Jasmin Blommaert
Jasmin Blommaert
Info
‘Jasmin Blommaert’ stands for original Belgian fashion and captivating bridal wear, characterized by unique, personalized fabric designs and tailoring.
In combination with high-quality fabrics, we go for
a contemporary, stylish and comfortable look.
Clothes that are made for you…
For every occasion.
For every individual
One-stop shop and info:
Monday 12h – 18h
Thursday 12h – 19h
Saturday 10 am – 5 pm
Bride / Made-to-measure clothing: by appointment only
Kontichsesteenweg 47b Aartselaar 2630 Belgium
Stan & Loesje
Stan & LoesjeInfo
We love to make creations that are clean cut, playful and sensual.
Our mission: ‘Design to make you look good.’
Naturally we work with ecological fabrics to create these designs, and we want you to say: Like, Like, Like!
Have a look around, to see what we mean!
Jan van Aelbroecklaan 33 Gentbrugge 9050 Belgium
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WHAT’S IN A NAME?ALICIAAUDREY is the name of the friendship between co-founders Audrey Joris and Alicia Meus.Their friendship started with a shared drive and a passion for styling and life.
Based in Belgium, ALICIAAUDREY creates a trans-seasonal outerwear wardrobe.
Combining a timeless perspective with bold and playful attitudes.
I Love Mr. Mittens
I Love Mr. MittensInfo
When Belgian born Stéphanie Caulier visited a small knitting cafe in New York back in 2007, she was reminded of her childhood passion of knitting. Growing up in a family surrounded by knitting and sewing, it was only natural that Stéphanie developed an interest in knitwear. It has been a labour of love over the years and from small beginnings of knitting for family and friends, the brand has evolved into `I love Mr Mittens`. Stéphanie’s passion for knitwear and design is clearly illustrated through her multiple social media avenues and her masses of followers built in the last few years.
Whilst not following traditional academic design study, Stephanie has honed her skills through years of experience in her chosen craft. She combines this knowledge with her keen fashion eye to create a line of unique chunky wool garments.
I Love Mr Mittens is not only a fashion label, it is a label based upon community and sustainability whilst maintaining timeless aesthetics. This ideal also flows through to the I Love Mr Mittens stockists. The I Love Mr Mittens range is available through a carefully selected array of stockists. Quality over quantity is Stephanie’s vision for her brand and this is seen through her select group of stockists across the globe. It is also important to recognise I love Mr Mittens “Heartworking” philosophy. Each garment is hand knitted with love by Stephanie and her team. This collaboration of small, independent businesses (rather than large conglomerates) completes the vision of I love Mr Mittens to create a brand that provides a genuine contribution back to the local community. University students and retired pensioners alike, work with a common objective of executing Stephanie’s vision of how knitwear should be, simple, elegant, timeless and fashionable.
HEAD OFFICE 101 Napier street Cottesloe WA 6011 Australia
Vieux Jeu
Vieux JeuInfo
About
When you’ve tricked yourself out in a tennis class on a heavy scheduled day, you’ll need a good looking outfit to finish the day in. Hit the court with Vieux Jeu, the modernist sportswear label by Belgian designer Claudia Storme, whose polished yet effortless collection might be just what you’re looking for.
The trend is a classic: we all have a busy schedule but we don’t want to give up our sports class. ‘If you want to make it happen, it’s wise to prioritize style over function’, dixit Claudia Storme.
Discover the boho allure of Vieux Jeu, the Belgian label that captures the mood of a bygone era. Claudia Storme gets inspiration from one of the oldest games. Yet looking to the past doesn’t always suggest a yearning for what’s lost; rather, a desire to reinvent and redeem.
The go-to label for beautiful yet functional tennis clothing and accessories with that easy-to-wear je ne sais quoi, Vieux Jeu celebrates the glamour of a lost era, giving classical shapes a modern spin.
Jan-Jan van Essche
Jan-Jan van EsscheInfo
AS FOR MANY OTHERS, THE HUMAN COLLECTIVE CULTURE REMAINS AN ENDLESS INSPIRATION FOR JAN-JAN VAN ESSCHE TO CREATE NEW GARMENTS, EACH NEW DESIGN A GENUINE ATTEMPT TO OPEN UP NEW PERSPECTIVES AND TO PUSH CONFLICTING DIALOGUES FORWARD.
WITH EVERY SERIES OF GARMENTS, TRADITIONAL PATTERNS FROM DIFFERENT ETHNO-CULTURAL ORIGINS ARE CAUTIOUSLY STUDIED AND SUBSEQUENTLY INTERPRETED IN THE DESIGNER’S INDIVIDUAL PATTERN LANGUAGE; ONE SPEAKING THE POETRY OF SIMPLICITY.
JAN-JAN VAN ESSCHE MOSTLY OPTS TO REMOVE ALL POSSIBLE SEAMS AND MINIMALIZING DETAILS AND CULTURAL CONNOTATION, WHILE MAXIMIZING COMFORT FOR THE WEARER AND THEREFORE PROPOSING AN EXPERIENCE THAT WORKS FROM THE WITHIN.
UNLIKE CLASSIC WESTERN APPROACH TO CONFINE AND SHAPE THE BODY, JAN-JAN PROVIDES THE BODY THE LUXURY AND FREEDOM TO SHAPE THE GARMENT.
HIS SINCERE AND DISCRETE DESIGNS ARE EXECUTED IN CAREFULLY SOURCED, REFINED QUALITY FABRICS OF NATURAL FIBERS, ALL CONTRIBUTING ELEMENTS INDUCING ONES AWARENESS AND STATE OF MIND.
CONTRIBUTING TO THIS STORY OF MINIMIZING ANECDOTIC CONNOTATIONS SOME FABRICS REMAIN UN-DYED OR EVEN LOOM STATE, THE COLOURS ARE RATHER TO THE MUTED PALETTE AND THE BLACK COLOUR WITH ITS ENDLESS SHADES IS ALWAYS PRESENT TO RIGOROUSLY ACCENTUATE THE SILHOUETTES.
JAN-JAN VAN ESSCHE CONTINUOUSLY AIMS TO DEVELOP NEW INSIGHTS ON CONTEMPORARY YET EFFORTLESS AND GENDERLESS ELEGANCE.
HIS PIECES ARE LAYERED WITH SUBTLETY, INTEGRATED INTO MODERN-DAY CITY LIFE AND INTO PERSONAL WARDROBES, SLOWLY AND CAREFULLY PLAYING THEIR HUMBLE ROLE IN FINDING CONNECTION AND ACCEPTANCE.
THEY SEE NO BOUNDARIES, NO LIMITATIONS, NO RESTRICTIONS NO EXCLUSIONS.
THE CONVENTIONAL SILHOUETTE IS AMPLIFIED AND EACH INDIVIDUAL GARMENT LITERALLY LEAVES ROOM FOR INTERPRETATION, ENGENDERING OPENNESS.
THE WEARER OF JAN-JAN VAN ESSCHE IS A GENTLE SOUL IN CONSTANT DIALOGUE WITH ONE’S PERSONAL CONTEXT AS WELL AS WITH THE WORLD AS A WHOLE.
LIKE THE GARMENTS THE WEARER IS HUMBLE AND IS UNRESTRAINED.
JAN-JAN VAN ESSCHE IS BORN IN ANTWERP, BELGIUM, WHERE HE HAS HIS DESIGN STUDIO. HE’S A 2003 GRADUATE OF THE ANTWERP ROYAL ACADEMY OF FINE ARTS.
IN JUNE 2010 JAN-JAN VAN ESSCHE LAUNCHED HIS FIRST EPONYMOUS LABEL AS AN ANNUAL WARDROBE. COLLECTION#1 – ‘YUKKURI’, JAPANESE FOR ‘TAKE IT EASY’ OR ‘SLOWLY’.
THIS TITLE ALSO BECAME HIS INTRINSIC AND CONCEPTUAL APPROACH TO CONTEMPORARY WARDROBES AS A DESIGNER.
- COLLECTION#2 – SATTA AMASSAGANA (JUNE 2011)
- COLLECTION#3 – IN AWE (JUNE 2012)
- COLLECTION#4 — UHURU SASA (JUNE 2013)
- COLLECTION#5 — INITE (JUNE 2014)
- COLLECTION#6 — NO MAN IS AN ISLAND (JUNE 2015)
- COLLECTION#7 — AWARE (JUNE 2016)
- COLLECTION#8 — 無 (MU) (JUNE 2017)
- COLLECTION#9 — ONE IN ALL AND ALL IN ONE (JUNE 2018)
- COLLECTION#10 — CODA (JUNE 2019)
- COLLECTION#11 — GRACE (JULY 2020)
- COLLECTION#12 — CYCLE (JUNE 2021)
THE ANNUAL WARDROBES RECEIVED A COUNTERPART IN 2013 WHEN, DUE TO THE WELL RECEIVED PREVIOUS COLLECTIONS, THE DESIGNER DECIDED TO ADD THE PROJECTS, AUTONOMOUS SERIES OF GARMENTS DESIGNED AND DEVELOPED ACCORDING TO SPECIFIC CRAFTS OR INSPIRATIONS, TAKING THE NECESSARY TIME TO CULTIVATE IDEAS AND UNDERGOING THE SLOW RHYTHM AND PACE OF THE HAND.
THE CREATIVE FREEDOM IS PRESERVED AND IDEAS ARE ENABLED TO FLOURISH.
- PROJECT#1 – PROCEED (JANUARY 2013) — RESEARCH ON PATCHWORK
- PROJECT#2 — REDEEM (JANUARY 2014) &MASH; RESEARCH ON SAKIORI WEAVING
- PROJECT#3 — WADADA (JANUARY 2015) — RESEARCH ON ROPE WEAVING
- PROJECT#4 — EACH ONE TEACH ONE (JANUARY 2016) — RESEARCH ON BORO APPLICATIONS
- PROJECT#5 — ARISE (JANUARY 2017) — PATTERN RESEARCH INSPIRED BY THE KESA GARMENT
- PROJECT#6 — ONE STONE (JANUARY 2018) — PATTERN RESEARCH INSPIRED BY THE AINU KIMONO
- PROJECT#7 — SOLACE (JANUARY 2019) — EMPHASIS ON USE OF FABRICS
- PROJECT#8 — REMEMBRANCE (JANUARY 2020) — RESEARCH ON PADDED GARMENTS & SAKIORI WEAVING
- PROJECT#9 — SUNU (FEBRUARY 2021) — RESEARCH ON PADDED GARMENTS & HAND WOVEN GARMENTS
WADADA BVBA NACHTEGAALSTRAAT 27 ANTWERPEN 2060 BELGIUM
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About Comme ça
Ladies, you certainly recognize this: the magical feeling of your new dress. The ultra-soft fabric, perfect fit and radiant colours. But after a few washes, that dress often loses its shine. Not so with the comme ça collections! This colorful fashion for mothers and daughters excels in top quality and affordability and is also purely Belgian.
Stylish fashion
Comme ça designs 2 new collections for women every year. From casual tops and trousers for your leisure time to classy outfits for work, Comme ça has it all. In between, we also perfectly adapt our collections to current trends and let it surprise you by adding her own style: feminine silhouettes, stylish prints and beautiful colours.
For real women
Clothing for real women is pre-eminently the common thread through the fashion label. In our team we have ladies with different sizes and styles. Every new collection starts from there. Comme ça makes clothes from size 34 to 50 that take feminine shapes into account. Our trousers, dresses and blouses accentuate your strengths and hide the minor flaws that you see, so that a woman shines at any age. The delivery of the test collection is therefore a great and exciting moment. Our team fits and tests all new pieces to ensure fashion that fits every body.
Affordable top quality
Dress up, not down, but at a fair price. Comme ça creates affordable fashion for you. We only select strong and durable fabrics and swear by a perfect finish. Surprising look thanks to the easily combinable top and bottom pieces. We therefore offer original and striking eye-catchers that are produced in limited numbers. Enthusiasm and passion float above each piece and we are happy to pass that feeling on to you.
KASTELEINSSTRAAT 11B KRUIBEKE 9150 Belgium
Dries Van Noten
Dries Van NotenInfo
Biography
Born in Antwerp in 1958, Dries Van Noten is the third generation in a family of tailors. At the age of 18, Dries entered the fashion design course of Antwerp’s Royal Academy. On graduating, he began to freelance as a consultant designer before starting his own collection of menswear in 1986. Since its beginnings Dries Van Noten has presented collections for women and men for Spring/Summer and Autumn/Winter each year. He
celebrated his 50th fashion show in 2004 and 100th fashion show in 2017.
In June 2008, the Council of Fashion Designers of America honoured Dries Van Noten with its International
Designer of the Year Award. 2014 began with the grand opening of Dries Van Noten, “Inspirations”, a first
ever exhibition featuring his designs and influences at the Musée des Arts Décoratifs in Paris. Another
configuration of the exhibit moved to Antwerp in 2015. In July France decorated Dries Van Noten with the
honour of ‘Officier de l’Ordre des Arts et des Lettres.’ In October 2016, Dries Van Noten wins the Culture
Award from The Province of Antwerp for his contribution to Culture.
In June 2018 Puig entered the capital structure of Dries Van Noten as majority owner. The designer remains, over the long term, a significant minority shareholder and continues his role as chief creative officer and chairman of the board.
2019 saw Mr Van Noten collaborate with world renowned fashion designer Mr Christian Lacroix on his
collection for Women, Spring/Summer 2020. In June 2020, and September 2021, the Council of Fashion Designers of America (CFDA) has again nominated Dries Van Noten for its International Designer of the Year Award.
Q&A with dries van noten
When did you know that designing clothes was your path & passion?
There was a certain logic to my choice as my family had been involved in fashion and the garment business for generations. My father created one of Belgium’s most innovative retailers of ‘Pret-a-Porter’ and my grandfather was a tailor. I inherited my love of garment making, its traditions and rituals, from these men and my mother. Family immersed me in the craft and skill of fabrics, impassioned me with the power of flair and style for women and men that fired my quest to explore and question the subjectivity of “beauty” and the role it would play in my life. My family was very supportive and encouraged me to continue its fashion tradition. I regularly accompanied my parents to Paris and Milan on their many buying trips for collections. Though they had imagined I might take over the retail business, that I was passionate to become a fashion designer came as a great surprise to them.
What is your design signature?
I see a garment as a singular item of excellence that is part of a larger story told, firstly, within a designer’s vision for a collection and ultimately as part of the final wearer’s expression of their style through their wardrobe. My joy is to create a garment that fuses and balances beauty, craft and function, a garment that can perform well and continue in time to become part of life’s story. I enjoy juggling with colours, textures and light in a way that evokes rather than provokes.
Where do you come up with your best ideas?
The spark of inspiration for the narrative a collection rarely ever comes in the same way. The initial idea can sometimes come quickly and remain constant throughout the design process… occur on a walk in my garden, encountering a painting or the life and work of an artist. It can be something rarefied or ordinary, for example, suddenly looking at something that has surrounded me every day and seeing it in a different way that inspires. It can be a photograph in a book or a magazine, a re-read passage in a loved book, a conversation with friends or my design team or a piece of music. For other collections the story is more of a journey, deliberate, considered, and evolves through time and the design process. Anything can be that spark that ignites the creative process. What I have learned is that one recognises the spark when it happens, it may not be too planned, be ‘of its time’ and is more emotional than cerebral.
Is there a difference between style and fashion?
Of course, style comes from within..
What colour or fabric would you never use?
None actually! Often, challenging myself to work with colours, fabrics, or forms that I have disliked and bringing them into a collection can be an important aspect of the creative process.
What is beauty?
The idea of beauty is supremely subjective and very personal. Time also plays a role when our view on what is beautiful to us evolves. A flower, a building or a garment can be a thing of wonder for one while leaving another completely indifferent. What was beautiful to us even recently may be ugly today. Luckily, all designers have their own eye on and language of beauty.
What is ugliness?
It resonates in the same way as beauty for me. It is exciting when the formerly ugly becomes beautiful.
Timeline
- 1981 Dries Van Noten graduates from Royal Academy of Fine Arts in Antwerp
- 1986 Dries Van Noten started his first own collection of menswear after working as a freelance consultant designer
- 1989 Flagship store opens in Antwerp, Belgium
- 2004 50th Show
- 2007 Paris store opens at Quai Malaquais, Paris France
- 2008 Dries Van Noten wins Internation Designer of the year at CFDA awards./ Dries Van Noten Sacred “Royal Designer for Industry” from the RSA Trustee Board in London
- 2009 Flagship store opens in Aoyama, Tokyo, Japan/ Stores opens for the men at Quai Malaquais, Paris, France
Dries Van Noten Induction to The “Galerie Des Eminents” By The Flemish Chamber Of Commerce (Voka)
Dries van Noten is gifted a gold medal by The Flemish Royal Academy of Belgium
Dries Van Noten Is Honored With the “Couture Council Award for Artistry of Fashion” By the Couture Council of the Museum at Fit In New York - 2010 Dries Van Noten Is Invited To Preside Over the 25th Edition of the “Festival International De Mode et De Photographie” of Hyres, France
- 2013 Olfactory portrait by Frederic Malle with The Nose Bruno Jonanovic
- 2014 xhibition at The Musée Des Arts Décoratifs in Paris, France
A book that accompanied his exhibition at Musée des arts Décoratifs in Paris, France - 2015 Dries Van Noten is decorated by Jack Lang of the medal
Opening of Dries Van Noten Osaka - 2016 Wins Culture Award from The Province of Antwerp
- 2017 An intimate portrait into the life, mind and creative heart the designer
A book in two volumes that depicts and documents his first 100 collection and Fashion shows
In recognition of his career as fashion designer and his contribution to the Cultural life of his native land - 2018 DVN enters in partnership with Puig as Major Stakeholders
- 2019 Collaboration with Mr Christian Lacroix
- 2020 Nominated by The CFDA for International Designer of The Year Award
Stores opens in Shanghai, China
Flagship stores opens in Los Angeles, USA the first Dries Van Noten store in the Unites States of America
Godefriduskaai 36 Antwerpen 2000 Belgium
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Raising the concept of a scarf to the status of an exceptional item imbued with character. That is what Emmanuel Demuynck of the Belgian company Monsieur Maison succeeds in time after time. And with flair. One could describe his creations as unique stories. They are almost poetic and above all beautiful. They are the fruit of an exciting search for rare couture and haute couture fabrics from days gone by, the unique combinations of which today constitute the clearly recognisable trademark of Monsieur Maison. With each of his scarves, Emmanuel creates a link to a very special figure from the 20th century.
The secret of the perfection of Monsieur Maison scarves lies in its capacity to create the perfect blend of designs, colours and fabrics.
The scarves are made in Belgian workshops which is a very conscious choice on the part of the designer. The workshops guarantee an outstandingly high-quality approach and the seamless translation of what Monsieur Maison seeks to communicate in its unique models. The handwork and the know-how result in quality and durability, two aspects that are very important to Demuynck.
Who is the designer Emmanuel Demuynck?
Emmanuel studied painting at the Royal Academy for Fine Arts in Ghent. In addition to designing this collection, he also offers his freelance services for design and merchandising projects. He is also a purchaser and consultant for Belgian labels and multi-brand stores.
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VALERIE BACART
VALÉRIE BACART IS A HIGH-END CLOTHING BRAND, MADE IN MONS.
Valérie Bacart was for many years at the head of a museum institution dedicated to textile arts. Holder of a Master’s degree in Art History coupled with a seamstress diploma, she decided to create her own clothing brand.
Valérie Bacart is a brand that develops clothes designed from “dormant stocks”, these high-end fabrics, made for designers but remained unsold.
The collection is created from timeless models which, once revisited, are available as unique pieces.
The clothes are made in limited quantities because the brand’s desire is to respect a production rhythm on a human scale. Each garment is hand-sewn by the designer in her workshop.
Wearing Valérie Bacart means choosing artisanal know-how and expressing your preferences for quality and respectful work.
Valérie Bacart lives in Mons in Belgium. In parallel with the development of her clothing brand, she teaches the history of textile art in a higher art school.