T.VDB is the artistic fashion studio founded by Belgian multi-disciplinary fashion artist Tom Van der Borght.
The label focuses on humans rather than gender, as the core of T.VDB is hard to pinpoint under one binary definition, description or title.
T.VDB works as an independent artist, with a focus on fashion, textile, graphics, video, installation and scenography.
He is the producer of his own free work and works on commission for various partners.
Tom Van der Borght got his Fashion Design degree in 2012 at the Stedelijke Academie voor Schone Kunsten of Sint-Niklaas. Both during and after his studies he won international fashion prices and competitions.
From 2012 to 2016 he had the pleasure of showing his work during Berlin, Paris, London and Panama Fashion Week. His collections were sold in the USA, Japan and across Europe.
As a commissioned artist T.VDB worked for companies like Mercedes-Benz, Premiere Vision, DS Automobiles and Le19M. Next to that he creates artwork and video’s for national and international music artists.
In 2021 Tom received a master degree at Zuyd Hogeschool Maastricht, focusing on the intersection between performance, fashion and artistic research.
Before studying arts, Tom got his bachelors degree in Social Studies and worked for in various social organisations for several years.
Discovering at the age of 27 he suffers from a heriditary neuropathic muscle disorder confronted T.VDB with the question what is really important in life. This was the catharsic moment when he decided to study fashion design and pursue his childhood dreams.
During his study he was already confronted with the borders between fashion and art. Reflecting on his own background in social work and his own personal disposition in life led to questioning social structures, definitions, limits, … The visual language T.VDB develops goes far beyond clothes and is always creating a highly personal and questioning universe. It combines media and is crossing borders between fashion and arts.
T.VDB has an ongoing fascination for defects and errors, which comes from his own experience and the questioning of the genetic errors that shaped the designer from his birth.
Finding a place in society has always been a core element in Van der Borght’s work and life. This generated a strong interest for tribal culture, rituals and alternative/indigenous/ social structures, including elements like costumes, ritual dance and performative acts.
Being born in a typical Flemish middle class family, where culture didn’t really exist, T.VDB was fascinated by pop culture, MTV and subcultures.
“My first fashion inspiration came from the 80s, when i looked to magazines like “Mode, C’est Belge”. My mother’s classic couture training also influenced me in my love Of clothing.”
Later on in life I got introduced to more “higher” forms of “culture”. Essential in my work is the mix of those two opposites of “culture”, not necessarily as rivals or opposites. “
Marcel Duchamps once quoted : “ I do not believe in Art, I believe in Artists”.
T.VDB’s generous attitude and authentic radical way of thinking define him as a designer and an artist.
T.VDB ’s view on fashion (and clothes) isn’t purely economics:
his work could be seen as artistic objects. Clothes and outfits become part of a bigger pictures and crossing borders leads to creating a full universe, a total package.
It results in a fascination for creating video, scenography, performance and alternative ways of presentation.
A catwalk presentation has a very strong performative energy, being a boost of energy, a “hic et nunc” reflection on the present with a big artistic value.
Fashion is always a representation of the present. In his work T.VDB translates this in trying to marry the past to the future (which for him is the essence of “present”).
In 2019, T.VDB took a restart. He focuses on an elaborate masterpiece “7 ways to be TVDB”, which is a multidisciplinary selfportrait that borders on the edges between high tech bricolage, haute couture, avantgardistic fashion and low tech performance. A first stage of this work was presented in the FashionClash festival in Maastricht , and won both the Grand Jury Festival Prize as the Audience Award. With this collection the designer won the prestigious Grand Prix du Jury at the 35th Festival Internationale de La Mode de Hyères in 2020, as well as the highly desired Public Prize. His jubilant, theatrical men’s collection was praised by designer Jonathan Anderson, who presided over a jury that included, among others, consultant Amanda Harlech, model Kaia Gerber, sound maverick Michel Gaubert, photographer Tyler Mitchell, journalist Derek Blasberg and editor-in-chief of GQ, Oliver Lalanne
“What we really, really admired in the work of Tom Van Der Borght is that it was a totally new type of form, new type of shape, new type of commitment to a silhouette, and it was uncompromising,” Anderson said during a remote award ceremony. “And in this moment we are in, we as a jury believe that it was about starting this new decade with newness, this idea of originality.” Anderson continued: “It was not about looking at something for its automatic commercial sense. It was about the beauty within fashion, the handmade, the technique, and the risk in it. And I think Tom has really achieved something in what he has done and I think he will go on to do very well.”
In 2021, T.VDB had the honour to open Mercedes Benz Fashion Week Berlin, with a stunning performance he created with choreographer Blanca Li, to accompany his latest collection.
For the 36th edition of the International Festival de la Mode, he launches his new collection “Time For Love”. The collection was realised in close collaboration with Le19M, Chanel’s legendary “ateliers des Metièrs d’Art” and the support of Premiere Vision.
In the troubled world we are living in nowadays, all of us are urging for connection and closeness. We’ve been distanced, physically and psychologically but now, it’s time for love.
T.VDB welcomes you to a brighter future and a celebration of human connection. The collection is an invitation to enter the playful and colorful universe of the collection. Garments leave the borders of the individual human body and search for connections with other humans through cut, detail and accessories. The pieces play on the intersection of textures, artwork and colour.
Everybody is invited to join this contemporary tribe of neo-hippies, lonesome cowboys and genderfluid hybrid creatures, feeling the emotion in the silence and embracing love as an empowerment tool.
Howlin’
Howlin’ABOUT
We are an Antwerp based knitwear brand.
Since 1981 we have been producing quality knitwear in Scotland and in 2009 we launched our new label Howlin’ (scottish slang for smelly). The way of manufacturing remains traditional but Howlin’ offers more room for fantasy in shape and pattern.
At Howlin’ we strive for timeless, playful products that are made with care. So whether it is a scarf or a shaggy waistcoat; all our products are individually manufactured and hand finished by traditionally skilled craftsmen in either Scotland, Ireland or Belgium using the highest quality yarns possible.
Small is beautiful.
MADE IN SCOTLAND
Scotland has a long history of producing the best knitwear in the world and we are happy to be involved in it for over 30 years.
Since the start of Howlin’ our goal was to bring a fresh somewhat twisted approach to Scottish knitwear while respecting its rich heritage. Keeping the best of the old techniques and mix it with new technology, patterns, colors and ideas.
In an ever faster and more automated economy we are happy to slow things down and have our focus on well made products. It’s a niche, we know, but we like niche products, a lot. Just like a small record label doing hand stamped 7 inches with personal liner notes. It’s the beauty in the details.
Each Howlin’ garment is handled individually and tenderly, throughout its entire production, from the first precise stitch to the delicate pressing and folding.
All our yarns are carefully sourced according to their quality and sustainability standards. Our beloved planet earth has a special place in our heart and we think it’s the best planet out there (as far as we know) so we want to have the lowest impact on it as possible.
Our natural yarns come from local mills, some even complete all the stages of yarn production under one roof. This includes grading, scouring and dyeing fleece before colour blending, carding, spinning, twisting and balling to produce this unique 100% pure Shetland yarn.
A quality which is often imitated but never duplicated.
MADE IN IRELAND
Over the years we have been working closely with a small Irish family run company established centuries ago.
Together with these master crafts people we produce the highest quality knitwear with local Irish yarns.
We have to admit, at first we got strange looks when we came up with our ideas but that changed over the years, now it’s simply that classic smile when they see a new Howlin’ design.
We are very happy to contribute to this unique art and craft which is not only beautiful but also important culturally to remain alive.
Producing in Ireland (and Scotland, and Belgium) not only means you have a truly unique product in your hand, it also means that the people making your goods are well paid and looked after.
MADE IN BELGIUM
Next to our Scottish and Irish knitwear we are happy to create products in our home country Belgium.
Together with several small factories in Belgium, each carefully chosen for their own speciality, we managed to make a diverse range of products which include lighter weight knitwear, jersey and towel fabric garments.
Our goal was to create durable, functional and original products which far outlives seasonal trends.
All pieces are produced in small batches and with close attention to details.
Extra special is the fact that for our jersey we don’t import fabrics but that we knit everything entirely in-house.
Therefore we can proudly say that all our Howlin’ products are truly 100% produced in Belgium.
Nationalestraat 20 Antwerpen 2000 Belgium
Kopstraatje 3 2000 Antwerp Belgium
We are an independent creative label based in Brussels mainly active in the fashion, music and audiovisual sector.
Very Important Pixels is a fresh brand that features iconic pixel portraits on fashionable tops and sweaters. Inspired by 80s video games, Belgian designer Kristof Saelen has developed an original and unique style in which he handcrafts his works pixel by pixel
Very Important Pixels™ is a series of illustrations inspired by icons from the past and present. Each pixel portrait has been manually crafted starting from a blank canvas.
A selected collection of works was featured on apparel and other fashionable merchandise and got picked up by world-renowned boutiques such as Kitson (LA), Patricia Field (NYC), Colette (Paris), Spectrum (Milan), Venturer (Tokyo) and many more. Online prominent mentions and interviews include features on Wired, El País (Spain), My Modern Met and numerous blogs and papers. T-shirts and merch are still available online.
Visit our Rarible collection to find limited edition collectibles, hosted on the Ethereum blockchain in the form of non-fungible tokens (NFTs). Each purchased artwork automatically registers the buyer as a certified owner and unlocks secret features such as exclusive access to source files and unpublished artwork versions.
Jung Ho Geortay
Designer
Lanvin, Kenzo, Jean-Paul Gaultier, Paul & Joe… the labels that have sought Jung Ho Geortay’s talent are numerous. Today, he is notably at the helm of Breton nautical clothing label Armor Lux’s Heritage line.
A few years ago, this hyperactive stylist began dreaming up mischievous and prints for shirts, produced as single pieces, each bearing a message concealed in a hidden spot (often inside the collar) and named after the calendar day corresponding to their creation. Encouraged by journalist Elisabeth Paillié and supported by the Printemps Design at Beaubourg (who were the first to market his shirts, in packs that repeated his prints), Jung Ho decided to create his own label, referencing his second name, PAUL.
“ the shirt is the only element of the masculine wardrobe where we can allow for a bit of imagination, as it can be counterbalanced by a nice sweater or a basic jacket.”
The Belgian stylist takes an obvious and crafty pleasure in toying with the standards of textile design, creating graphic ruptures through the skillful placement of unexpected elements into his motifs. The strategic arrangement of these minute details is sharp and cleverly camouflaged, conforming to the constraints of the classic dress code. To work in these playful details, all of the label’s shirts are cut and assembled by hand.
Saint Paul t-shirts, shirts and jackets are made for men and women. The hidden marks and the playful follies of the collection will delight style lovers weary of traditional sober, monotone prints.
Saint Paul is distributed in a handful of high-end stores internationally, from Paris to Tokyo by way of Seoul, Hong Kong, Jeddah, Berlin, Barcelona, Brussels and more…
Texte: Hélène Brunet-Rivaillon – Date 7 Mars 2012- WAD ONLINE magazine
5 Place Albert Leemans Albert Leemans Plaats 5 Brussels 1050 Belgium
Kristof Buntinx
Kristof BuntinxBrussels designer Kristof Buntinx has already created a furore with his God Save the Queens shirts and gained international fame with a boxer short collection with which he targeted Russian anti-gay laws.
Protest and irony are therefore no strangers to Buntinx, but he also dresses Belgian celebrities in little bespoke gems just as much as he has children photographed as superstars. The exiled Sint-Truiden native has been working under his own label for more than a decade. An official introduction is called for!
Kristof Buntinx was born on 10 September 1975 in the Limburg town of Sint-Truiden. He quickly showed an interest in fashion and design and proceeded to draw from a model and attended sewing and pattern design classes. Buntinx completed internships with several major fashion labels such as Levis jeans and the Amsterdam fashion duo Viktor & Rolf.
His own image language
After his initial designs for the Cinderella Shop in Antwerp he sank his teeth into (and left his fingerprints on) a series of coffee mugs for Godiva. Soon Buntinx would tackle hats, a trick he was able to repeat in 2012 for Royal Ascot.
Shortly thereafter, the Pain clothing line followed, with its own photo series in collaboration with Stijn Vanorbeek. Still inspired by the world of image creation, Buntinx worked with filmmaker Ilke De Vries, this time to explore moving images. The film Vision was the result, in which the designer searched his own conscience by referring to a personal crisis.
Artist’s blood
Between 2008 and 2010 Buntinx focused on hats and a full line of accessories.
Triggered by his own life and personal developments, language associations and puns took up an increasingly important place in his work. Like any true-blue artist, Buntinx also creates from an inner drive. “I have always been crazy about fashion, but designing also proved to be beneficial for my mental health. It is my “therapy with a capital T,” the designer states.
Once Buntinx found his way, an increasing number of opportunities came up: in 2011 the Toga 125 Fashion Awards and a fashion show in which his design Ceci n’est pas un Advocaat shone. That same year Modo Brussels, the MIAT in Ghent and Hong Kong Design week also followed. A prominent fashion watcher from the UK even called Buntinx the most eccentric fashion designer of the Modo Brussels event.
The future is now!
Loved by the international fashion blog scene, Kristof Buntinx does not shun controversy. For example, he came up with a series of socially committed designs such as his answer to the Antwerp rainbow controversy, the God Save the Queens T-shirt’, his Russian boxer shorts, which even reached the American media and the crown jewels for King Philip.
During the last festive period Buntinx surprised friend and foe with a range of crisis jewellery, which questions material luxury. The Christmas dresses designed by Buntinx for Dana Winners’ Christmas tour and for Marlène de Wouters, the presenter at the Queen Elisabeth competition earlier in 2013, were, on the other hand, downright luxurious.
Kristof Buntinx certainly aims to let his designs speak for themselves in 2015.
Stay tuned!
La Maison Degand
La Maison DegandLa Maison Degand en quelques mots
Chaque homme est unique
La vocation de ce lieu incontournable de l élégance masculine est de valoriser votre personnalité, de s’adapter à votre style de vie.
Vos désirs, vos souhaits, rencontreront toutes les réponses.
Le service et le conseil n’ont pas de limites, la créativité et la passion s illustrent dans les moindres détails.
Au cSur de cet univers, deux maîtres mots :
Professionnalisme et Passion. Pour chacun d entre vous, Messieurs, selon vos aspirations :
Degand Tailleur, Degand Sport & Business et Degand Shoes.
415, Avenue Louise Brussels 1050 Belgium
ABOUT US
Made to fit and extraordinarily comfortable, Sizable underwear is the benchmark for the modern man.
As the first layer between our intimate selves and another person’s gaze, we should think of our underwear as a second skin. Although we know it’s there, we ought to be able to forget it. When it comes to choosing underwear, comfort is our main priority. But how can it be comfortable if it is mass produced, sloppily designed and comes in standard sizes? In other words, if it will fit more or less anyone, but doesn’t fit anyone well? It pulls here, it’s too tight there, it moves, it irritates, it sags and finally you throw it away! If we take time and care choosing our shoes, trousers and coats, why not do the same for essential, indispensable underwear? In that respect, Sizable satisfies both a demand and a need.
Perfectly fitting, moisture-absorbing Sizable underwear lets you feel fresh and comfortable all day long. You’ll soon realise how luxurious it is. And with Sizable, you can afford it.
SECOND SKIN, FIRST PRIORITY
By definition, we wear our underwear between our skin and our clothing – except for Superman, that is. It is crucial, therefore, for it to combine several qualities all day, every day. Sizable products offer a combination of comfort, breathability and softness. They are a pleasure to touch and a joy to wear.
MADE-TO-FIT
Inspired by the philosophy of classic craftsmanship, Sizable has devised three body types – Jim, Joe and Jack – three lines competing to achieve a single goal: to ensure your underwear is the perfect fit.
Our garments and underwear are light and invisible, once you’re wearing them, you forget them. You can go about your day with complete peace of mind, Sizable has got you covered.
ETHICALLY MADE IN EUROPE
Created from durable fiber like eucalyptus, bamboo and organic cotton, Sizable garments and underwear are environmentally friendly, sustainable and 100% European-made. In short, eco-responsibility combined with elegance at affordable prices. Sizable is tomorrow’s fashion today.
is a Fashion/comfort/sport/street-wear and an Art Book & Prints retailer throughout its own E-shop.
The brand is also distributed throughout a limited amount of retailers (still open to new ones) around the globe.
Rue Beckers 66 Brussels 1040 Belgium
About
After reading the book “The Emperor wears no clothes” by hemp advocate Jack Herer, Emilio De Baudringhien got inspired to start a company that would bring this amazing plant and all of its benefits, back to humanity.
Since hemp is a carbon negative crop we strongly believe it can be a key player in fighting global warming… think of it this way: we are growing a plant in 100 days that takes huge amounts of carbon from our atmosphere and stores it safely in the ground, actually increasing the fertility of the soil. After the plant is harvested we can use every single aspect of the plant for a different purpose, leaving no waste. All this with a minimum input of water and nutrients and no use of pesticides and herbicides.
1 acre of hemp takes in 10 times the amount of carbon compared to 1 acre of rainforest.
Emilio doesn’t consider The Ornament Hemp Co. a fashion company since we don’t follow fashion trends or seasons. Instead we see the company as a vehicle to support the hemp movement in all its forms.
Emilio never started this company for money gaining purposes. All of the money that comes in is directly re-invested in creating more products made from hemp to help increase global hemp crop production and help create a world with more durable products made from replenishable crops such as hemp.
At the end of 2017, Emilio set up a crowdfunding campaign to set up his label. Thanks to 110 lovely backers, Emilio got his project funded and was able to take off.