Tim Van Steenbergen
Tim Van Steenbergen
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About
Tim Van Steenbergen
Tim Van Steenbergen graduated Magna cum Laude at the Antwerp Royal Academy of Fine Arts (fashion department, textile creation and theatre costume). Subsequently he took classes in drapery and couture techniques and worked as assistant of Olivier Theyskens.
His first collection was launched in 2001 in Paris and in the same year he set up his company Mitzlavv bvba.
Meanwhile he’s up to his twenty third collection/fashion show and the label Tim Van Steenbergen is being sold in the best designer shops all over the world. His style evolves into a refined pureness and female elegance. He is a master of contemporary drapery and every detail, high quality standards, tradition and craftsmanship are being cared for.
Tim designs the costumes for international movie, theatre, dance and opera creations as for Anne Teresa de Keersmaecker, Guy Cassiers and Sidi Larbi Cherkaoui.
Between 2010 and 2013 Tim Van Steenbergen is creating the costumes for Richard Wagner’s opera cycle ‘Der Ring des Nibelungen’, Teatro alla Scala in Milan and the Staatsoper Unter den Linden in Berlin.
Nowadays Tim Van Steenbergen is increasingly evolving into a creative lab.
Recent developments thereof are ‘Metronome’, a first light design for Delta Light, an interior fabrics collection in collaboration with Aristide and total interior concepts Tim Van Steenbergen with Boa Interior.
Philosophy
The challenge in my work is the search for authenticity and artisanship in fashion.
The difference between confection and prêt-à-porter or couture is to be found in how it is made.
Handwork, quality of fabric, building a piece layer by layer, differentiates my work from confection.
I’m in search of old values in a new world.
The motivation in my work is to transfer craftsmanship and the old values into different and modern designs.
Due to my belief in artisanship, every garment is created by hand on the dummy to develop its characteristic shape.
These traditional construction process and unique draping techniques guarantee a high appreciated quality and an exclusive collection.
Studio Tim Van Steenbergen
The studio of Tim Van Steenbergen is located in a 19th century mansion close to the historical site of the Antwerp military hospital. An eclectic interior were fashion meets art, historical elements are confronted with design and vintage furniture.
The studio Tim Van Steenbergen is the optimal place to realize his ideas, situated in the pocketsize metropolis Antwerp. This refreshing cosmopolitan owes its reputation to the mighty part, the world diamond centre and its trendsetting vision of fashion.
This welcoming multicultural city-on-the-river the Scheld, is an intelligent, complex, fascinating and surprising habitat with a magnificent contemporary architecture, opera and theatre, monuments and artworks as well as its historical medieval centre.
The home of the Flemish Baroque master Rubens.
The Red Star line company set off its ships on the transatlantic voyage with millions of emigrants who set out for a new life in the States and Canada.
Nowadays Antwerp is one of the fastest growing cultural cruise destinations in Europe.
“Due to its excellent acces, it pushes you to travel the world looking for new impressions and personal experiences.”
“After all it is an attractive place to come home from where you can work independently and with an open minded view on the rest of the world.”
Creations
- ‘Hanjo’, opera, Festival Lyrique d’Aix-en-Provence / the Monnaie Brussels
- ‘Hersenschimmen’, theater , Ro Theater Rotterdam
- ‘d’Un Soir un Jour’ and ‘Steve Reich Evening’, dance, Rosas / the Monnaie Brussels
- ‘Triptych of Power; ‘Mefisto’, ‘Wolfskers’ and ‘Atropa’, theater, Toneelhuis Antwerp / Festival d’Avignon / Théâtre de la Ville de Paris
- ‘The House of the Sleeping Beauties’, opera, LOD / Toneelhuis Antwerp / the Monnaie Brussels
- ‘Adam in Exile’, opera, Opera of Amsterdam
- ‘La Chanteuse du Tango’, movie by Diego Martinez Vignatti with Eugénia Ramirez.
- ‘Prélude à la Mer’, movie, Rosas / Thierry De Mey
- ‘Das Rheingold’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Blood & Roses, the Song of Joan and Gilles’, theatre , Toneelhuis Antwerp / Festival d’Avignon
- ‘Die Walküre’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Labyrinth’, dance, National Ballet Amsterdam, Sidi Larbi Cherkaoui
- ‘Siegfried’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Götterdämmerung’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Milonga’, dance, Sadlers Wells, Sidi Larbi Cherkaoui
- ‘MCBTH’, theater, Toneelhuis / Spectra Ensemble / Vocaallab
- ‘Romeo & Julia’, ballet, Royal Ballet of Flanders
- ‘Hamlet’, theater, Toneelhuis / Toneelgroep Amsterdam
- ‘Het vertrek van de Mier’, theater, Toneelhuis / Het Paleis / Kunstz
- ‘Firebird’, ballet, Stuttgarter Ballett
- ‘Passions Humaines’, theater, costumes and set, Toneelhuis / Mons Culturele Hoofdstad
- ‘Xerse’, costumes and set, Opéra De Lille
- ‘Caligula’, costumes and set, Toneelhuis
- ‘De welwillenden’, costumes and set, Toneelhuis / Toneelgroep Amsterdam
- ‘Pictures at an exhibition’, ballet, costumes and set, Royal Ballet of Flanders, Sidi Larbi Charkaoui
- ‘Ma mère l’oye’, ballet, costumes and set, Royal Ballet of Flanders, Jeroen Verbruggen
- ‘Trompe la mort’, opera, costumes and set, Opéra national de Paris
- ‘Grensgeval’, theatre, costumes and set, Toneelhuis
- ‘Movement in Blue’ & ‘Movement in White’, Tim Van Steenbergen X Ashtari Carpets
- ‘Het kleine meisje van meneer Linh’, costumes, Toneelhuis
- ‘Vergeef ons’, costumes, Toneelhuis / Toneelgroep Amsterdam
marialei 18 Antwerpen 2018 Belgium
APA Intemporal SPRL
APA Intemporal SPRLInfo
ABOUT US
THE VOYAGE OF APA INTEMPORAL
APA is a Belgian fashion brand that combines high style with deep science. Our name comes from the Sanskrit word for “water,” and our first product, the ĀPA raincoat, was built to live up to its namesake. We take cutting-edge performance technologies and fabrics from the world of extreme sports, and craft them into impeccable, irreverent outerwear for city dwellers, world travelers, and anyone with an eye for style.
After living in Brussels, Paris, New York, and other urban cities where it rains for much of the year, Franco-Belgian high-fashion designer Léa Stein discovered what was missing in the market: a modern coat that merges luxury with technology, effectively protecting wearers from the ever-changing unpredictability of weather while looking their best.
In 2016, Léa founded ĀPA. Her goal was a lofty one: to combine clean silhouettes, immaculate detail, and luxury manufacturing with today’s most innovative performance technologies, all while using sustainable processes and artisan craftsmanship, and producing it, beginning to end, completely within Europe. And that’s exactly what APA has achieved today.
Our first raincoat collection launched in 2019, and is a reflection of our brand’s vision: to take iconic fashion clothing and re-invent it in a way that provides innovative solutions to everyday problems, while keeping the fit, design, and artistry of high-fashion. With a successful Kickstarter campaign, and numerous awards for design and innovation, ĀPA is proud to continue to push luxury fashion forward.
Avenue de la Sapinière 37 Bruxelles 1180 Belgium
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VALERIE BACART
VALÉRIE BACART IS A HIGH-END CLOTHING BRAND, MADE IN MONS.
Valérie Bacart was for many years at the head of a museum institution dedicated to textile arts. Holder of a Master’s degree in Art History coupled with a seamstress diploma, she decided to create her own clothing brand.
Valérie Bacart is a brand that develops clothes designed from “dormant stocks”, these high-end fabrics, made for designers but remained unsold.
The collection is created from timeless models which, once revisited, are available as unique pieces.
The clothes are made in limited quantities because the brand’s desire is to respect a production rhythm on a human scale. Each garment is hand-sewn by the designer in her workshop.
Wearing Valérie Bacart means choosing artisanal know-how and expressing your preferences for quality and respectful work.
Valérie Bacart lives in Mons in Belgium. In parallel with the development of her clothing brand, she teaches the history of textile art in a higher art school.
Charlotte Pringels
Charlotte PringelsInfo
ABOUT
I. The collections
We believe in slow fashion, the power of simplicity and elegance in an effort to change and challenge the way we as society consume. Doing so we commit to sourcing natural and recycled fibers and work with high-quality, low minimum suppliers in Europe, allowing us to reduce waste through small-batch production. We want to make sure every link in our supply chain gets a fair price for the work that is being done and we commit to transparent practices by providing information about supply chains, enabling customers to make informed decisions.
Our aim is to offer our customers carefully designed garments and prove that investing in a piece of our collection is an investment in yourself, your wardrobe and a more sustainable fashion system.
II. The designer
Charlotte Pringels is a Belgian-based women’s wear label, named after the founder and CEO of the brand. Her design philosophy: to create a line of essentials that are both interesting and necessary and together form a cohesive wardrobe that maintain relevance over time. Each collection includes elements of ease and polish and is characterized by high-end fabrics and timeless, clean-lined silhouettes.
Charlotte Pringels is a Belgian Fashion designer. She entered the Royal Academy of Fine Arts Antwerp / Fashion Department in 2007 and graduated in 2012 from her master (MA) degree.
III. The make
Our collections are designed and made with love, and focuses on reinventing tailoring technics while only using finest materials. The current emphasis for the materials we use is on natural and recycled resources of the fiber. Over the years, we have built a solid base of family-run contractors in Ukraine and Belgium. They are responsible for the long-lasting construction of every piece of clothing that we make. From perfect cutting of fabric, to deliberate sewing and finishing with French seams or bias-bound edges, the collection is built to last by suppliers who treat their workers fairly.
All samples and prototypes are made and designed in Charlotte Pringels’ own atelier, located in Belgium.
Drongenstraat 106, Lokeren 9160 Belgium
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ABOUT CESAR
In addition to being a model, food lover, traveler and proud author of my two cookbooks Model Kitchen and Cesar’s Kitchen and the travel guide Trippin, I have launched the Cesar Casier Knitwear Collection. While growing up, I was always surrounded by fashion. My mom owns a high-end fashion boutique “OONA” in Ghent and my stepmom is a fashion designer. They were my biggest influencers and shaped my views on fashion while growing up, the logical next step was to start my own collection.
100% MADE IN BELGIUM.
KNITWEAR COLLECTION
The Cesar Casier Knitwear Collection is 100% made in Belgium, something that is very rare nowadays. Everything I design is produced in a small family owned factory located in Sint-Niklaas, a city between Antwerp and my hometown Ghent. Fact is that back in the days there were about 300 factories located in this area and now there are only two left, a sad reality. Therefore, it is important to support the revival of Belgian knitwear as much as possible!
GENDER NEUTRAL FASHION
Next to my roots, my brand represents Gender Equality. A human right I hold dear and it is something I stand for. I translate this into my designs, as they are mostly unisex. I want my brand to lead the way in gender-neutral fashion. In my opinion, gender no longer dictates the way people dress and it does not force anyone into a box. That is why I try to design as much gender neutral pieces as possible, this allows us to express ourselves exactly the way we all want to. My designs are timeless, comfortable and basic, yet fashionable and with an eye for detail and great quality
CHARITY
I’ve always loved nature and even more, the animals who live in it. That’s why, for every sold item on my website, I’ll donate 1 euro to a charity. For my previous collection I’ve donated money to help save the dolphins, The Great Barrier Reef and the Giraffes in the wild. By donating money to a good cause, I want to send awareness to the public about the beauty of nature and to support animal and nature welfare!
Hubert Frere Orbanlaan 629 Ghent 9000 Belgium
Patou Saint Germain
Patou Saint GermainInfo
Her firstname smells like the best fragrances and her name takes us to the artists’ Paris.
It’s because Patou Saint Germain has the exoticism of her ethnic background – she was born at Pointe-à-Pitre – and the creativity of the most famous fashion designers. She doesn’t hesitate to try new and inspiring experiences.
In her shop, located at rue Africaine in Saint-Gilles (Brussels), Patou creates for women. She wants to highlight the best part of womanhood in each women.
The purpose of the choice of shapes and materials is to beautify the body while maintaining the practical and comfort characteristics.
Patou Saint Germain creates ready-made clothes (directly or tailor-made) like evening wears, wedding dresses…but temporary creations, art pieces, and chocolate dresses too.
She likes to surprise and play with the different faces of her personality through her art.
Let’s start from the beginning…
Patou Saint Germain was born in 1970 in Guadeloupe and, when she’s 2 years old, comes in France with her parents.
She grows up in a family of six children. From a very young age, Patou creates clothes for her dolls.
At 15, she decides to become a fashion designer and passed the entrance exam of the school “Ecole supérieure des Arts appliqué Duperré”, the only public fashion school in Paris.
She dives into the fashion world like we can do with a religion.
During her studies, she works as a salesperson at Promod and wins the competition of young designers. Promod hires her immediately as a junior fashion designer.
Quickly propeled as a chief fashion designer, she travels a lot to “type” her products…USA, Italy, Japan…
The love brings her to Brussels where she works during one year for Caroline Biss.
In no time, she wants to stand on her own feet : she opens her shop and begins to draw, create and produce. That’s where Patou entertains her clients, offers ready-made clothes and…some tea.
An other approach of the fashion world.
« I always wanted to revolutionize the fashion world. The relation between the women and the clothes is very important. It’s the extension of her body and reflects her state of mind. When a women says that she hasn’t anything to wear while the wardrobe is full, it means that she’s a new person and wants other thing that she doesn’t own. A few husbands understand it thus.
I want to support women and give them a « tool » for making them feel ease and seducing. I am at their service for their aesthetic appearance including my two cents’ worth. For example, I love the crossed heart structure because it’s enveloping and draws body’s curves. It’s comfortable and feminine.»
From the story of the suit to the Japanese influence
« By studying the story of the suit, we realize that the unsaid was implicit via the suit. This one has been replacing the language in a time when the women did not have a say. »
Patou Saint Germain feels attracted by Japan, especially by Issey Miyake and her conceptual shapes with the search of simplicity that gives some strength.
« I’m an African from Europe and, like many people that feel displaced, pursue a sort of quest for an identity. »
This search is found in her creations that involve Africa and Occident via shapes and materials. Ideas and models emerge from the discoveries of different materials, variation of silk, flax, mesh or African basin.
« I love the « Makeba »(*) style drawing and the Japanese lines like hide-and-seek jackets of kimonos. »
The worry of womanhood and originality of the style serve as a conductor line for the creation of the models.
The enhancement of the feminine body , the search of the appropriate garment and the availability are Patou’s work characteristics too.
(*) in reference to the South African singer Miriam Makeba
Original creations
We should step out of our comfortable zone and search other inspiring sources, try the unknown and show ourselves in other aspects.
That’s what Patou does when she creates amazing and audacious chocolate dresses with the chocolate maker Laurent Gerbaud for The Salon du Chocolat.
Or whether when she creates a dress with ropes and the top hat for the exhibition City Doll in Brussels. This one has been sold in an auction for a charitable work.
And tomorrow ?
« I want to continue showing that it’s possible to wear clothes differently to highlight the most beautiful part of the women. Her body is a treasury. It needs to be pampered and highlighted. What gives me the most pleasure ? It’s seeing a women’s face changing when she wears a dress…It illuminates !
OPENING HOURS
Monday & Sunday – Closed
Tuesday– Saturday – 11:30 – 18:30
96, rue Africaine Brussels 1060 Belgium
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Izumi Hongo 本郷いづみ
Artist/designer Izumi Hongo was born in Tokyo and based in Antwerp. After obtaining her Masters at fashion department, Royal Academy Antwerp and at architecture department, Waseda University, she started her own fashion brand Van Hongo and opened atelier-shop in Antwerp in 2011. Since 2017, she has beem engaging in the textile design for architectural projects and recent years, she is more into the artistic installation by her special textiles.
‘Texture and structure’ is the main thema of her creation. The fact that she originally completed architecture education, is reflected in her cross-over creation beyond the boundaries between fashion and architecture. By developing the original yarns, textiles and knitting/weaving techniques together with the manufactories mainly in Japan and Belgium, she keeps realizing her innovative and unique designs and building up the cross-over networks.
5 Aalmoezenierstraat Antwerpen 2000 Belgium
31 Prins Albertlei, box12 Antwerpen 2600 Belgium
Filles à papa
Filles à papaInfo
Lauched in 2009 by Carol and Sarah Piron, the brand FILLES A PAPA has its roots in Liège. The sisters were soon joined by fashion photographer Gregory Derkenne who, beyond his eye for aesthetics, honed the label’s ethos. The duo-cum-trio was quick to understand that fashion and style is a question of identity.
FILLES A PAPA is an attitude, a deliberate rebellious streak and a clothing line in which the word “contemporary” reveals all its paradoxes and sharpness. Postmodern you might add, as this celebration of the modern young woman reflects the cynicism of our time. Behind the propriety of the name [meaning “Daddy’s girls”] lies sharp off-the-peg fashion that attracts boutiques, magazines and it-girls around the world thanks to its offbeat mood and a perfectly calibrated fit with the here and now. FILLES A PAPA offers a very distinctive but daringly different wardrobe.
Emerging through its collections and images, which are produced each season like a manifesto, is the portrait of an heiress who hasn’t forgotten to be a rebel or a rock star who’s made her aggressiveness part of her charm. Fuse, combine, hybridize and surprise, because as philosopher Michel Serres has said, “Nothing makes more sense than changing the meaning.”
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Arlette Schmitz is a Belgian slow fashion label…
….that came about in 2018 when former journalist Sophie De Laere decided to switch careers and become a fashion designer. She studied fashion designat SASK Sint-Niklaas and specialised in pattern making.The name of the label was coined after both Sophie’s mothers. The surname of her birthmother who died a very young woman and the first name of her adoptive mother.
Towards sustainability
Our collections are conceived and manufactured locally in Belgium. For the greater part in our own atelier. This local approach results in less carbon emission and no exploitation of workers in low income countries. One of the biggest problems in fashion today is massive overproduction. Our own volumes are kept low to avoid dead stock. Our collections are not discarded after one season and remain available for an indefinite period of time. Fabrics are sourced from European mills. Most of our suppliers hold environmental certificates. Occasionally we use dead stock. We are currently investigating the use of recycled materials. We do not exclude off hand any kind of material in our collection as it is a well known fact that natural as wel as synthetic materials both pose advantages and problems regarding sustainability. Arlette Schmitz aims to make beautiful clothes that you may enjoy for many years. Our customers are encouraged to lovingly mend any wear and tear that may occur. In accordance with the Japanese philosophy of WABI SABI we see beauty in imperfection:
Nothing lasts, nothing is finished, nothing is perfect.
Or as Vivienne Westwood would have it:
Buy less, choose well, make it last
Vivienne Westwood
Code of conduct
We make sure no one is exploited during the production of our collections. Inclusivity matters to us. Although our focus lies on the female form, we welcome all persons binary and non binary, straight and queer into the Arlette Schmitz world. A well made sustainable garment comes at a cost showing respect for all fashion industry workers
Blekerijstraat 75 Gent 9000 Belgium
François van Impelaan 75 Gent 9041 Belgium
Bernadette Antwerp
Bernadette AntwerpInfo
BERNADETTE is the Antwerp-based fashion label from creative mom-and-daughter duo Bernadette and Charlotte de Geyter. A shared vision of modern luxury characterizes their ready-to-wear and homeware collections. Fashion and interior merge seamlessly for BERNADETTE. With an extensive archive of patterns and florals, they are more than a fashion label. It’s a lifestyle filled with joy, optimism, and striking florals to brighten up every occasion of your day.
As a brand born of intergenerational collaboration, Bernadette — a former buyer for Ralph Lauren and more — is an expert on forms that work for women of all ages. Being a homeware and interior enthusiast, Bernadette is a chameleon that adapts to every space individually. From American porches with rattan chairs to the inviting coziness of the English cottage. The fusion of nonchalance and elegance depicts her style of working.
Artistic expression is central to the brand. BERNADETTE’s unique botanical motifs — a hallmark described by British Vogue as “florals with a fizz” — are all hand-drawn by Charlotte, who studied at Antwerp’s Royal Academy of Fine Arts. Next to signature prints, Charlotte plays with couture-like shapes and sculpted volumes with its signature knots, bows, and romantic rosettes. Together the designers’ mission is to inspire a modern femininity.