Hemptees is a slow fashion brand with timeless high quality hemp clothing. Inspired by a slow lifestyle and a big heart for our oceans. We believe that every wildflower should feel free and comfortable in textiles that are good for the planet and good for people.
Our Story
Our little wildflower was born into an independent family. Her mother instilled in her a passion for art, textiles and natural materials. Her father travels (still does) around with his surf gear to catch the best wave. In 1982, he co-founded a textile distributor for sports brands. With this breeding ground, our little wildflower spread her seeds and Hemptees was born.
Lou De Buck, owner and founder of Hemptees, brings a consiously curated collection of her favorite versatile plant of all time, hemp. She draws her inspiration from music, cinema, travel and nature. She offers a mix of urban and coastal influences with a nod to modern nostalgia. Intuition and authenticity are always at the core of Hemptees aesthetic.
Hemptees appeals to fun-loving, free spirited and like-minded individuals and offers a range of clothing, home textiles and accessories with a focus on ethical, handmade and sustainable practices.
Sometimes you just need that good durable favorite and that’s when slow fashion is a great option. We want to do our part by offering sustainable clothing made from 100% hemp. An alternative textile that pollutes as little as possible and is better for people with sensitive skin.
My Ecological Lifestyle
My Ecological Lifestyle
The Power of Slow
Lou is excited about what the future holds and knows that this is just the beginning of Hemptees’ story.
Over the years, we have become acutely aware of how big our culture of waste is and how it has continued to grow. We live in a time where sustainability, equality and freedom are common themes. As a product-based brand, we are aware of more stuff’s impact on the environment, which is why we promote secondhand first and slow fashion second.
Affordable good basics for everyone is our driving force without compromising on quality and longevity.
Fashion is one of the biggest polluting industries, so we try to minimize our waste while providing you with beautiful timeless eco-friendly basics that you will cherish for years to come!
Dries Van Noten
Dries Van NotenBiography
Born in Antwerp in 1958, Dries Van Noten is the third generation in a family of tailors. At the age of 18, Dries entered the fashion design course of Antwerp’s Royal Academy. On graduating, he began to freelance as a consultant designer before starting his own collection of menswear in 1986. Since its beginnings Dries Van Noten has presented collections for women and men for Spring/Summer and Autumn/Winter each year. He
celebrated his 50th fashion show in 2004 and 100th fashion show in 2017.
In June 2008, the Council of Fashion Designers of America honoured Dries Van Noten with its International
Designer of the Year Award. 2014 began with the grand opening of Dries Van Noten, “Inspirations”, a first
ever exhibition featuring his designs and influences at the Musée des Arts Décoratifs in Paris. Another
configuration of the exhibit moved to Antwerp in 2015. In July France decorated Dries Van Noten with the
honour of ‘Officier de l’Ordre des Arts et des Lettres.’ In October 2016, Dries Van Noten wins the Culture
Award from The Province of Antwerp for his contribution to Culture.
In June 2018 Puig entered the capital structure of Dries Van Noten as majority owner. The designer remains, over the long term, a significant minority shareholder and continues his role as chief creative officer and chairman of the board.
2019 saw Mr Van Noten collaborate with world renowned fashion designer Mr Christian Lacroix on his
collection for Women, Spring/Summer 2020. In June 2020, and September 2021, the Council of Fashion Designers of America (CFDA) has again nominated Dries Van Noten for its International Designer of the Year Award.
Q&A with dries van noten
When did you know that designing clothes was your path & passion?
There was a certain logic to my choice as my family had been involved in fashion and the garment business for generations. My father created one of Belgium’s most innovative retailers of ‘Pret-a-Porter’ and my grandfather was a tailor. I inherited my love of garment making, its traditions and rituals, from these men and my mother. Family immersed me in the craft and skill of fabrics, impassioned me with the power of flair and style for women and men that fired my quest to explore and question the subjectivity of “beauty” and the role it would play in my life. My family was very supportive and encouraged me to continue its fashion tradition. I regularly accompanied my parents to Paris and Milan on their many buying trips for collections. Though they had imagined I might take over the retail business, that I was passionate to become a fashion designer came as a great surprise to them.
What is your design signature?
I see a garment as a singular item of excellence that is part of a larger story told, firstly, within a designer’s vision for a collection and ultimately as part of the final wearer’s expression of their style through their wardrobe. My joy is to create a garment that fuses and balances beauty, craft and function, a garment that can perform well and continue in time to become part of life’s story. I enjoy juggling with colours, textures and light in a way that evokes rather than provokes.
Where do you come up with your best ideas?
The spark of inspiration for the narrative a collection rarely ever comes in the same way. The initial idea can sometimes come quickly and remain constant throughout the design process… occur on a walk in my garden, encountering a painting or the life and work of an artist. It can be something rarefied or ordinary, for example, suddenly looking at something that has surrounded me every day and seeing it in a different way that inspires. It can be a photograph in a book or a magazine, a re-read passage in a loved book, a conversation with friends or my design team or a piece of music. For other collections the story is more of a journey, deliberate, considered, and evolves through time and the design process. Anything can be that spark that ignites the creative process. What I have learned is that one recognises the spark when it happens, it may not be too planned, be ‘of its time’ and is more emotional than cerebral.
Is there a difference between style and fashion?
Of course, style comes from within..
What colour or fabric would you never use?
None actually! Often, challenging myself to work with colours, fabrics, or forms that I have disliked and bringing them into a collection can be an important aspect of the creative process.
What is beauty?
The idea of beauty is supremely subjective and very personal. Time also plays a role when our view on what is beautiful to us evolves. A flower, a building or a garment can be a thing of wonder for one while leaving another completely indifferent. What was beautiful to us even recently may be ugly today. Luckily, all designers have their own eye on and language of beauty.
What is ugliness?
It resonates in the same way as beauty for me. It is exciting when the formerly ugly becomes beautiful.
Timeline
- 1981 Dries Van Noten graduates from Royal Academy of Fine Arts in Antwerp
- 1986 Dries Van Noten started his first own collection of menswear after working as a freelance consultant designer
- 1989 Flagship store opens in Antwerp, Belgium
- 2004 50th Show
- 2007 Paris store opens at Quai Malaquais, Paris France
- 2008 Dries Van Noten wins Internation Designer of the year at CFDA awards./ Dries Van Noten Sacred “Royal Designer for Industry” from the RSA Trustee Board in London
- 2009 Flagship store opens in Aoyama, Tokyo, Japan/ Stores opens for the men at Quai Malaquais, Paris, France
Dries Van Noten Induction to The “Galerie Des Eminents” By The Flemish Chamber Of Commerce (Voka)
Dries van Noten is gifted a gold medal by The Flemish Royal Academy of Belgium
Dries Van Noten Is Honored With the “Couture Council Award for Artistry of Fashion” By the Couture Council of the Museum at Fit In New York - 2010 Dries Van Noten Is Invited To Preside Over the 25th Edition of the “Festival International De Mode et De Photographie” of Hyres, France
- 2013 Olfactory portrait by Frederic Malle with The Nose Bruno Jonanovic
- 2014 xhibition at The Musée Des Arts Décoratifs in Paris, France
A book that accompanied his exhibition at Musée des arts Décoratifs in Paris, France - 2015 Dries Van Noten is decorated by Jack Lang of the medal
Opening of Dries Van Noten Osaka - 2016 Wins Culture Award from The Province of Antwerp
- 2017 An intimate portrait into the life, mind and creative heart the designer
A book in two volumes that depicts and documents his first 100 collection and Fashion shows
In recognition of his career as fashion designer and his contribution to the Cultural life of his native land - 2018 DVN enters in partnership with Puig as Major Stakeholders
- 2019 Collaboration with Mr Christian Lacroix
- 2020 Nominated by The CFDA for International Designer of The Year Award
Stores opens in Shanghai, China
Flagship stores opens in Los Angeles, USA the first Dries Van Noten store in the Unites States of America
Godefriduskaai 36 Antwerpen 2000 Belgium
Sigi
SigiThe Art of Knitting
Craftsmanship and experimentation define the culture of Sigi. We focus on creating new depths of colour and texture through the mixing of different yarns to present new and innovative designs that are instantly recognisable.
We have a deep respect and care for the knitwear we produce as well as the way in which we produce it. This is why we ensure that all of our knitwear is made in Belgium by real craftsmen and women under the best possible working conditions. These elements help define the culture we want to nurture with the Sigi brand.
Family
At SIGI we are proud of our family heritage with over 40 years of experience in the field of knitwear. Ilia Sigi Eckardt grew up in Antwerp in a very creative family where knitting was essential to the household. Being considered true experts in their field, mother Hilde Frunt and son Ilia Eckardt have been collaborating with Belgium’s best and brightest designers: Dries Van Noten, Raf Simons, Ann Demeulemeester and many more.
Made In Belgium
We do all our research, designing and development in our offices in the heart of Antwerp. Sourcing from our local pool of amazing talent is something we take great pride in. We have great faith in our local potential.
T.VDB is the artistic fashion studio founded by Belgian multi-disciplinary fashion artist Tom Van der Borght.
The label focuses on humans rather than gender, as the core of T.VDB is hard to pinpoint under one binary definition, description or title.
T.VDB works as an independent artist, with a focus on fashion, textile, graphics, video, installation and scenography.
He is the producer of his own free work and works on commission for various partners.
Tom Van der Borght got his Fashion Design degree in 2012 at the Stedelijke Academie voor Schone Kunsten of Sint-Niklaas. Both during and after his studies he won international fashion prices and competitions.
From 2012 to 2016 he had the pleasure of showing his work during Berlin, Paris, London and Panama Fashion Week. His collections were sold in the USA, Japan and across Europe.
As a commissioned artist T.VDB worked for companies like Mercedes-Benz, Premiere Vision, DS Automobiles and Le19M. Next to that he creates artwork and video’s for national and international music artists.
In 2021 Tom received a master degree at Zuyd Hogeschool Maastricht, focusing on the intersection between performance, fashion and artistic research.
Before studying arts, Tom got his bachelors degree in Social Studies and worked for in various social organisations for several years.
Discovering at the age of 27 he suffers from a heriditary neuropathic muscle disorder confronted T.VDB with the question what is really important in life. This was the catharsic moment when he decided to study fashion design and pursue his childhood dreams.
During his study he was already confronted with the borders between fashion and art. Reflecting on his own background in social work and his own personal disposition in life led to questioning social structures, definitions, limits, … The visual language T.VDB develops goes far beyond clothes and is always creating a highly personal and questioning universe. It combines media and is crossing borders between fashion and arts.
T.VDB has an ongoing fascination for defects and errors, which comes from his own experience and the questioning of the genetic errors that shaped the designer from his birth.
Finding a place in society has always been a core element in Van der Borght’s work and life. This generated a strong interest for tribal culture, rituals and alternative/indigenous/ social structures, including elements like costumes, ritual dance and performative acts.
Being born in a typical Flemish middle class family, where culture didn’t really exist, T.VDB was fascinated by pop culture, MTV and subcultures.
“My first fashion inspiration came from the 80s, when i looked to magazines like “Mode, C’est Belge”. My mother’s classic couture training also influenced me in my love Of clothing.”
Later on in life I got introduced to more “higher” forms of “culture”. Essential in my work is the mix of those two opposites of “culture”, not necessarily as rivals or opposites. “
Marcel Duchamps once quoted : “ I do not believe in Art, I believe in Artists”.
T.VDB’s generous attitude and authentic radical way of thinking define him as a designer and an artist.
T.VDB ’s view on fashion (and clothes) isn’t purely economics:
his work could be seen as artistic objects. Clothes and outfits become part of a bigger pictures and crossing borders leads to creating a full universe, a total package.
It results in a fascination for creating video, scenography, performance and alternative ways of presentation.
A catwalk presentation has a very strong performative energy, being a boost of energy, a “hic et nunc” reflection on the present with a big artistic value.
Fashion is always a representation of the present. In his work T.VDB translates this in trying to marry the past to the future (which for him is the essence of “present”).
In 2019, T.VDB took a restart. He focuses on an elaborate masterpiece “7 ways to be TVDB”, which is a multidisciplinary selfportrait that borders on the edges between high tech bricolage, haute couture, avantgardistic fashion and low tech performance. A first stage of this work was presented in the FashionClash festival in Maastricht , and won both the Grand Jury Festival Prize as the Audience Award. With this collection the designer won the prestigious Grand Prix du Jury at the 35th Festival Internationale de La Mode de Hyères in 2020, as well as the highly desired Public Prize. His jubilant, theatrical men’s collection was praised by designer Jonathan Anderson, who presided over a jury that included, among others, consultant Amanda Harlech, model Kaia Gerber, sound maverick Michel Gaubert, photographer Tyler Mitchell, journalist Derek Blasberg and editor-in-chief of GQ, Oliver Lalanne
“What we really, really admired in the work of Tom Van Der Borght is that it was a totally new type of form, new type of shape, new type of commitment to a silhouette, and it was uncompromising,” Anderson said during a remote award ceremony. “And in this moment we are in, we as a jury believe that it was about starting this new decade with newness, this idea of originality.” Anderson continued: “It was not about looking at something for its automatic commercial sense. It was about the beauty within fashion, the handmade, the technique, and the risk in it. And I think Tom has really achieved something in what he has done and I think he will go on to do very well.”
In 2021, T.VDB had the honour to open Mercedes Benz Fashion Week Berlin, with a stunning performance he created with choreographer Blanca Li, to accompany his latest collection.
For the 36th edition of the International Festival de la Mode, he launches his new collection “Time For Love”. The collection was realised in close collaboration with Le19M, Chanel’s legendary “ateliers des Metièrs d’Art” and the support of Premiere Vision.
In the troubled world we are living in nowadays, all of us are urging for connection and closeness. We’ve been distanced, physically and psychologically but now, it’s time for love.
T.VDB welcomes you to a brighter future and a celebration of human connection. The collection is an invitation to enter the playful and colorful universe of the collection. Garments leave the borders of the individual human body and search for connections with other humans through cut, detail and accessories. The pieces play on the intersection of textures, artwork and colour.
Everybody is invited to join this contemporary tribe of neo-hippies, lonesome cowboys and genderfluid hybrid creatures, feeling the emotion in the silence and embracing love as an empowerment tool.
no more grey days – upcycled fashion products
NMGD designs, reworks and upcycles for fashion lovers who wish to support our ambition to create sustainable fashion. We capture the beauty and value of what is already out there and creatively rework second hand- flee market findings, fabric cut offs or overstock to new, beloved products. With natural dyes and hand-stitched artwork we avoid chemical printing processes.
Every single piece is therefore personal and unique with an individual note.
no more grey days opposes fast fashion and mass production and is created locally, one-at-a-time. as a passion.
For those who want to do good to themselves by purchasing a unique, beautiful piece, and at the same time spare our planet a fraction of further exploitation.
de merodelei 31 Antwerpen 2600 Belgium
Sofie D’Hoore
Sofie D’HooreBoulevard Barthélémy 11 Brussels 1000 Belgium
One of the 2010 alumni of the Antwerp Academy, fashion designer Cedric Jacquemyn has developed his darkly romantic menswear aesthetic into a ready-to-wear business. Cedric’s work is defined by a sensitive touch – sculpting natural fibres into slim, flowing garments imbued with historical, ethnic and mythical significance.
Cedric carries on a continuing artistic dialogue with the photographer Yves de Brabander, who’s lens captures the brand’s visual identity in arresting natural and manmade landscapes…
Showing off his skills as a sartorial tailor, Cedric Jacquemyn’s collection starts at the root of cloth and construction; by taking perfect cuts with great fabrics and combining these into meticulous fits.
Rites of passage references are seen through the evolutionary nature of some of the styles. Long, architectural silhouettes are a dominant force and are paired with leather boots. Each layer is pulled back and provides the eye to view something new and interesting. It is the beautiful and delicate balance of knitwear and leather that makes Jacquemyn’s collection shine.
ATELIER Cedric Jacquemyn Gijzelaarsstraat 29 Antwerpen 2000 Belgium
La Maison Degand
La Maison DegandLa Maison Degand en quelques mots
Chaque homme est unique
La vocation de ce lieu incontournable de l élégance masculine est de valoriser votre personnalité, de s’adapter à votre style de vie.
Vos désirs, vos souhaits, rencontreront toutes les réponses.
Le service et le conseil n’ont pas de limites, la créativité et la passion s illustrent dans les moindres détails.
Au cSur de cet univers, deux maîtres mots :
Professionnalisme et Passion. Pour chacun d entre vous, Messieurs, selon vos aspirations :
Degand Tailleur, Degand Sport & Business et Degand Shoes.
415, Avenue Louise Brussels 1050 Belgium
MEET THE FOUNDER
WHO IS HIDING BEHIND THE PROJECT 1971?
This high-quality Belgian fashion brand was founded by current Creative Director Christelle Loozen.
With over twenty years’ experience as a freelance denim product developer for both national and international brands and designers, Christelle is now ready to take up her own challenge through her brand 1971, offering an exclusively-designed original, high-quality and ethical product, one that is as original as it is a ‘revival’.
‘I’m passionate about fashion and I always have been. Through 1971, I am offering clothes inspired by my childhood memories, my experience of motor sports, and my unconditional love for denim.
My clothes are designed to fit most people, providing a casual yet trendy touch. With my many years of experience, I have been able to source the best sustainable yarns and fabrics from across Europe.
I’ve made the decision to work with the same European suppliers I have already worked with over the last 15 years. We share the same goals and overall vision, leaving no room for compromise when it comes to product quality, environmental impact, and the provision of good working conditions for our employees.’
We choose only the finest materials and best factories to make our timeless products, with the hope that they will last you many years, even decades.
Our prices are calculated as precisely as possible, while our partners, from workers to stores, are paid the right amount, with each and every possible cent reinvested into the local economy of each country.
We believe in a fair economy that works for the everyday.
Gerard-Sart 1 Dalhem 4606 Belgium
We build your wardrobe in tune with your needs
Ruben Opheide en Koen Van Weverberg richtten in 2018 het made-to-measure merk SCHAAP op. Hun kijk op maatwerk voor de modern gentlemen ging meteen van bij de start verder dan het klassieke kostuum op maat:
“Het comfort van een pasvorm die als gegoten zit is onevenaarbaar, en niet enkel voor een maatpak. Wij bieden een volledige made-to-measure garderobe: van tailored blazers, hemden en broeken tot Japanese denim en cashmere truien,”vertelt Koen Van Weverberg.
Purchasing quantity is an expense, purchasing quality is an investment
We stellen hoge kwaliteitseisen, zowel op vlak van materialen en leveranciers als de partners die jouw SCHAAP kledingstuk met precisie vervaardigen.
We selecteren alle stoffen en details zelf en gaan hierbij op zoek naar een grote diversiteit in stijlen zodat jij jouw unieke identiteit kan creëren. SCHAAP heeft net hierdoor als Belgisch merk toch een Europees karakter boordevol internationale inspiratie.
A personal service tailored to your needs
Een personal fitting in onze showrooms in Antwerpen of Gent, of op een plek die voor jou het beste past: wij bieden jou waar dan ook onze persoonlijke service. We nemen graag de tijd om te luisteren naar jouw wensen en werken daarom enkel op afspraak.
Ben je op zoek naar een trouwkostuum of een kostuum op maat voor een speciale gelegenheid? Wil je een tijdloze en verfijnde classic of mag je volgende maatpak of kledingstuk extra uitstraling hebben? Samen selecteren we de fijnste stoffen en afwerkingen.
Koen Van Weverberg: “Door te investeren in made-to-measure kledij creëer je als man een unieke garderobe die perfect aansluit bij jou als persoon en waar je je goed in voelt.”
Amerikalei 161 Antwerpen 2000 Belgium
Zombeekstraat 23 Gent 9031 Belgium