Cycleur de Luxe
Cycleur de LuxeBRAND INFO
CYCLEUR de LUXE is a lifestyle brand with a wide range of women, men and kids shoes and a brand new women and men textile collection. The story of CYCLEUR de LUXE starts with the world of cycling. We get our trends and the inspiration for our trends from the Belgian cycling culture.
We offer a diverse collection of women’s, men’s and kids trainers. The collection runs from signature to innovative footwear. CYCLEUR de LUXE tries to combine affordable, comfortable, innovative and trendy shoes. The stylish footwear is made of sturdy and high-quality leather, and makes use of colors that ensure a timeless design.
CYCLEUR de LUXE also offers a range of ecological men’s shoes. With awareness for people and the environment, CYCLEUR de LUXE has developed a sustainable shoe line, the RE>CYCLEUR line. The shoes are made of recycled materials and chrome free leather.
After years of preparation and months of hard work, our first CYCLEUR de LUXE apparel collection for men and women is finally on the market! It is a dream to style people from head to toe and this is the next step to accomplish this goal.
The sneaker and textile collections are offered online or in over 450 dealer locations. For a store nearby, check our store locator.
Antoon Catriestraat 39C Drongen 9031 Belgium
Raf Simons
Raf SimonsBORN NEERPELT, BELGIUM IN 1968.
GRADUATES IN INDUSTRIAL DESIGN AND FURNITURE DESIGN IN 1991 AND STARTS WORKING AS A FURNITURE DESIGNER FOR GALLERIES AND PRIVATE INTERIORS. BEFORE THIS, RAF SIMONS INTERNED AT THE DESIGN STUDIO OF WALTER VAN BEIRENDONCK, WORKING ON THE PRESENTATION AND DECORATION OF THE VAN BEIRENDONCK SHOWROOMS AND COLLECTIONS.
IN A RADICAL CHANGE OF PROFESSION, HEREBY ENCOURAGED BY LINDA LOPPA, HEAD OF THE FASHION DEPARTMENT OF THE ANTWERP ROYAL ACADEMY, HE BECOMES A SELF-TRAINED MENSWEAR DESIGNER IN 1995 AND LAUNCHES HIS RAF SIMONS LABEL.
DESIGNS THE MENSWEAR OUTFITS FOR RUFFO RESEARCH (SPRING-SUMMER 1999 AND AUTUMN-WINTER 1999-2000).
OCTOBER 2000, RAF SIMONS IS APPOINTED HEAD PROFESSOR OF THE FASHION DEPARTMENT OF THE UNIVERSITY OF APPLIED ARTS, VIENNA, AUSTRIA UNTIL JUNE 2005.
WINS FIRST PRIZE SWISS TEXTILES AWARD, LUCERNE, SWITZERLAND IN NOVEMBER 2003.
PRESENTS ‘RAF SIMONS REDUX’, A BOOK BY PETER DE POTTER AND RAF SIMONS (PUBLISHED BY CHARTA/FONDAZIONE PITTI DISCOVERY) COINCIDING WITH HIS LABEL’S 10TH ANNIVERSARY. ‘RAF SIMONS 1995-2005’, A FASHION/ART EVENT AT THE GIARDINI DI BOBOLI IN FLORENCE, ITALY (INITIATED AND PRODUCED BY THE FONDAZIONE PITTI DISCOVERY, JUNE 2005) EQUALLY CELEBRATES HIS FIRST DECADE IN FASHION.
NAMED CREATIVE DIRECTOR OF JIL SANDER (MENSWEAR AND WOMENSWEAR) FROM JULY 2005 UNTIL FEBRUARY 2012.
APRIL 2011, RAF SIMONS IS PRESIDENT OF THE FASHION JURY OF THE HYÈRES 26TH INTERNATIONAL FESTIVAL OF FASHION AND PHOTOGRAPHY.
CURATES TRANSMISSION 1, A THREE-DAY MULTIDISCIPLINARY EVENT IN BERLIN INITIATED AND SPONSORED BY MERCEDES-BENZ IN JULY 2011.
APRIL 2012 – NOMINATED ARTISTIC DIRECTOR OF CHRISTIAN DIOR FOR WOMEN’S HAUTE COUTURE, READY-TO-WEAR AND ACCESSORY COLLECTIONS. RAF SIMONS PRESENTS HIS FIRST HAUTE COUTURE COLLECTION IN JULY 2012.
LIVES AND WORKS IN ANTWERP, BELGIUM.
The most important message Raf Simons wants to communicate is:
PRIDE IN INDIVIDUALITY.
Fuelled by his love for both rebellious youth cultures and traditional menswear, he emerges in fashion halfway through the nineties, presenting a radically different image of masculinity. Fusing the energy and singularity of teenage subcultures with the sharpness and precision of classical sartorial craft, the look presented by Raf Simons is both inspired by and designed for confident outsiders.
From the first collection on, music, art, performance, images and words have a substantial role in the whole package, summing up, or rather clarifying the kind of world Raf Simons wants to project. Always at the core of his universe (and as essential as the clothes themselves) are attitudes, moods and statements about individuality and independence.
Equally important in Raf Simons’ approach is the constant quest for innovation. The designs are always looking for the now and tomorrow, even if they are inspired by historical or classical references. Throughout the years, with the signature style evolving and maturing, the key elements stay the same: modern proportions, a constant research for fabrics and textures and above all the interplay of pure construction and new shapes with the body and psyche of the contemporary man.
T.VDB is the artistic fashion studio founded by Belgian multi-disciplinary fashion artist Tom Van der Borght.
The label focuses on humans rather than gender, as the core of T.VDB is hard to pinpoint under one binary definition, description or title.
T.VDB works as an independent artist, with a focus on fashion, textile, graphics, video, installation and scenography.
He is the producer of his own free work and works on commission for various partners.
Tom Van der Borght got his Fashion Design degree in 2012 at the Stedelijke Academie voor Schone Kunsten of Sint-Niklaas. Both during and after his studies he won international fashion prices and competitions.
From 2012 to 2016 he had the pleasure of showing his work during Berlin, Paris, London and Panama Fashion Week. His collections were sold in the USA, Japan and across Europe.
As a commissioned artist T.VDB worked for companies like Mercedes-Benz, Premiere Vision, DS Automobiles and Le19M. Next to that he creates artwork and video’s for national and international music artists.
In 2021 Tom received a master degree at Zuyd Hogeschool Maastricht, focusing on the intersection between performance, fashion and artistic research.
Before studying arts, Tom got his bachelors degree in Social Studies and worked for in various social organisations for several years.
Discovering at the age of 27 he suffers from a heriditary neuropathic muscle disorder confronted T.VDB with the question what is really important in life. This was the catharsic moment when he decided to study fashion design and pursue his childhood dreams.
During his study he was already confronted with the borders between fashion and art. Reflecting on his own background in social work and his own personal disposition in life led to questioning social structures, definitions, limits, … The visual language T.VDB develops goes far beyond clothes and is always creating a highly personal and questioning universe. It combines media and is crossing borders between fashion and arts.
T.VDB has an ongoing fascination for defects and errors, which comes from his own experience and the questioning of the genetic errors that shaped the designer from his birth.
Finding a place in society has always been a core element in Van der Borght’s work and life. This generated a strong interest for tribal culture, rituals and alternative/indigenous/ social structures, including elements like costumes, ritual dance and performative acts.
Being born in a typical Flemish middle class family, where culture didn’t really exist, T.VDB was fascinated by pop culture, MTV and subcultures.
“My first fashion inspiration came from the 80s, when i looked to magazines like “Mode, C’est Belge”. My mother’s classic couture training also influenced me in my love Of clothing.”
Later on in life I got introduced to more “higher” forms of “culture”. Essential in my work is the mix of those two opposites of “culture”, not necessarily as rivals or opposites. “
Marcel Duchamps once quoted : “ I do not believe in Art, I believe in Artists”.
T.VDB’s generous attitude and authentic radical way of thinking define him as a designer and an artist.
T.VDB ’s view on fashion (and clothes) isn’t purely economics:
his work could be seen as artistic objects. Clothes and outfits become part of a bigger pictures and crossing borders leads to creating a full universe, a total package.
It results in a fascination for creating video, scenography, performance and alternative ways of presentation.
A catwalk presentation has a very strong performative energy, being a boost of energy, a “hic et nunc” reflection on the present with a big artistic value.
Fashion is always a representation of the present. In his work T.VDB translates this in trying to marry the past to the future (which for him is the essence of “present”).
In 2019, T.VDB took a restart. He focuses on an elaborate masterpiece “7 ways to be TVDB”, which is a multidisciplinary selfportrait that borders on the edges between high tech bricolage, haute couture, avantgardistic fashion and low tech performance. A first stage of this work was presented in the FashionClash festival in Maastricht , and won both the Grand Jury Festival Prize as the Audience Award. With this collection the designer won the prestigious Grand Prix du Jury at the 35th Festival Internationale de La Mode de Hyères in 2020, as well as the highly desired Public Prize. His jubilant, theatrical men’s collection was praised by designer Jonathan Anderson, who presided over a jury that included, among others, consultant Amanda Harlech, model Kaia Gerber, sound maverick Michel Gaubert, photographer Tyler Mitchell, journalist Derek Blasberg and editor-in-chief of GQ, Oliver Lalanne
“What we really, really admired in the work of Tom Van Der Borght is that it was a totally new type of form, new type of shape, new type of commitment to a silhouette, and it was uncompromising,” Anderson said during a remote award ceremony. “And in this moment we are in, we as a jury believe that it was about starting this new decade with newness, this idea of originality.” Anderson continued: “It was not about looking at something for its automatic commercial sense. It was about the beauty within fashion, the handmade, the technique, and the risk in it. And I think Tom has really achieved something in what he has done and I think he will go on to do very well.”
In 2021, T.VDB had the honour to open Mercedes Benz Fashion Week Berlin, with a stunning performance he created with choreographer Blanca Li, to accompany his latest collection.
For the 36th edition of the International Festival de la Mode, he launches his new collection “Time For Love”. The collection was realised in close collaboration with Le19M, Chanel’s legendary “ateliers des Metièrs d’Art” and the support of Premiere Vision.
In the troubled world we are living in nowadays, all of us are urging for connection and closeness. We’ve been distanced, physically and psychologically but now, it’s time for love.
T.VDB welcomes you to a brighter future and a celebration of human connection. The collection is an invitation to enter the playful and colorful universe of the collection. Garments leave the borders of the individual human body and search for connections with other humans through cut, detail and accessories. The pieces play on the intersection of textures, artwork and colour.
Everybody is invited to join this contemporary tribe of neo-hippies, lonesome cowboys and genderfluid hybrid creatures, feeling the emotion in the silence and embracing love as an empowerment tool.
Caroline Foulon
Caroline FoulonSigi
SigiThe Art of Knitting
Craftsmanship and experimentation define the culture of Sigi. We focus on creating new depths of colour and texture through the mixing of different yarns to present new and innovative designs that are instantly recognisable.
We have a deep respect and care for the knitwear we produce as well as the way in which we produce it. This is why we ensure that all of our knitwear is made in Belgium by real craftsmen and women under the best possible working conditions. These elements help define the culture we want to nurture with the Sigi brand.
Family
At SIGI we are proud of our family heritage with over 40 years of experience in the field of knitwear. Ilia Sigi Eckardt grew up in Antwerp in a very creative family where knitting was essential to the household. Being considered true experts in their field, mother Hilde Frunt and son Ilia Eckardt have been collaborating with Belgium’s best and brightest designers: Dries Van Noten, Raf Simons, Ann Demeulemeester and many more.
Made In Belgium
We do all our research, designing and development in our offices in the heart of Antwerp. Sourcing from our local pool of amazing talent is something we take great pride in. We have great faith in our local potential.
Hemptees is a slow fashion brand with timeless high quality hemp clothing. Inspired by a slow lifestyle and a big heart for our oceans. We believe that every wildflower should feel free and comfortable in textiles that are good for the planet and good for people.
Our Story
Our little wildflower was born into an independent family. Her mother instilled in her a passion for art, textiles and natural materials. Her father travels (still does) around with his surf gear to catch the best wave. In 1982, he co-founded a textile distributor for sports brands. With this breeding ground, our little wildflower spread her seeds and Hemptees was born.
Lou De Buck, owner and founder of Hemptees, brings a consiously curated collection of her favorite versatile plant of all time, hemp. She draws her inspiration from music, cinema, travel and nature. She offers a mix of urban and coastal influences with a nod to modern nostalgia. Intuition and authenticity are always at the core of Hemptees aesthetic.
Hemptees appeals to fun-loving, free spirited and like-minded individuals and offers a range of clothing, home textiles and accessories with a focus on ethical, handmade and sustainable practices.
Sometimes you just need that good durable favorite and that’s when slow fashion is a great option. We want to do our part by offering sustainable clothing made from 100% hemp. An alternative textile that pollutes as little as possible and is better for people with sensitive skin.
My Ecological Lifestyle
My Ecological Lifestyle
The Power of Slow
Lou is excited about what the future holds and knows that this is just the beginning of Hemptees’ story.
Over the years, we have become acutely aware of how big our culture of waste is and how it has continued to grow. We live in a time where sustainability, equality and freedom are common themes. As a product-based brand, we are aware of more stuff’s impact on the environment, which is why we promote secondhand first and slow fashion second.
Affordable good basics for everyone is our driving force without compromising on quality and longevity.
Fashion is one of the biggest polluting industries, so we try to minimize our waste while providing you with beautiful timeless eco-friendly basics that you will cherish for years to come!
JASNA ROKEGEM
A young and energetic pioneer in combining innovative fashion and cutting-edge technology. Not only in creating unique projects and collections, but also in bringing these to life by using techniques such as virtual and augmented reality. She has a strong vision on the clothing of the future and how it can add value to our daily lives. To achieve more and think further, Jasna likes working closely together with professional partners from around the globe.
These collaborations and projects brought her a lot of recognition and exposure. As a result she received various awards, gives lectures and gets invited to big events in different fields.
In January 2016, aged 23, she founded Jasna Rok, the first FashTech design studio in Belgium.
Jasna Rok provides a window to show the endless possibilities of technology and science today, by making them visible, tangible and understandable for the big audience through interactive fashion.
Raapstraat 6 Antwerpen 2000 Belgium
STRØM
STRØMAbout STRØM
The unexpected ways of life brought the 4 of us together in the vibrant city of Antwerp, the so-called ‘Stad aan de Stroom’ (hence the name STRØM). During a warm, cosy evening somewhere in May 2017 we started playing with the idea to come up with a clothing brand that combines high-quality fabrics with recognizable, minimalistic icon designs. The Danish Ø is a direct reference to the beauty and simplicity of Scandinavian minimalistic designs. The brand STRØM was born.
Our history of existence is metaphorical for our corporate DNA and the message we want to bring: Life’s too short to not enjoy happiness & friendship!It is our firm conviction that, despite the situation, everyone should be able to experience the joys of life. Therefore, STRØM partnered with Make-A-Wish® Belgium-Vlaanderen in 2018.
Sustainability also flows through our veins. Our products wear the Fair Wear label and comply with the Organic Blended Cotton Standard. In 2019, we closed another partnership with The Plastic Soup Foundation, a leading global advocacy group that tackles the problem of plastic pollution. In order to walk the talk, we were able to decrease the use of plastic in our supply chain to an absolute minimum by banning any plastic wrappers in our packaging process while instead using recyclable boxes.
As you can see, our exciting journey has only just begun. Many adventures and STRØM moments are still ahead of us. We started the journey with 4 and we would be honored if you join the trip.
Diepestraat 122 bus 3 Antwerp 2060 Belgium
WE ARE PRINT MAKERS,
WE DESIGN EXCLUSIVE PATTERN FOR FASHION BRANDS AND DESIGNERS. WE CREATE STRONG URBAN GRAPHIC PATTERN INSPIRED FROM LIFE STYLE.
31 rue de Lausanne Brussels 1060 Belgium
Nathalie Engels
Nathalie EngelsAbout Nathalie Engels
The clothing brand Nathalie Engels is a high-end sustainable label with its origins in Ghent, Belgium.
The brand stands for a collection which is created out of intuition and feeling. Made by a designer passionate by colour in all its aspects.
Nathalie with her 25 years of design experience believes that colour speaks a language that contributes to a positive energy, language that supports and brings out the internal beauty.
Serpentstraat 1 Gent 9000 Belgium