Ambiorix NV
Ambiorix NVMore Info
The production of Ambiorix shoes
Prinsenweg 10 Tongeren 3700 Belgium
Naamsestraat 72 Brussel 1000 Belgium
Leopoldstraat 14 Antwerpen 2000 Belgium
Havenmarkt 13 Hasselt 3500 Belgium
Henegouwenstraat 46 Gent 9000 Belgium
Dries Van Noten
Dries Van NotenMore Info
Biography
Born in Antwerp in 1958, Dries Van Noten is the third generation in a family of tailors. At the age of 18, Dries entered the fashion design course of Antwerp’s Royal Academy. On graduating, he began to freelance as a consultant designer before starting his own collection of menswear in 1986. Since its beginnings Dries Van Noten has presented collections for women and men for Spring/Summer and Autumn/Winter each year. He
celebrated his 50th fashion show in 2004 and 100th fashion show in 2017.
In June 2008, the Council of Fashion Designers of America honoured Dries Van Noten with its International
Designer of the Year Award. 2014 began with the grand opening of Dries Van Noten, “Inspirations”, a first
ever exhibition featuring his designs and influences at the Musée des Arts Décoratifs in Paris. Another
configuration of the exhibit moved to Antwerp in 2015. In July France decorated Dries Van Noten with the
honour of ‘Officier de l’Ordre des Arts et des Lettres.’ In October 2016, Dries Van Noten wins the Culture
Award from The Province of Antwerp for his contribution to Culture.
In June 2018 Puig entered the capital structure of Dries Van Noten as majority owner. The designer remains, over the long term, a significant minority shareholder and continues his role as chief creative officer and chairman of the board.
2019 saw Mr Van Noten collaborate with world renowned fashion designer Mr Christian Lacroix on his
collection for Women, Spring/Summer 2020. In June 2020, and September 2021, the Council of Fashion Designers of America (CFDA) has again nominated Dries Van Noten for its International Designer of the Year Award.
Q&A with dries van noten
When did you know that designing clothes was your path & passion?
There was a certain logic to my choice as my family had been involved in fashion and the garment business for generations. My father created one of Belgium’s most innovative retailers of ‘Pret-a-Porter’ and my grandfather was a tailor. I inherited my love of garment making, its traditions and rituals, from these men and my mother. Family immersed me in the craft and skill of fabrics, impassioned me with the power of flair and style for women and men that fired my quest to explore and question the subjectivity of “beauty” and the role it would play in my life. My family was very supportive and encouraged me to continue its fashion tradition. I regularly accompanied my parents to Paris and Milan on their many buying trips for collections. Though they had imagined I might take over the retail business, that I was passionate to become a fashion designer came as a great surprise to them.
What is your design signature?
I see a garment as a singular item of excellence that is part of a larger story told, firstly, within a designer’s vision for a collection and ultimately as part of the final wearer’s expression of their style through their wardrobe. My joy is to create a garment that fuses and balances beauty, craft and function, a garment that can perform well and continue in time to become part of life’s story. I enjoy juggling with colours, textures and light in a way that evokes rather than provokes.
Where do you come up with your best ideas?
The spark of inspiration for the narrative a collection rarely ever comes in the same way. The initial idea can sometimes come quickly and remain constant throughout the design process… occur on a walk in my garden, encountering a painting or the life and work of an artist. It can be something rarefied or ordinary, for example, suddenly looking at something that has surrounded me every day and seeing it in a different way that inspires. It can be a photograph in a book or a magazine, a re-read passage in a loved book, a conversation with friends or my design team or a piece of music. For other collections the story is more of a journey, deliberate, considered, and evolves through time and the design process. Anything can be that spark that ignites the creative process. What I have learned is that one recognises the spark when it happens, it may not be too planned, be ‘of its time’ and is more emotional than cerebral.
Is there a difference between style and fashion?
Of course, style comes from within..
What colour or fabric would you never use?
None actually! Often, challenging myself to work with colours, fabrics, or forms that I have disliked and bringing them into a collection can be an important aspect of the creative process.
What is beauty?
The idea of beauty is supremely subjective and very personal. Time also plays a role when our view on what is beautiful to us evolves. A flower, a building or a garment can be a thing of wonder for one while leaving another completely indifferent. What was beautiful to us even recently may be ugly today. Luckily, all designers have their own eye on and language of beauty.
What is ugliness?
It resonates in the same way as beauty for me. It is exciting when the formerly ugly becomes beautiful.
Timeline
- 1981 Dries Van Noten graduates from Royal Academy of Fine Arts in Antwerp
- 1986 Dries Van Noten started his first own collection of menswear after working as a freelance consultant designer
- 1989 Flagship store opens in Antwerp, Belgium
- 2004 50th Show
- 2007 Paris store opens at Quai Malaquais, Paris France
- 2008 Dries Van Noten wins Internation Designer of the year at CFDA awards./ Dries Van Noten Sacred “Royal Designer for Industry” from the RSA Trustee Board in London
- 2009 Flagship store opens in Aoyama, Tokyo, Japan/ Stores opens for the men at Quai Malaquais, Paris, France
Dries Van Noten Induction to The “Galerie Des Eminents” By The Flemish Chamber Of Commerce (Voka)
Dries van Noten is gifted a gold medal by The Flemish Royal Academy of Belgium
Dries Van Noten Is Honored With the “Couture Council Award for Artistry of Fashion” By the Couture Council of the Museum at Fit In New York - 2010 Dries Van Noten Is Invited To Preside Over the 25th Edition of the “Festival International De Mode et De Photographie” of Hyres, France
- 2013 Olfactory portrait by Frederic Malle with The Nose Bruno Jonanovic
- 2014 xhibition at The Musée Des Arts Décoratifs in Paris, France
A book that accompanied his exhibition at Musée des arts Décoratifs in Paris, France - 2015 Dries Van Noten is decorated by Jack Lang of the medal
Opening of Dries Van Noten Osaka - 2016 Wins Culture Award from The Province of Antwerp
- 2017 An intimate portrait into the life, mind and creative heart the designer
A book in two volumes that depicts and documents his first 100 collection and Fashion shows
In recognition of his career as fashion designer and his contribution to the Cultural life of his native land - 2018 DVN enters in partnership with Puig as Major Stakeholders
- 2019 Collaboration with Mr Christian Lacroix
- 2020 Nominated by The CFDA for International Designer of The Year Award
Stores opens in Shanghai, China
Flagship stores opens in Los Angeles, USA the first Dries Van Noten store in the Unites States of America
Godefriduskaai 36 Antwerpen 2000 Belgium
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Ma démarche depuis la sortie de mes études a toujours été axée sur la qualité, l’innovation au niveau de la technique et du design. Mon intérêt pour les grands créateurs mais également pour la production des équipementiers m’a fait évoluer vers un travail rassemblant les points forts de ces influences. Outre la mode, je me suis également essayé au street art et au design. Pour moi ces disciplines sont complémentaires. C’est pourquoi, on peut caractériser ma démarche en quelques mots : créativité, savoir faire et qualité. J’ai d’abord réalisé plusieurs collections de jeans et de basiques haut de gamme et me dirige maintenant vers une niche bien spécifique, les sneakers exclusives réalisées avec des matériaux originaux et ce, sur mesure.
En conclusion, ce qui m’est propre est le mélange de mes connaissances en patronage, en stylisme et la pratique du sport (Basket)
appliqué à l’élaboration d’un soulier urbain et polyvalent. Un vêtement ou une paire de sneakers doivent, pour moi, être intemporels et fabriqués selon des méthodes “artisanales” qui en rallongent la durée de vie et les rendent réparables (quasiment garanties à vie).
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Our story
Founder and designer
Hi,
I am Evelyne, founder and designer of KUNOKA shoes.
I want to tell you my story from the start and it will get a little personal. I have been in shoe business for many years and I initially worked for Italian houses whose quality products I honored.
However, year after year I saw things change; the business became less lucrative because of overseas competition. Step by step, I noticed that I saw less people in the factories that I visited every year, although sold volumes did not fall back at the same pace. I felt something was not right. I could tell… I know shoes, I know craftsmanship, I know what it should feel like, I know how they should smell…
I had to realize that bit by bit production was outsourced oversees and no one wanted to admit. I started thinking is this what I want to stand for? It kept me out of my sleep and I thought about this for weeks ….
The idea behind the brand
This is the point where I started to play with the idea of creating my own brand that should be fully honest and should have the best possible sustainable approach.
I wanted the environmental impact of my project to be as low as possible and I wanted to be 100% sure that there will be no human cost at my project.
Every KUNOKA shoe is touched by real humans with families and their own set of dreams and I could not bare the idea that someone, somewhere in my project would have to struggle to survive or to feed their children or work in a toxic environment.
This I why I choose to work with a family-owned Portuguese atelier, where I can see what happens, where I know the people and where I can feel and touch every step in the birth of a KUNOKA shoe.
The second advantage of producing nearby is that we exclude the extreme environmental impact of overseas transport. Which brings me to my second concern, environmental impact which is a hard knot to untie in shoe business.
Challenges
I started by developing different prototypes and I wanted to know everything: what are they made of? Can we not change this into that? What is the effect of this? Where does this sole comes from? What is in the sole? Who makes them? How much water does it cost? How comfortable are they? Can they be modern and beautiful enough? – Hey yes, fashion remains my natural habitat and I don’t want to bring another sustainable brand which’ appearance or comfort aspect makes it obvious that the brand is sustainable.
I went on and on and made everybody – including myself – crazy. I was making progress but there were so many uncertainties and more than once doubt just hit me in the face … Would I ever find the courage to finally jump and officially go for this project?
The last of many signs…
I kept on doubting until the memorisable meeting in New York central park, this was the last of many signs I needed. Gabriella KUNOKA, who I did not know until that day, making a remark about the prototype I was wearing at that moment, convincing me that I should go for this beautiful project! Ever since, I realize every day, what I do might not be perfect, but it is not by finger pointing or complaining and sitting still that we will make progress. It is what I actually do what counts. And this is the whole story, this is how KUNOKA was born.
Always striving for the best
We are not perfect; we – and the entire industry – have a long way to go, but every initiative, how small it might look, makes a difference!
And I am proud of how far we have come and of any difference we can make, I guarantee that I will always strive for the best possible sustainable approach and I promise that this is just the beginning!
Let’s be kind to people and be kind to our world.
Love, Evelyne.
Kortrijksesteenweg 1092/G Gent 9051 Belgium
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LRNCE is a Marrakesh based lifestyle brand focusing on interior decoration and accessories.
It was founded in 2013 by Belgian sun chaser Laurence Leenaert, who revises materials’ purpose and spontaneously combines elements to create uniquely designed pieces.
By sourcing its production in Morocco, LRNCE captures the essence of craftsmanship and stays close to the creating process of its carefully handmade products.
Marrakech Marocco
Nathan – Baume
Nathan – BaumeMore Info
A COMMITMENT TO EXCELLENCE.
Building on the past to express a form of modernity…
A reinterpretation that sublimates the lessons of the past in a burst of creative joy.
Such has been the approach followed since its creation when Nathan-Baume first presented its exclusive small luxury leather goods created from the finest leathers – notably exotic skins.
The range gradually expanded and includes travel bags, briefcases, computer cases, …yet the craftsmanship never lost his particular inclination for small leather goods, which require considerable skill and know-how in addition to an eye for detail and great dexterity.
Nathan-Baume took a new dimension with the launch of the jewels collection in silver and gold, accessories like silk scarves, gloves, hats, umbrellas…
Welcome to style and glamour, functionality and magic, senses and feelings. Welcome to you.
100 Avenue Louise Brussels 1050 Belgium
Head Office Grand Route 329 Lillois 1428 Belgium
Kamo Gutsu
Kamo GutsuMore Info
Kamo-Gutsu was created in 2014 by Freddy Dreesens, who was at that time
one of the owners of the Belgian shoe company The Velvet Factory.
Besides creating men and women shoes for fashion labels we thought it would be nice
to think outside the box and create something that wasn’t on the market yet:
fresh shoes with some fun and wit, lots of color, but still very wearable and comfortable.
The first collection premiered during the MICAM shoe fair in Milan and the rest is history:
today we distribute Kamo-Gutsu in 8 countries where shoe- and fashion retailers present
our footwear as the “happy misfits” in a sometimes boring shoe world.
We develop two collections per year, manufactured in the Italian Marche region,
famous for its artisan shoes with a high quality standard.
Since December 2020 Kamo-Gutsu is created and distributed by SHUZ.63,
the company owned by the designer and instigator of the brand.
Tim Van Steenbergen
Tim Van SteenbergenMore Info
About
Tim Van Steenbergen
Tim Van Steenbergen graduated Magna cum Laude at the Antwerp Royal Academy of Fine Arts (fashion department, textile creation and theatre costume). Subsequently he took classes in drapery and couture techniques and worked as assistant of Olivier Theyskens.
His first collection was launched in 2001 in Paris and in the same year he set up his company Mitzlavv bvba.
Meanwhile he’s up to his twenty third collection/fashion show and the label Tim Van Steenbergen is being sold in the best designer shops all over the world. His style evolves into a refined pureness and female elegance. He is a master of contemporary drapery and every detail, high quality standards, tradition and craftsmanship are being cared for.
Tim designs the costumes for international movie, theatre, dance and opera creations as for Anne Teresa de Keersmaecker, Guy Cassiers and Sidi Larbi Cherkaoui.
Between 2010 and 2013 Tim Van Steenbergen is creating the costumes for Richard Wagner’s opera cycle ‘Der Ring des Nibelungen’, Teatro alla Scala in Milan and the Staatsoper Unter den Linden in Berlin.
Nowadays Tim Van Steenbergen is increasingly evolving into a creative lab.
Recent developments thereof are ‘Metronome’, a first light design for Delta Light, an interior fabrics collection in collaboration with Aristide and total interior concepts Tim Van Steenbergen with Boa Interior.
Philosophy
The challenge in my work is the search for authenticity and artisanship in fashion.
The difference between confection and prêt-à-porter or couture is to be found in how it is made.
Handwork, quality of fabric, building a piece layer by layer, differentiates my work from confection.
I’m in search of old values in a new world.
The motivation in my work is to transfer craftsmanship and the old values into different and modern designs.
Due to my belief in artisanship, every garment is created by hand on the dummy to develop its characteristic shape.
These traditional construction process and unique draping techniques guarantee a high appreciated quality and an exclusive collection.
Studio Tim Van Steenbergen
The studio of Tim Van Steenbergen is located in a 19th century mansion close to the historical site of the Antwerp military hospital. An eclectic interior were fashion meets art, historical elements are confronted with design and vintage furniture.
The studio Tim Van Steenbergen is the optimal place to realize his ideas, situated in the pocketsize metropolis Antwerp. This refreshing cosmopolitan owes its reputation to the mighty part, the world diamond centre and its trendsetting vision of fashion.
This welcoming multicultural city-on-the-river the Scheld, is an intelligent, complex, fascinating and surprising habitat with a magnificent contemporary architecture, opera and theatre, monuments and artworks as well as its historical medieval centre.
The home of the Flemish Baroque master Rubens.
The Red Star line company set off its ships on the transatlantic voyage with millions of emigrants who set out for a new life in the States and Canada.
Nowadays Antwerp is one of the fastest growing cultural cruise destinations in Europe.
“Due to its excellent acces, it pushes you to travel the world looking for new impressions and personal experiences.”
“After all it is an attractive place to come home from where you can work independently and with an open minded view on the rest of the world.”
Creations
- ‘Hanjo’, opera, Festival Lyrique d’Aix-en-Provence / the Monnaie Brussels
- ‘Hersenschimmen’, theater , Ro Theater Rotterdam
- ‘d’Un Soir un Jour’ and ‘Steve Reich Evening’, dance, Rosas / the Monnaie Brussels
- ‘Triptych of Power; ‘Mefisto’, ‘Wolfskers’ and ‘Atropa’, theater, Toneelhuis Antwerp / Festival d’Avignon / Théâtre de la Ville de Paris
- ‘The House of the Sleeping Beauties’, opera, LOD / Toneelhuis Antwerp / the Monnaie Brussels
- ‘Adam in Exile’, opera, Opera of Amsterdam
- ‘La Chanteuse du Tango’, movie by Diego Martinez Vignatti with Eugénia Ramirez.
- ‘Prélude à la Mer’, movie, Rosas / Thierry De Mey
- ‘Das Rheingold’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Blood & Roses, the Song of Joan and Gilles’, theatre , Toneelhuis Antwerp / Festival d’Avignon
- ‘Die Walküre’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Labyrinth’, dance, National Ballet Amsterdam, Sidi Larbi Cherkaoui
- ‘Siegfried’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Götterdämmerung’, Teatro alla Scala / Staatsoper Unter den Linden
- ‘Milonga’, dance, Sadlers Wells, Sidi Larbi Cherkaoui
- ‘MCBTH’, theater, Toneelhuis / Spectra Ensemble / Vocaallab
- ‘Romeo & Julia’, ballet, Royal Ballet of Flanders
- ‘Hamlet’, theater, Toneelhuis / Toneelgroep Amsterdam
- ‘Het vertrek van de Mier’, theater, Toneelhuis / Het Paleis / Kunstz
- ‘Firebird’, ballet, Stuttgarter Ballett
- ‘Passions Humaines’, theater, costumes and set, Toneelhuis / Mons Culturele Hoofdstad
- ‘Xerse’, costumes and set, Opéra De Lille
- ‘Caligula’, costumes and set, Toneelhuis
- ‘De welwillenden’, costumes and set, Toneelhuis / Toneelgroep Amsterdam
- ‘Pictures at an exhibition’, ballet, costumes and set, Royal Ballet of Flanders, Sidi Larbi Charkaoui
- ‘Ma mère l’oye’, ballet, costumes and set, Royal Ballet of Flanders, Jeroen Verbruggen
- ‘Trompe la mort’, opera, costumes and set, Opéra national de Paris
- ‘Grensgeval’, theatre, costumes and set, Toneelhuis
- ‘Movement in Blue’ & ‘Movement in White’, Tim Van Steenbergen X Ashtari Carpets
- ‘Het kleine meisje van meneer Linh’, costumes, Toneelhuis
- ‘Vergeef ons’, costumes, Toneelhuis / Toneelgroep Amsterdam
marialei 18 Antwerpen 2018 Belgium
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The Chica Chico brand was founded in 2015 by Olga Lazareva and is one of the rare producers of children’s shoes in Belgium that still owns the entire creative and productive part.
All Chica Chico collections are designed in Belgium and produced by hand from A to Z in two factories in Spain and Portugal.
All shoes and linings are made of exclusive Italian and Spanish quality materials, which guarantees a high quality and finish. The soles used are light, flexible and flexible and ensure a high wearing comfort.
All models are handmade with great care and always inspired by the latest trends.
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ATELIER CONTENT
Ultra-feminine, subtle yet striking.
Nele Content followed her training at the fashion academy in Ghent and then started working as a designer at various shoe companies.
“Atelier Content reflects my own taste and what I want to wear. I get inspired by everything that happens around me. I don’t make any compromises; I only design shoes that feel good for myself”.
The result is a spirited collection of modern women’s shoes for every occasion. All our designs add a powerful touch to your outfit.
Moreover, Atelier Content stands for top quality with a well-conseived Belgian design! The designer personally selects her materials. The shoes are crafted in Le Marche, Italy, the cradle of quality footwear. In these family studios, the art of shoe making has been passed on for generations.
“My collection is made with love and is timeless so you can enjoy it for a long time. Design, quality and comfort should make them last for years”.
Watermolenstraat 3 Ronse 9600 Belgium
Brabantdam 56 Gent 9000 Belgium