APA Intemporal SPRL
APA Intemporal SPRL
Info
ABOUT US
THE VOYAGE OF APA INTEMPORAL
APA is a Belgian fashion brand that combines high style with deep science. Our name comes from the Sanskrit word for “water,” and our first product, the ĀPA raincoat, was built to live up to its namesake. We take cutting-edge performance technologies and fabrics from the world of extreme sports, and craft them into impeccable, irreverent outerwear for city dwellers, world travelers, and anyone with an eye for style.
After living in Brussels, Paris, New York, and other urban cities where it rains for much of the year, Franco-Belgian high-fashion designer Léa Stein discovered what was missing in the market: a modern coat that merges luxury with technology, effectively protecting wearers from the ever-changing unpredictability of weather while looking their best.
In 2016, Léa founded ĀPA. Her goal was a lofty one: to combine clean silhouettes, immaculate detail, and luxury manufacturing with today’s most innovative performance technologies, all while using sustainable processes and artisan craftsmanship, and producing it, beginning to end, completely within Europe. And that’s exactly what APA has achieved today.
Our first raincoat collection launched in 2019, and is a reflection of our brand’s vision: to take iconic fashion clothing and re-invent it in a way that provides innovative solutions to everyday problems, while keeping the fit, design, and artistry of high-fashion. With a successful Kickstarter campaign, and numerous awards for design and innovation, ĀPA is proud to continue to push luxury fashion forward.
Avenue de la Sapinière 37 Bruxelles 1180 Belgium
Info
ILKECOP (°2015) is a young high end label for women based in Brussels. All our garments are fully produced in Belgium with extreme care and attention to detail. This way we guarantee an honest production process with fair wages as well as a low ecological burden on the environment as shipping is minimized.
1aangepast
Ilke Cop (°1988) graduated in June 2014 from the fashion department of the academy of Sint-Niklaas (Belgium). In March 2015 she launched her own label ILKECOP and presented her first capsule collection ‘Extinct’ for A/W1516.
“As an art historian and young fashion designer I aspire to bring a refreshing view on women’s wear. The fun and wonder of fashion are essential to my collections.”
KOOLMIJNENKAAI 64 BRUSSELS 1080 Belgium
Info
caroline biss offers the modern, self-confident woman elegant and classy women’s fashions with glamorous style.
perfectly fitting ready-to-wear collections that combine stylish simplicity, subtle colours and new materials – resulting in a contemporary yet timeless collection.
comfortable designs for every day of the week, weekend sporting outfits with just that little bit more, fashion dresses for a night out and sparkling party wear.
Kouterbaan 44 Lebbeke 9280 Belgium
a.KNACKFUSS
a.KNACKFUSS39, rue Fernand Bernier t.:00 Brussels 1060 Belgium
Natacha Cadonici
Natacha CadoniciInfo
Of Italian and Russian origin, everything predisposed me to become a designer and craftsman: Russian great-grandparents breeders of Astrakhan sheep, a daddy shoemaker who worked diligently with his sewing machine and maintained joyful contact with his customers, a mother who had made-to-measure dresses at a local seamstress and an Italian aunt who had set up her own beauty and hairdressing salon in the center of Milan, a magnificent woman, sunny, stylish, smiling, full of energy.
After studying at the Free University of Brussels (Roman Philology / Letters), then in Fashion Design (Institut Saint-Luc), I decided, in 2006, to create some tops that are sorely lacking in my wardrobe: tops that are elegant but not too much, comfortable but stylish.
I am going straight away for viscose jersey because it is an ultra comfortable material, very pleasant on the skin, natural, easy to work with, easy to wash, which lasts over time.
But to give it a more stylish look than a simple T-shirt, I quickly decided to add some nice details:
– other materials such as cotton, wool in cutouts
– asymmetrical necklines that you can’t see anywhere else
– punchy graphic elements, like piping, ribbed edges, which give light to my basic colors: navy blue and black. The ribbing that I create are knitted exclusively for my brand. They are therefore not found anywhere else!
MADE IN BRUSSELS
Beautiful, joyful, luminous and lasting
One of the recognizable characteristics of my work is the use of ribbons that finish the garment in the neckline, the sleeve ends and the bottom of the tops, with peppy and bright colors: a base of mostly ecru with touches of fluorescent orange, fluorescent pink, fluorescent yellow, copper lurex etc. These ribbons are designed by me: I select, among 200 different colors from my manufacturer, the right combination of colors, the height of the lines, the best fabrics. These 100% cotton creations are produced exclusively for my brand in the north of France. You won’t find them anywhere else!
Make in a small conscientious clothing workshop in Brussels
From the start, I have all my creations made in a clothing workshop in Brussels which has excellent craftsmanship. I found Alicia a bit by chance and how lucky I was to cross her path: she works for all Belgian designers, including the cream of the crop! I am proud to give a job to this super Polish woman who set up her business on her own in Belgium and hired 4 seamstresses who were her colleagues in Poland. Over time, we have developed a very nice relationship of trust, respect and we understand each other in a single glance.
Alicia and her employees work at their own pace, without pressure and she practices fair prices for all which allow her to pay her 4 seamstresses with dignity and fairness. I really feel that she makes my designs as if they were her own: conscientiously, with love and with a smile. They all always discover my new models and my new fabrics with curiosity and impatience. They love my design and therefore work with it with pleasure, which is priceless to me.
All the advantages of preorders
- It reduces the use of the earth’s primary resources
- It allows me to have more cash, which is more comfortable for me
- It allows me to dare more to offer you less commercial and more daring models since I only invest money in a prototype and not in a complete blind production without knowing if this new creation will please you or in what sizes will I sell it
- It allows me to make the best use of certain exclusive fabrics that I only have in limited quantities: I only produce the right sizes that you pre-order; I can thus satisfy all of you; whereas when I was producing blind I had some models left in unsold sizes and some of you were frustrated that you couldn’t order it in their size since I no longer had this precious fabric
- It allows me to offer you creations that are really in line with the weather and adapt to it
- It allows my clothing workshop to produce at a much more humane pace: the seamstresses sew throughout the year instead of having to produce a production that must last 6 months in a single month
g requires a little patience. This is not a compulsive purchase but a real crush. I am also very available by email or phone to answer all your questions. I am committed to offering you sustainable, soft, joyful creations that will do you good. And you have a double pleasure: that of pre-ordering and that of receiving it a few weeks later.
Rue du Marché au charbon 62 Brussels 1000 Belgium
Info
Arlette Schmitz is a Belgian slow fashion label…
….that came about in 2018 when former journalist Sophie De Laere decided to switch careers and become a fashion designer. She studied fashion designat SASK Sint-Niklaas and specialised in pattern making.The name of the label was coined after both Sophie’s mothers. The surname of her birthmother who died a very young woman and the first name of her adoptive mother.
Towards sustainability
Our collections are conceived and manufactured locally in Belgium. For the greater part in our own atelier. This local approach results in less carbon emission and no exploitation of workers in low income countries. One of the biggest problems in fashion today is massive overproduction. Our own volumes are kept low to avoid dead stock. Our collections are not discarded after one season and remain available for an indefinite period of time. Fabrics are sourced from European mills. Most of our suppliers hold environmental certificates. Occasionally we use dead stock. We are currently investigating the use of recycled materials. We do not exclude off hand any kind of material in our collection as it is a well known fact that natural as wel as synthetic materials both pose advantages and problems regarding sustainability. Arlette Schmitz aims to make beautiful clothes that you may enjoy for many years. Our customers are encouraged to lovingly mend any wear and tear that may occur. In accordance with the Japanese philosophy of WABI SABI we see beauty in imperfection:
Nothing lasts, nothing is finished, nothing is perfect.
Or as Vivienne Westwood would have it:
Buy less, choose well, make it last
Vivienne Westwood
Code of conduct
We make sure no one is exploited during the production of our collections. Inclusivity matters to us. Although our focus lies on the female form, we welcome all persons binary and non binary, straight and queer into the Arlette Schmitz world. A well made sustainable garment comes at a cost showing respect for all fashion industry workers
Blekerijstraat 75 Gent 9000 Belgium
François van Impelaan 75 Gent 9041 Belgium
Info
History
1930 BIRTH OF THE NATAN HOUSE
Creation of the Couture House Paul Natan.
1957 Edouard Vermeulen is born in Ypres on March 4, 1957. He graduates as an interior designer from Saint-Luc college, which introduces him to the world of volumes and materials.
1983
AVENUE LOUISE 158
In his search for a gallery to display his first discoveries, Edouard Vermeulen rents a space in the Couture House Paul Natan, Avenue Louise. A few years later, he takes over the House under the new name NATAN.
1986 FIRST RUNWAY SHOW
NATAN’s first show, with Princess Paola as one of the guests.
Edouard Vermeulen has been dressing members of royal families for years, including the Royal Family of Belgium, the Netherlands, Sweden and Luxembourg.
1987 FIRST READY-TO-WEAR STORE IN BRUSSELS
Opening of the NATAN ready-to-wear store in Brussels, Belgium.
1991 DISTRIBUTION
Creation of ready-to-wear lines for distribution.
1999 WEDDING DRESS QUEEN MATHILDE OF BELGIUM
Edouard Vermeulen designs the wedding dress of Queen Mathilde of Belgium.
2013 NATAN 30 YEARS
To celebrate our 30 year anniversary, we organized a fashion show in Paris in the Belgian embassy.
2014 ARSENAL SHOWROOM
Opening of the Arsenal showroom.
2016 AMSTERDAM STORE
Inauguration of the NATAN boutique in Amsterdam, The Netherlands.
2017 NATAN COLLECTIVE
Launch of NATAN Collective. A project allowing NATAN to support young Belgian talent by giving them the opportunity to present their work enhanced by the knowhow and name of NATAN.
2017 BARON
Edouard Vermeulen is awarded the noble title of “baron” for his services rendered to Belgium.
2018 ATELIER II
Inauguration of Atelier II at Place Brugmann in Brussels, Belgium. This atelier is created to honor the craft of tailoring by giving customers insights into the process behind the creation of a NATAN piec
2019 FIRST RUNWAY SHOW IN THE NETHERLANDS
Natan participated for the first time at Amsterdam Fashion Week.
2020 PARIS
Opening of a store in Paris, Rue des Saints-Pères
2021 OPENING SALON COUTURE KNOKKE
2022 NATAN LE BON MARCHÉ RIVE GAUCHE
The Belgian fashion house Natan and the cosmetic brand Sisley came together in the very heart of the Parisian department store Le Bon Marché Rive Gauche, combining their expertise and shared love for beauty and quality in a “Pop-Up” space.
This partnership consolidated the elegance, expertise and femininity held dear by these two family companies, that share values passed down through generations: concern for the environment, expertise, entrepreneurial spirit, art and design.
Avenue Louise 158 Brussels 1050 Belgium
PRESS Avenue des Aubépines 1 Brussels 1180 Belgium
Huidevettersstraat 44 Antwerp 2000 Belgium
PC Hooftstraat 23 Amsterdam 1071 BL The Netherlands
Rue des Saint-Pères 71 Paris 75006 France
Rue de Namur 78 Brussels 1000 Belgium
Henegouwenstraat 91-93 Ghent 9000 Belgium
Kustlaan 150 Knokke 8300 Belgium
Jan Mahieustraat 20-22 Roulers 8800 Belgium
Plankstraat 10 Maastricht 6211 GA Belgium
Mia Zia
Mia ZiaInfo
To understand a woman, you have to read between the lines. To wear Mia Zia, we must live between the lines.”
Mia Zia is revealed to you, colorful, since 1997. The proof, a renowned signature; for almost two decades. Look between the lines but do not pass through the mesh, the range of accessories broaden and details are accentuated. Between decisions and creations, each role is executed to transmit our identity. – A combination of infinite colors unified quality and priceless uniqueness. Small hands of local workshops in Morocco, Turkey, India but also in Nepal shape the journey of silk, cashmere, linen and cotton voile in others. The scarves collections, scarves and socks that have propelled the fame of the label are complemented each season by a range of ready-to-wear women
Between the Lines The mark is similar to all those women with many facets. It is an invitation to escape from his horizon, to discover oneself more, we and elsewhere. Mia Zia is a reflection of this woman sometimes urban, sometimes globetrotter, which thrives and grows, over his experiences.
Mia Zia is certainly you !
Maliestraat 90 Elsene 1050 Belgium
Nathan – Baume
Nathan – BaumeInfo
A COMMITMENT TO EXCELLENCE.
Building on the past to express a form of modernity…
A reinterpretation that sublimates the lessons of the past in a burst of creative joy.
Such has been the approach followed since its creation when Nathan-Baume first presented its exclusive small luxury leather goods created from the finest leathers – notably exotic skins.
The range gradually expanded and includes travel bags, briefcases, computer cases, …yet the craftsmanship never lost his particular inclination for small leather goods, which require considerable skill and know-how in addition to an eye for detail and great dexterity.
Nathan-Baume took a new dimension with the launch of the jewels collection in silver and gold, accessories like silk scarves, gloves, hats, umbrellas…
Welcome to style and glamour, functionality and magic, senses and feelings. Welcome to you.
100 Avenue Louise Brussels 1050 Belgium
Head Office Grand Route 329 Lillois 1428 Belgium
Tim Van Steenbergen
Tim Van SteenbergenInfo
About
Tim Van Steenbergen
Tim Van Steenbergen graduated Magna cum Laude at the Antwerp Royal Academy of Fine Arts (fashion department, textile creation and theatre costume). Subsequently he took classes in drapery and couture techniques and worked as assistant of Olivier Theyskens.
His first collection was launched in 2001 in Paris and in the same year he set up his company Mitzlavv bvba.
Meanwhile he’s up to his twenty third collection/fashion show and the label Tim Van Steenbergen is being sold in the best designer shops all over the world. His style evolves into a refined pureness and female elegance. He is a master of contemporary drapery and every detail, high quality standards, tradition and craftsmanship are being cared for.
Tim designs the costumes for international movie, theatre, dance and opera creations as for Anne Teresa de Keersmaecker, Guy Cassiers and Sidi Larbi Cherkaoui.
Between 2010 and 2013 Tim Van Steenbergen is creating the costumes for Richard Wagner’s opera cycle ‘Der Ring des Nibelungen’, Teatro alla Scala in Milan and the Staatsoper Unter den Linden in Berlin.
Nowadays Tim Van Steenbergen is increasingly evolving into a creative lab.
Recent developments thereof are ‘Metronome’, a first light design for Delta Light, an interior fabrics collection in collaboration with Aristide and total interior concepts Tim Van Steenbergen with Boa Interior.
Philosophy
The challenge in my work is the search for authenticity and artisanship in fashion.
The difference between confection and prêt-à-porter or couture is to be found in how it is made.
Handwork, quality of fabric, building a piece layer by layer, differentiates my work from confection.
I’m in search of old values in a new world.
The motivation in my work is to transfer craftsmanship and the old values into different and modern designs.
Due to my belief in artisanship, every garment is created by hand on the dummy to develop its characteristic shape.
These traditional construction process and unique draping techniques guarantee a high appreciated quality and an exclusive collection.
Studio Tim Van Steenbergen
The studio of Tim Van Steenbergen is located in a 19th century mansion close to the historical site of the Antwerp military hospital. An eclectic interior were fashion meets art, historical elements are confronted with design and vintage furniture.
The studio Tim Van Steenbergen is the optimal place to realize his ideas, situated in the pocketsize metropolis Antwerp. This refreshing cosmopolitan owes its reputation to the mighty part, the world diamond centre and its trendsetting vision of fashion.
This welcoming multicultural city-on-the-river the Scheld, is an intelligent, complex, fascinating and surprising habitat with a magnificent contemporary architecture, opera and theatre, monuments and artworks as well as its historical medieval centre.
The home of the Flemish Baroque master Rubens.
The Red Star line company set off its ships on the transatlantic voyage with millions of emigrants who set out for a new life in the States and Canada.
Nowadays Antwerp is one of the fastest growing cultural cruise destinations in Europe.
“Due to its excellent acces, it pushes you to travel the world looking for new impressions and personal experiences.”
“After all it is an attractive place to come home from where you can work independently and with an open minded view on the rest of the world.”
Creations
- ‘Hanjo’, opera, Festival Lyrique d’Aix-en-Provence / the Monnaie Brussels
- ‘Hersenschimmen’, theater , Ro Theater Rotterdam
- ‘d’Un Soir un Jour’ and ‘Steve Reich Evening’, dance, Rosas / the Monnaie Brussels
- ‘Triptych of Power; ‘Mefisto’, ‘Wolfskers’ and ‘Atropa’, theater, Toneelhuis Antwerp / Festival d’Avignon / Théâtre de la Ville de Paris
- ‘The House of the Sleeping Beauties’, opera, LOD / Toneelhuis Antwerp / the Monnaie Brussels
- ‘Adam in Exile’, opera, Opera of Amsterdam
- ‘La Chanteuse du Tango’, movie by Diego Martinez Vignatti with Eugénia Ramirez.
- ‘Prélude à la Mer’, movie, Rosas / Thierry De Mey
- ‘Das Rheingold’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Blood & Roses, the Song of Joan and Gilles’, theatre , Toneelhuis Antwerp / Festival d’Avignon
- ‘Die Walküre’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Labyrinth’, dance, National Ballet Amsterdam, Sidi Larbi Cherkaoui
- ‘Siegfried’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Götterdämmerung’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Milonga’, dance, Sadlers Wells, Sidi Larbi Cherkaoui
- ‘MCBTH’, theater, Toneelhuis / Spectra Ensemble / Vocaallab
- ‘Romeo & Julia’, ballet, Royal Ballet of Flanders
- ‘Hamlet’, theater, Toneelhuis / Toneelgroep Amsterdam
- ‘Het vertrek van de Mier’, theater, Toneelhuis / Het Paleis / Kunstz
- ‘Firebird’, ballet, Stuttgarter Ballett
- ‘Passions Humaines’, theater, costumes and set, Toneelhuis / Mons Culturele Hoofdstad
- ‘Xerse’, costumes and set, Opéra De Lille
- ‘Caligula’, costumes and set, Toneelhuis
- ‘De welwillenden’, costumes and set, Toneelhuis / Toneelgroep Amsterdam
- ‘Pictures at an exhibition’, ballet, costumes and set, Royal Ballet of Flanders, Sidi Larbi Charkaoui
- ‘Ma mère l’oye’, ballet, costumes and set, Royal Ballet of Flanders, Jeroen Verbruggen
- ‘Trompe la mort’, opera, costumes and set, Opéra national de Paris
- ‘Grensgeval’, theatre, costumes and set, Toneelhuis
- ‘Movement in Blue’ & ‘Movement in White’, Tim Van Steenbergen X Ashtari Carpets
- ‘Het kleine meisje van meneer Linh’, costumes, Toneelhuis
- ‘Vergeef ons’, costumes, Toneelhuis / Toneelgroep Amsterdam
marialei 18 Antwerpen 2018 Belgium