Julia June
Julia June
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JULIA JUNE
Julia June doesn’t like to be labeled, nor the woman wearing it.
We believe fashion shouldn’t be just pretty.
With our brand we want to connect to those women who really love fashion.
Ter Mote 2 Nevele 9850 Belgium
Ziza Couture
Ziza CoutureInfo
COUTURE CRAFTSMANSHIP – HANDMADE & UNIQUE
WHAT CAN YOU GO TO ZIZA COUTURE FOR?
Bridal Dresses
Having your wedding dress made to measure is a very special, unique and strong process to really come to a dress that fully accentuates your beauty.
Party Dresses
You can come to Ziza Couture for a beautiful piece unique that matches who you are. A perfect fit and the right cut offers so many possibilities for every body.
CUSTOMIZED TRAINING
No ordinary sewing lessons, but learn to sew for yourself tailor-made. You can find the full curriculum at the bottom of this site.
HOW DOES CUSTOMIZATION WORK?
If you would like to have something custom made, we will make an appointment. We discuss what you would feel good about and which direction the design may take.
Then we look at how many passes will be needed. Depending on the design, I test the dress first, which ensures a perfect fit and cut.
In order to be able to work uniquely for everyone, I don’t have a stock of fabrics, but together we look for the most suitable materials.
Do you have any questions or would you like a first idea of the prices before you come by, send me a message or just give me a call.
ABOUT FASHION DESIGNER LINA
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Making people beautiful is my mission 😉
When I see someone, I immediately think in dresses, fabrics, colors. I don’t know myself differently, always looking for beauty in everyone and everything. Many thanks to my little golden fingers, that I can fulfill this job in this way.
For more than 10 years I have specialized in making and designing exclusive tailor-made clothing. I was educated with a master’s degree in fashion design, pattern drawing and haute couture embroidery.
ABOUT CUSTOMIZATION
“Customization is a process, an adventure. As a fashion designer, I listen and look, together we look for the right materials, fit and style. No ready-made dress code, but a unique piece that grows around you.
Customization has its price tag. But it has such beautiful and strong advantages: through customization, many more people can wear what they really dream of. Many pieces of clothing, whatever your figure, often don’t fit in ready-to-wear, even if you’d like to. Something that’s tailored is way more flattering anyway, whichever cut you prefer, simply because it fits. I often hear people say to me in the studio ‘I’ve dreamed of being long-dressed for so long, but I really didn’t think I had the figure for that’ or ‘I didn’t know that my figure looks so much better a proper cut’. Every body is so different and customization has so much to offer.
In the past years I have already drawn patterns and made and adapted designs for countless bodies. Accentuate what makes someone beautiful, envelop what feels vulnerable, look and listen. It has now become my specialization.
I don’t make collections, I like to work around a person. I mainly use the knowledge I gained with my master’s degree in fashion design to come up with original and unique designs that suit the customer, in addition to custom work.
A new vision on clothing, supportive in who we are, that’s what I’m going for.” lina
“We are all beautiful, just different”
Kolmenstraat 87 Stevoort 3512 Belgium
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Our Story
Belgian designer Alexandra Jacmin and her entrepreneur twin sister Ségolène Jacmin established their eco-conscious label FAÇON JACMIN in 2016. After graduating from La Cambre, Alexandra worked for Maison Martin Margiela and Jean-Paul Gaultier. The duo has since carved out a unique position amongst Belgium’s most innovative emerging talents.
FAÇON JACMIN is an attitude. With their label, the twins aime to give women more confidence and empower them in their everyday life, helping to express themselves to the fullest.
Alexandra’s designs explore the codes of seduction, and the alliance of masculinity and femininity. If denim remains her field of predilection, other fabrics are intertwined with it, to present a playful silhouette, meddling boldness and charm – a vision for an eco-conscious, modern, desirable, and determined woman.
Next to the main collections, capsule collections made of up-cycled designs are crafted by hand in our atelier in Antwerp and revealed once a year.
FAÇON JACMIN was awarded “Best Talent 2016” by C’est du Belge/RTBF, and a year later, in 2017 an award for “Best Emerging Talent” at the Belgian Fashion Awards.
A Japanese love story
FAÇON JACMIN has a certain affinity for denim, and more particularly for Japanese denim, giving the clothes finesse and durability. Japan, renowned globally for producing the best denim, has managed to preserve their traditional, artisanal craft creating an affinity to authenticity.
The natural indigo, a dye that is among one of the oldest, gives the pieces a rich colour, as well as a rich history. Natural indigo is still used in Japan, resulting in deep blues and improved wear resistance. They work with traditional machines that create a tighter weaving pattern improving resilience, while offering strength and delicateness at the same time. Japanese denim, supported by the culture of perfectionism, has a premium and distinctive composition that has become the nation’s pride, leaving a mark in Japanese modern history – a history that is a true mix of tradition and innovation.
Since the beginning of FAÇON JACMIN, the twins have been influenced and passionate about embracing Japan and its rich culture.
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Les Soeurs, the holy triangle. Or 3 sisters with a full time passion for fashion and jewellery, who collect the latest fashion musthaves for you!
In 2011, Belgian fashion-girls Jules, Kay & Clio baptised their label ‘Les Soeurs’. Die hard fashionista’s they are, their mission for that unique bracelet, ring, necklace or handbag is endless. A girl’s gotta do what a girl’s gotta do: they gathered in a journey to bring together the most beautiful gemstones, natural leathers and precious metals. The outcome is an exclusive jewellery and accessory collection with a very personal touch, like loads of sister love, created on Belgian territory.
Industrieweg 100A Tessenderlo 3980 Belgium
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SPRANKELEND STIJLVOLLE DAMESKLEDING
Vrouwelijkheid ten top
Ons uitgangspunt is de vrouw. Wat vindt zij van een bepaald kledingstuk, hoe bevalt de kleur, hoe ervaart ze het comfort van een zekere pasvorm. Onze damescollecties zijn uitermate geschikt voor een vrouw die zelfzeker en vrolijk in het leven staat en er absoluut niet voor terugschrikt om dat ook aan de buitenwereld te tonen. Paspoppen zijn zichtbaar in de winkel, maar tijdens het ontwerpproces blijven ze ver uit het zicht. Niets kan immers tippen aan de vormen van échte modellen, waarop elk collectiestuk wordt getest en gekeurd.
Designed in Belgium, made in Italy
Geen ingetogen kledij, maar ook niet overdadig. Due Amanti ging voor de gulden middenweg; just right. Klasse hoeft niet saai te zijn; wij verkiezen sprankelend stijlvol. Geregeld reizen we af naar Italië om samen met onze fabrikanten te brainstormen, uit te proberen, aan te passen en uiteindelijk te creëren.
HOGESTRAAT 111 HOOGLEDE 8830 Belgium
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LRNCE is a Marrakesh based lifestyle brand focusing on interior decoration and accessories.
It was founded in 2013 by Belgian sun chaser Laurence Leenaert, who revises materials’ purpose and spontaneously combines elements to create uniquely designed pieces.
By sourcing its production in Morocco, LRNCE captures the essence of craftsmanship and stays close to the creating process of its carefully handmade products.
Marrakech Marocco
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In 1876, François Van Roy founded an independent company producing work clothes. After World War One his son Otto started the weaving mill, followed, after World War Two, by a production workshop making its own collection of men shirts. In 1965 grandson Robrecht Van Roy and his wife Vic Meersschaut switched from the own gentleman’s collection to concentrate on production of ladies’ blouses and men’s shirts under contract. In 1997 the old firm became a public limited company, V.R. Embroidery.
In 1999 Robrecht’s children Steven and Els took over as active partners. They worked with the designers Vicky Vinck and Katrien Strijbol to develop a full collection for women wich resulted in Just in Case. In 2002, VRE has an embroidery department and contract work as well as its own collection, JUST IN CASE
Just in Case is a Belgian high profile fashion brand sold in an impressive list of countries. Antwerp based designers Vicky Vinck and Katrien Strijbol create sophisticated collections for women as romantic as they are. Amongst the clients you will find famous and not so famous women, yet all strong characters.
The collection explores as well boundaries of former fashion styles with romantic & fashionable details which Vicky & Katrien draw or create themselves. This makes the collection recognisable by the public and is regarded as highly fashionable. Women waring Just In Case will not pass unnoticed and are often complimented out of the blue with their choice of clothes.
PAROCHIESTRAAT 98 DENDERLEEUW 9472 Belgium
Kristof Buntinx
Kristof BuntinxInfo
Brussels designer Kristof Buntinx has already created a furore with his God Save the Queens shirts and gained international fame with a boxer short collection with which he targeted Russian anti-gay laws.
Protest and irony are therefore no strangers to Buntinx, but he also dresses Belgian celebrities in little bespoke gems just as much as he has children photographed as superstars. The exiled Sint-Truiden native has been working under his own label for more than a decade. An official introduction is called for!
Kristof Buntinx was born on 10 September 1975 in the Limburg town of Sint-Truiden. He quickly showed an interest in fashion and design and proceeded to draw from a model and attended sewing and pattern design classes. Buntinx completed internships with several major fashion labels such as Levis jeans and the Amsterdam fashion duo Viktor & Rolf.
His own image language
After his initial designs for the Cinderella Shop in Antwerp he sank his teeth into (and left his fingerprints on) a series of coffee mugs for Godiva. Soon Buntinx would tackle hats, a trick he was able to repeat in 2012 for Royal Ascot.
Shortly thereafter, the Pain clothing line followed, with its own photo series in collaboration with Stijn Vanorbeek. Still inspired by the world of image creation, Buntinx worked with filmmaker Ilke De Vries, this time to explore moving images. The film Vision was the result, in which the designer searched his own conscience by referring to a personal crisis.
Artist’s blood
Between 2008 and 2010 Buntinx focused on hats and a full line of accessories.
Triggered by his own life and personal developments, language associations and puns took up an increasingly important place in his work. Like any true-blue artist, Buntinx also creates from an inner drive. “I have always been crazy about fashion, but designing also proved to be beneficial for my mental health. It is my “therapy with a capital T,” the designer states.
Once Buntinx found his way, an increasing number of opportunities came up: in 2011 the Toga 125 Fashion Awards and a fashion show in which his design Ceci n’est pas un Advocaat shone. That same year Modo Brussels, the MIAT in Ghent and Hong Kong Design week also followed. A prominent fashion watcher from the UK even called Buntinx the most eccentric fashion designer of the Modo Brussels event.
The future is now!
Loved by the international fashion blog scene, Kristof Buntinx does not shun controversy. For example, he came up with a series of socially committed designs such as his answer to the Antwerp rainbow controversy, the God Save the Queens T-shirt’, his Russian boxer shorts, which even reached the American media and the crown jewels for King Philip.
During the last festive period Buntinx surprised friend and foe with a range of crisis jewellery, which questions material luxury. The Christmas dresses designed by Buntinx for Dana Winners’ Christmas tour and for Marlène de Wouters, the presenter at the Queen Elisabeth competition earlier in 2013, were, on the other hand, downright luxurious.
Kristof Buntinx certainly aims to let his designs speak for themselves in 2015.
Stay tuned!
Charlotte Pringels
Charlotte PringelsInfo
ABOUT
I. The collections
We believe in slow fashion, the power of simplicity and elegance in an effort to change and challenge the way we as society consume. Doing so we commit to sourcing natural and recycled fibers and work with high-quality, low minimum suppliers in Europe, allowing us to reduce waste through small-batch production. We want to make sure every link in our supply chain gets a fair price for the work that is being done and we commit to transparent practices by providing information about supply chains, enabling customers to make informed decisions.
Our aim is to offer our customers carefully designed garments and prove that investing in a piece of our collection is an investment in yourself, your wardrobe and a more sustainable fashion system.
II. The designer
Charlotte Pringels is a Belgian-based women’s wear label, named after the founder and CEO of the brand. Her design philosophy: to create a line of essentials that are both interesting and necessary and together form a cohesive wardrobe that maintain relevance over time. Each collection includes elements of ease and polish and is characterized by high-end fabrics and timeless, clean-lined silhouettes.
Charlotte Pringels is a Belgian Fashion designer. She entered the Royal Academy of Fine Arts Antwerp / Fashion Department in 2007 and graduated in 2012 from her master (MA) degree.
III. The make
Our collections are designed and made with love, and focuses on reinventing tailoring technics while only using finest materials. The current emphasis for the materials we use is on natural and recycled resources of the fiber. Over the years, we have built a solid base of family-run contractors in Ukraine and Belgium. They are responsible for the long-lasting construction of every piece of clothing that we make. From perfect cutting of fabric, to deliberate sewing and finishing with French seams or bias-bound edges, the collection is built to last by suppliers who treat their workers fairly.
All samples and prototypes are made and designed in Charlotte Pringels’ own atelier, located in Belgium.
Drongenstraat 106, Lokeren 9160 Belgium
Tim Van Steenbergen
Tim Van SteenbergenInfo
About
Tim Van Steenbergen
Tim Van Steenbergen graduated Magna cum Laude at the Antwerp Royal Academy of Fine Arts (fashion department, textile creation and theatre costume). Subsequently he took classes in drapery and couture techniques and worked as assistant of Olivier Theyskens.
His first collection was launched in 2001 in Paris and in the same year he set up his company Mitzlavv bvba.
Meanwhile he’s up to his twenty third collection/fashion show and the label Tim Van Steenbergen is being sold in the best designer shops all over the world. His style evolves into a refined pureness and female elegance. He is a master of contemporary drapery and every detail, high quality standards, tradition and craftsmanship are being cared for.
Tim designs the costumes for international movie, theatre, dance and opera creations as for Anne Teresa de Keersmaecker, Guy Cassiers and Sidi Larbi Cherkaoui.
Between 2010 and 2013 Tim Van Steenbergen is creating the costumes for Richard Wagner’s opera cycle ‘Der Ring des Nibelungen’, Teatro alla Scala in Milan and the Staatsoper Unter den Linden in Berlin.
Nowadays Tim Van Steenbergen is increasingly evolving into a creative lab.
Recent developments thereof are ‘Metronome’, a first light design for Delta Light, an interior fabrics collection in collaboration with Aristide and total interior concepts Tim Van Steenbergen with Boa Interior.
Philosophy
The challenge in my work is the search for authenticity and artisanship in fashion.
The difference between confection and prêt-à-porter or couture is to be found in how it is made.
Handwork, quality of fabric, building a piece layer by layer, differentiates my work from confection.
I’m in search of old values in a new world.
The motivation in my work is to transfer craftsmanship and the old values into different and modern designs.
Due to my belief in artisanship, every garment is created by hand on the dummy to develop its characteristic shape.
These traditional construction process and unique draping techniques guarantee a high appreciated quality and an exclusive collection.
Studio Tim Van Steenbergen
The studio of Tim Van Steenbergen is located in a 19th century mansion close to the historical site of the Antwerp military hospital. An eclectic interior were fashion meets art, historical elements are confronted with design and vintage furniture.
The studio Tim Van Steenbergen is the optimal place to realize his ideas, situated in the pocketsize metropolis Antwerp. This refreshing cosmopolitan owes its reputation to the mighty part, the world diamond centre and its trendsetting vision of fashion.
This welcoming multicultural city-on-the-river the Scheld, is an intelligent, complex, fascinating and surprising habitat with a magnificent contemporary architecture, opera and theatre, monuments and artworks as well as its historical medieval centre.
The home of the Flemish Baroque master Rubens.
The Red Star line company set off its ships on the transatlantic voyage with millions of emigrants who set out for a new life in the States and Canada.
Nowadays Antwerp is one of the fastest growing cultural cruise destinations in Europe.
“Due to its excellent acces, it pushes you to travel the world looking for new impressions and personal experiences.”
“After all it is an attractive place to come home from where you can work independently and with an open minded view on the rest of the world.”
Creations
- ‘Hanjo’, opera, Festival Lyrique d’Aix-en-Provence / the Monnaie Brussels
- ‘Hersenschimmen’, theater , Ro Theater Rotterdam
- ‘d’Un Soir un Jour’ and ‘Steve Reich Evening’, dance, Rosas / the Monnaie Brussels
- ‘Triptych of Power; ‘Mefisto’, ‘Wolfskers’ and ‘Atropa’, theater, Toneelhuis Antwerp / Festival d’Avignon / Théâtre de la Ville de Paris
- ‘The House of the Sleeping Beauties’, opera, LOD / Toneelhuis Antwerp / the Monnaie Brussels
- ‘Adam in Exile’, opera, Opera of Amsterdam
- ‘La Chanteuse du Tango’, movie by Diego Martinez Vignatti with Eugénia Ramirez.
- ‘Prélude à la Mer’, movie, Rosas / Thierry De Mey
- ‘Das Rheingold’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Blood & Roses, the Song of Joan and Gilles’, theatre , Toneelhuis Antwerp / Festival d’Avignon
- ‘Die Walküre’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Labyrinth’, dance, National Ballet Amsterdam, Sidi Larbi Cherkaoui
- ‘Siegfried’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Götterdämmerung’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Milonga’, dance, Sadlers Wells, Sidi Larbi Cherkaoui
- ‘MCBTH’, theater, Toneelhuis / Spectra Ensemble / Vocaallab
- ‘Romeo & Julia’, ballet, Royal Ballet of Flanders
- ‘Hamlet’, theater, Toneelhuis / Toneelgroep Amsterdam
- ‘Het vertrek van de Mier’, theater, Toneelhuis / Het Paleis / Kunstz
- ‘Firebird’, ballet, Stuttgarter Ballett
- ‘Passions Humaines’, theater, costumes and set, Toneelhuis / Mons Culturele Hoofdstad
- ‘Xerse’, costumes and set, Opéra De Lille
- ‘Caligula’, costumes and set, Toneelhuis
- ‘De welwillenden’, costumes and set, Toneelhuis / Toneelgroep Amsterdam
- ‘Pictures at an exhibition’, ballet, costumes and set, Royal Ballet of Flanders, Sidi Larbi Charkaoui
- ‘Ma mère l’oye’, ballet, costumes and set, Royal Ballet of Flanders, Jeroen Verbruggen
- ‘Trompe la mort’, opera, costumes and set, Opéra national de Paris
- ‘Grensgeval’, theatre, costumes and set, Toneelhuis
- ‘Movement in Blue’ & ‘Movement in White’, Tim Van Steenbergen X Ashtari Carpets
- ‘Het kleine meisje van meneer Linh’, costumes, Toneelhuis
- ‘Vergeef ons’, costumes, Toneelhuis / Toneelgroep Amsterdam
marialei 18 Antwerpen 2018 Belgium