Work philosophy
After studies in graphic art, I graduated in fashion design from the Francisco Ferrer School (Brussels). I then completed my knowledge within the Federation of Master-tailors of France (Paris). Since 2014, I have been increasing my professional experiences, in Belgium or internationally, with big names like Scabal, Natan or on a personal basis in my own workshop.
Passion in the blood
My grandmother was a seamstress and in a sewing workshop; my mother was a sewing teacher for 25 years. My interest in the profession of tailor came later. It was the artisan side that attracted me then. It’s a rope that I have added to the family tradition. The specificities of his work Both an artisanal tailor and a trained stylist, I strive to blend harmoniously the traditional work of the artisan tailor with current sewing techniques.
Rue de la Ferme Romaine 11 Andenne 5300 Belgium
STRØM
STRØMAbout STRØM
The unexpected ways of life brought the 4 of us together in the vibrant city of Antwerp, the so-called ‘Stad aan de Stroom’ (hence the name STRØM). During a warm, cosy evening somewhere in May 2017 we started playing with the idea to come up with a clothing brand that combines high-quality fabrics with recognizable, minimalistic icon designs. The Danish Ø is a direct reference to the beauty and simplicity of Scandinavian minimalistic designs. The brand STRØM was born.
Our history of existence is metaphorical for our corporate DNA and the message we want to bring: Life’s too short to not enjoy happiness & friendship!It is our firm conviction that, despite the situation, everyone should be able to experience the joys of life. Therefore, STRØM partnered with Make-A-Wish® Belgium-Vlaanderen in 2018.
Sustainability also flows through our veins. Our products wear the Fair Wear label and comply with the Organic Blended Cotton Standard. In 2019, we closed another partnership with The Plastic Soup Foundation, a leading global advocacy group that tackles the problem of plastic pollution. In order to walk the talk, we were able to decrease the use of plastic in our supply chain to an absolute minimum by banning any plastic wrappers in our packaging process while instead using recyclable boxes.
As you can see, our exciting journey has only just begun. Many adventures and STRØM moments are still ahead of us. We started the journey with 4 and we would be honored if you join the trip.
Diepestraat 122 bus 3 Antwerp 2060 Belgium
Jan-Jan van Essche
Jan-Jan van EsscheAS FOR MANY OTHERS, THE HUMAN COLLECTIVE CULTURE REMAINS AN ENDLESS INSPIRATION FOR JAN-JAN VAN ESSCHE TO CREATE NEW GARMENTS, EACH NEW DESIGN A GENUINE ATTEMPT TO OPEN UP NEW PERSPECTIVES AND TO PUSH CONFLICTING DIALOGUES FORWARD.
WITH EVERY SERIES OF GARMENTS, TRADITIONAL PATTERNS FROM DIFFERENT ETHNO-CULTURAL ORIGINS ARE CAUTIOUSLY STUDIED AND SUBSEQUENTLY INTERPRETED IN THE DESIGNER’S INDIVIDUAL PATTERN LANGUAGE; ONE SPEAKING THE POETRY OF SIMPLICITY.
JAN-JAN VAN ESSCHE MOSTLY OPTS TO REMOVE ALL POSSIBLE SEAMS AND MINIMALIZING DETAILS AND CULTURAL CONNOTATION, WHILE MAXIMIZING COMFORT FOR THE WEARER AND THEREFORE PROPOSING AN EXPERIENCE THAT WORKS FROM THE WITHIN.
UNLIKE CLASSIC WESTERN APPROACH TO CONFINE AND SHAPE THE BODY, JAN-JAN PROVIDES THE BODY THE LUXURY AND FREEDOM TO SHAPE THE GARMENT.
HIS SINCERE AND DISCRETE DESIGNS ARE EXECUTED IN CAREFULLY SOURCED, REFINED QUALITY FABRICS OF NATURAL FIBERS, ALL CONTRIBUTING ELEMENTS INDUCING ONES AWARENESS AND STATE OF MIND.
CONTRIBUTING TO THIS STORY OF MINIMIZING ANECDOTIC CONNOTATIONS SOME FABRICS REMAIN UN-DYED OR EVEN LOOM STATE, THE COLOURS ARE RATHER TO THE MUTED PALETTE AND THE BLACK COLOUR WITH ITS ENDLESS SHADES IS ALWAYS PRESENT TO RIGOROUSLY ACCENTUATE THE SILHOUETTES.
JAN-JAN VAN ESSCHE CONTINUOUSLY AIMS TO DEVELOP NEW INSIGHTS ON CONTEMPORARY YET EFFORTLESS AND GENDERLESS ELEGANCE.
HIS PIECES ARE LAYERED WITH SUBTLETY, INTEGRATED INTO MODERN-DAY CITY LIFE AND INTO PERSONAL WARDROBES, SLOWLY AND CAREFULLY PLAYING THEIR HUMBLE ROLE IN FINDING CONNECTION AND ACCEPTANCE.
THEY SEE NO BOUNDARIES, NO LIMITATIONS, NO RESTRICTIONS NO EXCLUSIONS.
THE CONVENTIONAL SILHOUETTE IS AMPLIFIED AND EACH INDIVIDUAL GARMENT LITERALLY LEAVES ROOM FOR INTERPRETATION, ENGENDERING OPENNESS.
THE WEARER OF JAN-JAN VAN ESSCHE IS A GENTLE SOUL IN CONSTANT DIALOGUE WITH ONE’S PERSONAL CONTEXT AS WELL AS WITH THE WORLD AS A WHOLE.
LIKE THE GARMENTS THE WEARER IS HUMBLE AND IS UNRESTRAINED.
JAN-JAN VAN ESSCHE IS BORN IN ANTWERP, BELGIUM, WHERE HE HAS HIS DESIGN STUDIO. HE’S A 2003 GRADUATE OF THE ANTWERP ROYAL ACADEMY OF FINE ARTS.
IN JUNE 2010 JAN-JAN VAN ESSCHE LAUNCHED HIS FIRST EPONYMOUS LABEL AS AN ANNUAL WARDROBE. COLLECTION#1 – ‘YUKKURI’, JAPANESE FOR ‘TAKE IT EASY’ OR ‘SLOWLY’.
THIS TITLE ALSO BECAME HIS INTRINSIC AND CONCEPTUAL APPROACH TO CONTEMPORARY WARDROBES AS A DESIGNER.
- COLLECTION#2 – SATTA AMASSAGANA (JUNE 2011)
- COLLECTION#3 – IN AWE (JUNE 2012)
- COLLECTION#4 — UHURU SASA (JUNE 2013)
- COLLECTION#5 — INITE (JUNE 2014)
- COLLECTION#6 — NO MAN IS AN ISLAND (JUNE 2015)
- COLLECTION#7 — AWARE (JUNE 2016)
- COLLECTION#8 — 無 (MU) (JUNE 2017)
- COLLECTION#9 — ONE IN ALL AND ALL IN ONE (JUNE 2018)
- COLLECTION#10 — CODA (JUNE 2019)
- COLLECTION#11 — GRACE (JULY 2020)
- COLLECTION#12 — CYCLE (JUNE 2021)
THE ANNUAL WARDROBES RECEIVED A COUNTERPART IN 2013 WHEN, DUE TO THE WELL RECEIVED PREVIOUS COLLECTIONS, THE DESIGNER DECIDED TO ADD THE PROJECTS, AUTONOMOUS SERIES OF GARMENTS DESIGNED AND DEVELOPED ACCORDING TO SPECIFIC CRAFTS OR INSPIRATIONS, TAKING THE NECESSARY TIME TO CULTIVATE IDEAS AND UNDERGOING THE SLOW RHYTHM AND PACE OF THE HAND.
THE CREATIVE FREEDOM IS PRESERVED AND IDEAS ARE ENABLED TO FLOURISH.
- PROJECT#1 – PROCEED (JANUARY 2013) — RESEARCH ON PATCHWORK
- PROJECT#2 — REDEEM (JANUARY 2014) &MASH; RESEARCH ON SAKIORI WEAVING
- PROJECT#3 — WADADA (JANUARY 2015) — RESEARCH ON ROPE WEAVING
- PROJECT#4 — EACH ONE TEACH ONE (JANUARY 2016) — RESEARCH ON BORO APPLICATIONS
- PROJECT#5 — ARISE (JANUARY 2017) — PATTERN RESEARCH INSPIRED BY THE KESA GARMENT
- PROJECT#6 — ONE STONE (JANUARY 2018) — PATTERN RESEARCH INSPIRED BY THE AINU KIMONO
- PROJECT#7 — SOLACE (JANUARY 2019) — EMPHASIS ON USE OF FABRICS
- PROJECT#8 — REMEMBRANCE (JANUARY 2020) — RESEARCH ON PADDED GARMENTS & SAKIORI WEAVING
- PROJECT#9 — SUNU (FEBRUARY 2021) — RESEARCH ON PADDED GARMENTS & HAND WOVEN GARMENTS
WADADA BVBA NACHTEGAALSTRAAT 27 ANTWERPEN 2060 BELGIUM
Caroline Foulon
Caroline Foulon
Kristof Buntinx
Kristof BuntinxBrussels designer Kristof Buntinx has already created a furore with his God Save the Queens shirts and gained international fame with a boxer short collection with which he targeted Russian anti-gay laws.
Protest and irony are therefore no strangers to Buntinx, but he also dresses Belgian celebrities in little bespoke gems just as much as he has children photographed as superstars. The exiled Sint-Truiden native has been working under his own label for more than a decade. An official introduction is called for!
Kristof Buntinx was born on 10 September 1975 in the Limburg town of Sint-Truiden. He quickly showed an interest in fashion and design and proceeded to draw from a model and attended sewing and pattern design classes. Buntinx completed internships with several major fashion labels such as Levis jeans and the Amsterdam fashion duo Viktor & Rolf.
His own image language
After his initial designs for the Cinderella Shop in Antwerp he sank his teeth into (and left his fingerprints on) a series of coffee mugs for Godiva. Soon Buntinx would tackle hats, a trick he was able to repeat in 2012 for Royal Ascot.
Shortly thereafter, the Pain clothing line followed, with its own photo series in collaboration with Stijn Vanorbeek. Still inspired by the world of image creation, Buntinx worked with filmmaker Ilke De Vries, this time to explore moving images. The film Vision was the result, in which the designer searched his own conscience by referring to a personal crisis.
Artist’s blood
Between 2008 and 2010 Buntinx focused on hats and a full line of accessories.
Triggered by his own life and personal developments, language associations and puns took up an increasingly important place in his work. Like any true-blue artist, Buntinx also creates from an inner drive. “I have always been crazy about fashion, but designing also proved to be beneficial for my mental health. It is my “therapy with a capital T,” the designer states.
Once Buntinx found his way, an increasing number of opportunities came up: in 2011 the Toga 125 Fashion Awards and a fashion show in which his design Ceci n’est pas un Advocaat shone. That same year Modo Brussels, the MIAT in Ghent and Hong Kong Design week also followed. A prominent fashion watcher from the UK even called Buntinx the most eccentric fashion designer of the Modo Brussels event.
The future is now!
Loved by the international fashion blog scene, Kristof Buntinx does not shun controversy. For example, he came up with a series of socially committed designs such as his answer to the Antwerp rainbow controversy, the God Save the Queens T-shirt’, his Russian boxer shorts, which even reached the American media and the crown jewels for King Philip.
During the last festive period Buntinx surprised friend and foe with a range of crisis jewellery, which questions material luxury. The Christmas dresses designed by Buntinx for Dana Winners’ Christmas tour and for Marlène de Wouters, the presenter at the Queen Elisabeth competition earlier in 2013, were, on the other hand, downright luxurious.
Kristof Buntinx certainly aims to let his designs speak for themselves in 2015.
Stay tuned!
APA Intemporal SPRL
APA Intemporal SPRLABOUT US
THE VOYAGE OF APA INTEMPORAL
APA is a Belgian fashion brand that combines high style with deep science. Our name comes from the Sanskrit word for “water,” and our first product, the ĀPA raincoat, was built to live up to its namesake. We take cutting-edge performance technologies and fabrics from the world of extreme sports, and craft them into impeccable, irreverent outerwear for city dwellers, world travelers, and anyone with an eye for style.
After living in Brussels, Paris, New York, and other urban cities where it rains for much of the year, Franco-Belgian high-fashion designer Léa Stein discovered what was missing in the market: a modern coat that merges luxury with technology, effectively protecting wearers from the ever-changing unpredictability of weather while looking their best.
In 2016, Léa founded ĀPA. Her goal was a lofty one: to combine clean silhouettes, immaculate detail, and luxury manufacturing with today’s most innovative performance technologies, all while using sustainable processes and artisan craftsmanship, and producing it, beginning to end, completely within Europe. And that’s exactly what APA has achieved today.
Our first raincoat collection launched in 2019, and is a reflection of our brand’s vision: to take iconic fashion clothing and re-invent it in a way that provides innovative solutions to everyday problems, while keeping the fit, design, and artistry of high-fashion. With a successful Kickstarter campaign, and numerous awards for design and innovation, ĀPA is proud to continue to push luxury fashion forward.
Avenue de la Sapinière 37 Bruxelles 1180 Belgium
Nederlands
Wie zijn we?
Bel&Bo is een Belgisch familiebedrijf met meer dan 90 winkelpunten verspreid over heel België.
Onze kledingketen staat voor een complete collectie kledij en accessoires, voor de volledige familie en voor iedere stijl.
Kleur primeert in onze filosofie
De Bel&Bo collecties zijn altijd kleurrijk, met een grote keuze aan tinten en nuances, zodat ieder persoon het model en kleur vindt die haar of hem past.
Dankzij wekelijkse leveringen hangen er bij ieder bezoek nieuwe artikelen, bovendien is er om de 14 dagen een volledig nieuw kleuraccent in de winkel.
Aangenaam winkelen
Winkelen bij Bel&Bo is in een aangename sfeer een outfit samenstellen, uit de laatste trends en zonder twijfel. Het is de garantie voor een optimale kwaliteit aan de laagste prijzen. Wij combineren goed humeur met een hartelijk verkoopsteam en persoonlijke, aangename winkels.
Advies bij uw aankoop
Onze verkoopsters zijn speciaal opgeleid in stijl- en kleuradvies om jou te helpen kiezen en combineren. De gepaste outfit en kleur doen wonderen!
Kwaliteitscontrole
We hechten heel wat belang aan de kwaliteit van onze producten, want Bel&Bo staat garant voor kwalitatieve kledij aan een voordelige prijs.
Eerlijk en duurzaam ondernemen
Bel&Bo neemt ook haar verantwoordelijkheid voor mens en milieu, eerlijke handel is de norm.
BeCommerce
Bel&Bo is lid van BeCommerce, de Belgische Vereninging van de bedrijven die actief zijn in de online verkoop. De website van Bel&Bo is gebonden met de gedragscode van het BeCommerce kwaliteitslabel.
FRANCAIS
A propos de nous
Qui sommes-nous?
Bel&Bo est une entreprise familiale belge implantée dans plus de 90 points de vente en Belgique.
Nous proposons une collection de vêtements et d’accessoires pour toute la famille et pour tous les styles.
Une enseigne colorée
Les collections Bel&Bo sont toujours colorées, avec un large choix de teintes et de nuances, afin que chacun trouve le modèle et la couleur qui lui va.
Tous les quinze jours, une nouvelle teinte fait son apparition dans les magasins. Une bonne raison d’aller régulièrement y jeter un œil!
Un shopping agréable
Faire ses achats chez Bel&Bo, c’est s’amuser à composer des tenues, sans hésitation et selon les dernières tendances. C’est une garantie pour une qualité optimale aux pris les plus bas. Nous vous accueillons avec bonne humeur grâce à nos équipes de vente, dans nos magasins agréables et chaleureux.
Conseils lors de vos achats
Nos vendeuses ont suivi une formation en conseil couleurs et style afin de vous aider à choisir et à combiner vos tenues. La tenue adéquate et les couleurs en mettent plein la vue !
Contrôle qualité
Nous attachons beaucoup d’importance à la qualité de nos produits, car Bel&Bo s’engage pour des vêtements de qualité à prix abordable.
Entreprise durable et équitable
Bel&Bo se sent responsable pour l’humanité et l’environnement, le commerce équitable est la norme
BeCommerce
Bel&Bo est membre de BeCommerce, l’association belge des entreprises actives dans le domaine du e-commerce. Le site de Bel&Bo est donc soumis au code de conduite du Label de Qualité BeCommerce.
Theo Nuyttenslaan 5 Deerlijk 8540 Belgium
Sofie D’Hoore
Sofie D’HooreBoulevard Barthélémy 11 Brussels 1000 Belgium
About
After reading the book “The Emperor wears no clothes” by hemp advocate Jack Herer, Emilio De Baudringhien got inspired to start a company that would bring this amazing plant and all of its benefits, back to humanity.
Since hemp is a carbon negative crop we strongly believe it can be a key player in fighting global warming… think of it this way: we are growing a plant in 100 days that takes huge amounts of carbon from our atmosphere and stores it safely in the ground, actually increasing the fertility of the soil. After the plant is harvested we can use every single aspect of the plant for a different purpose, leaving no waste. All this with a minimum input of water and nutrients and no use of pesticides and herbicides.
1 acre of hemp takes in 10 times the amount of carbon compared to 1 acre of rainforest.
Emilio doesn’t consider The Ornament Hemp Co. a fashion company since we don’t follow fashion trends or seasons. Instead we see the company as a vehicle to support the hemp movement in all its forms.
Emilio never started this company for money gaining purposes. All of the money that comes in is directly re-invested in creating more products made from hemp to help increase global hemp crop production and help create a world with more durable products made from replenishable crops such as hemp.
At the end of 2017, Emilio set up a crowdfunding campaign to set up his label. Thanks to 110 lovely backers, Emilio got his project funded and was able to take off.
Raf Simons
Raf SimonsBORN NEERPELT, BELGIUM IN 1968.
GRADUATES IN INDUSTRIAL DESIGN AND FURNITURE DESIGN IN 1991 AND STARTS WORKING AS A FURNITURE DESIGNER FOR GALLERIES AND PRIVATE INTERIORS. BEFORE THIS, RAF SIMONS INTERNED AT THE DESIGN STUDIO OF WALTER VAN BEIRENDONCK, WORKING ON THE PRESENTATION AND DECORATION OF THE VAN BEIRENDONCK SHOWROOMS AND COLLECTIONS.
IN A RADICAL CHANGE OF PROFESSION, HEREBY ENCOURAGED BY LINDA LOPPA, HEAD OF THE FASHION DEPARTMENT OF THE ANTWERP ROYAL ACADEMY, HE BECOMES A SELF-TRAINED MENSWEAR DESIGNER IN 1995 AND LAUNCHES HIS RAF SIMONS LABEL.
DESIGNS THE MENSWEAR OUTFITS FOR RUFFO RESEARCH (SPRING-SUMMER 1999 AND AUTUMN-WINTER 1999-2000).
OCTOBER 2000, RAF SIMONS IS APPOINTED HEAD PROFESSOR OF THE FASHION DEPARTMENT OF THE UNIVERSITY OF APPLIED ARTS, VIENNA, AUSTRIA UNTIL JUNE 2005.
WINS FIRST PRIZE SWISS TEXTILES AWARD, LUCERNE, SWITZERLAND IN NOVEMBER 2003.
PRESENTS ‘RAF SIMONS REDUX’, A BOOK BY PETER DE POTTER AND RAF SIMONS (PUBLISHED BY CHARTA/FONDAZIONE PITTI DISCOVERY) COINCIDING WITH HIS LABEL’S 10TH ANNIVERSARY. ‘RAF SIMONS 1995-2005’, A FASHION/ART EVENT AT THE GIARDINI DI BOBOLI IN FLORENCE, ITALY (INITIATED AND PRODUCED BY THE FONDAZIONE PITTI DISCOVERY, JUNE 2005) EQUALLY CELEBRATES HIS FIRST DECADE IN FASHION.
NAMED CREATIVE DIRECTOR OF JIL SANDER (MENSWEAR AND WOMENSWEAR) FROM JULY 2005 UNTIL FEBRUARY 2012.
APRIL 2011, RAF SIMONS IS PRESIDENT OF THE FASHION JURY OF THE HYÈRES 26TH INTERNATIONAL FESTIVAL OF FASHION AND PHOTOGRAPHY.
CURATES TRANSMISSION 1, A THREE-DAY MULTIDISCIPLINARY EVENT IN BERLIN INITIATED AND SPONSORED BY MERCEDES-BENZ IN JULY 2011.
APRIL 2012 – NOMINATED ARTISTIC DIRECTOR OF CHRISTIAN DIOR FOR WOMEN’S HAUTE COUTURE, READY-TO-WEAR AND ACCESSORY COLLECTIONS. RAF SIMONS PRESENTS HIS FIRST HAUTE COUTURE COLLECTION IN JULY 2012.
LIVES AND WORKS IN ANTWERP, BELGIUM.
The most important message Raf Simons wants to communicate is:
PRIDE IN INDIVIDUALITY.
Fuelled by his love for both rebellious youth cultures and traditional menswear, he emerges in fashion halfway through the nineties, presenting a radically different image of masculinity. Fusing the energy and singularity of teenage subcultures with the sharpness and precision of classical sartorial craft, the look presented by Raf Simons is both inspired by and designed for confident outsiders.
From the first collection on, music, art, performance, images and words have a substantial role in the whole package, summing up, or rather clarifying the kind of world Raf Simons wants to project. Always at the core of his universe (and as essential as the clothes themselves) are attitudes, moods and statements about individuality and independence.
Equally important in Raf Simons’ approach is the constant quest for innovation. The designs are always looking for the now and tomorrow, even if they are inspired by historical or classical references. Throughout the years, with the signature style evolving and maturing, the key elements stay the same: modern proportions, a constant research for fabrics and textures and above all the interplay of pure construction and new shapes with the body and psyche of the contemporary man.