loads of sister love, created on Belgian territory.
Industrieweg 100A Tessenderlo 3980 Belgium
Ataman
AtamanInfo
Mustafa Ataman graduated from Francisco Ferrer School of Fashion with Honors and received the MAD Lookbook Prize 2018. Ataman started his career as a designer in Paris for Delphine Murat and then worked at Atelier David Szeto. Later on he moved to Istanbul to work alongside the stylist company Hakaan.
In 2018 Ataman went back to Belgium where he developed his own brand and collections. He participated in many fashion events such as MAD Sales, Maison des Modes in Roubaix, Balthasar in Sablon and different pop-up stores in central Brussels.
The first Ataman permanent store opened in Brussels in 2022. It is settled in in the historical neighborhood of Marolles in a small brick house, close to Place du Jeu de Balle.
Rue des Renards, 5 Brussels 1000 Belgium
Howlin’
Howlin’Info
ABOUT
We are an Antwerp based knitwear brand.
Since 1981 we have been producing quality knitwear in Scotland and in 2009 we launched our new label Howlin’ (scottish slang for smelly). The way of manufacturing remains traditional but Howlin’ offers more room for fantasy in shape and pattern.
At Howlin’ we strive for timeless, playful products that are made with care. So whether it is a scarf or a shaggy waistcoat; all our products are individually manufactured and hand finished by traditionally skilled craftsmen in either Scotland, Ireland or Belgium using the highest quality yarns possible.
Small is beautiful.
MADE IN SCOTLAND
Scotland has a long history of producing the best knitwear in the world and we are happy to be involved in it for over 30 years.
Since the start of Howlin’ our goal was to bring a fresh somewhat twisted approach to Scottish knitwear while respecting its rich heritage. Keeping the best of the old techniques and mix it with new technology, patterns, colors and ideas.
In an ever faster and more automated economy we are happy to slow things down and have our focus on well made products. It’s a niche, we know, but we like niche products, a lot. Just like a small record label doing hand stamped 7 inches with personal liner notes. It’s the beauty in the details.
Each Howlin’ garment is handled individually and tenderly, throughout its entire production, from the first precise stitch to the delicate pressing and folding.
All our yarns are carefully sourced according to their quality and sustainability standards. Our beloved planet earth has a special place in our heart and we think it’s the best planet out there (as far as we know) so we want to have the lowest impact on it as possible.
Our natural yarns come from local mills, some even complete all the stages of yarn production under one roof. This includes grading, scouring and dyeing fleece before colour blending, carding, spinning, twisting and balling to produce this unique 100% pure Shetland yarn.
A quality which is often imitated but never duplicated.
MADE IN IRELAND
Over the years we have been working closely with a small Irish family run company established centuries ago.
Together with these master crafts people we produce the highest quality knitwear with local Irish yarns.
We have to admit, at first we got strange looks when we came up with our ideas but that changed over the years, now it’s simply that classic smile when they see a new Howlin’ design.
We are very happy to contribute to this unique art and craft which is not only beautiful but also important culturally to remain alive.
Producing in Ireland (and Scotland, and Belgium) not only means you have a truly unique product in your hand, it also means that the people making your goods are well paid and looked after.
MADE IN BELGIUM
Next to our Scottish and Irish knitwear we are happy to create products in our home country Belgium.
Together with several small factories in Belgium, each carefully chosen for their own speciality, we managed to make a diverse range of products which include lighter weight knitwear, jersey and towel fabric garments.
Our goal was to create durable, functional and original products which far outlives seasonal trends.
All pieces are produced in small batches and with close attention to details.
Extra special is the fact that for our jersey we don’t import fabrics but that we knit everything entirely in-house.
Therefore we can proudly say that all our Howlin’ products are truly 100% produced in Belgium.
Nationalestraat 20 Antwerpen 2000 Belgium
Kopstraatje 3 2000 Antwerp Belgium
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We go way back..
After traveling extensively, a close friendship that started 10 years ago brought us, Loredana and Anke, together again. On the other side of the world. In Bali.
Living the island life, we were introduced to a moving world of opportunities and challenges. Of a different lifestyle, freedom and creativity. And inspired by diverse countries and numerous cultures as well, we created a fierce fashion vision. While holding on to Western values and trends, our designs breath out cultural influences in casual and timeless pieces.
Each design is unique..
and tells a story. We believe in exclusive and traditional fabrics. In sophisticated items which show that details matter, in philosophy of colours, and in the strength of every woman to create her own wearable story. With every collection, we try to spread out a certain vibe, life values that women can relate to, will be inspired from and hopefully make them inspire others.
Traditional artisans..
is who we team up with. Their cultural richness and talented hands, inspired by generations and generations of crafting beauty is what we choose for. In the midst of endless rice field views, daily temple offerings and living a true life, every day again they give the very best of themselves to be part of our brand. And your wearable story.
Roxane Baines
Roxane BainesInfo
A graduate of La Cambre Mode fashion school, Roxane Baines began her career creating accessories for iconic fashion brands such as Givenchy and Louis Vuitton Paris. She then became freelance and began collaborating with small Parisian designers.
The brand philosophy combines sobriety, modesty and embodies everyday elegance. The collection embraces femininity and simplicity with a clean, minimal design that echoes her love of nature and her journeys to Japan.
All cuts are created with simple, everyday use in mind.
Roxane Baines creates timeless pieces with common and necessary features. Extreme clean lines, devoid of any decorative elements, give free reign to the expression of the fabric…
In her search for the essence, Roxane Baines reaffirms her desire to create timeless pieces, allowing them to express their individuality and personality in everyday life.
SHOP Sur Rendez-vous 114 rue Souveraine Brussels 1000 Belgium
Bellerose
BelleroseInfo
OUR PASSION FOR REINTERPRETED AUTHENTICITY
COLLECTIONS
Designing garments without compromise allows us to focus on genuine products and authentic values. Our collections are based on true stories, delivering a specific point of view, which has become our signature. We control our product and our brand, while knowing that God is in the details. The Bellerose woman juggles between a military-inspired parka, that conceals a night gown and a pair of army trousers worn with leather brogues. Her children are granted the permission to be everything, all at once. Reflecting their age group, they enjoy their activities without worrying about the state of their t-shirt after a fight on the grass. With references to the army and workwear, the Bellerose man revisits the “old school” to suit an allure at that is at the same time casual and unique.
STORES
Creating a store is like building a new home. We want the space to be comfortable and functional, as well as reflecting our own tastes and aesthetics. Each store is individual, even though there are features they all share creating this particular Bellerose experience. Authenticity is core to all 16 flagship Bellerose stores and its 600 multi brand customers across Europe, Japan and the United States. Merging architectural genius with respect and preservation of the space: the stores are designed with wood, ambient sound, olfactory, cosy, raw and wide spaces. It is something rough and rock ‘n roll, real and sought out.
3 Rijshout Groot-Bijgaarden 1702 Belgium
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caroline biss offers the modern, self-confident woman elegant and classy women’s fashions with glamorous style.
perfectly fitting ready-to-wear collections that combine stylish simplicity, subtle colours and new materials – resulting in a contemporary yet timeless collection.
comfortable designs for every day of the week, weekend sporting outfits with just that little bit more, fashion dresses for a night out and sparkling party wear.
Kouterbaan 44 Lebbeke 9280 Belgium