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THE STORY
A Belgian twist on atypical fashion
You’re the woman who knows what she wants. Big dreams don’t scare you. In fact, they push you to be bolder. You know what makes you you and are not afraid to show it. At Awardt, we encourage you with the right accessories. As a Belgian female-powered brand, we’ll make sure you have the right, atypical bag, hat or scarf to match your unique soul.
Atelier Zennegatvaart 17 Mechelen 2800 Belgium
Shop Adegemstraat 3 Mechelen 2800 Belgium
Buissonnière
BuissonnièreMore Info
Buissonnière: the unique story of a Belgian family passionate about fashion
Buissonnière is a Belgian clothing brand that focusses its activity on core values such as family, authenticity and joie de vivre.
Buissonnière is also an exclusive brand: the company develops and creates its own collections that are sold only in its own shops and on its website.
The philosophy of Buissonnière from day one has been to offer a coordinated, refined, high-quality assortment with a continual focus on using natural materials to make clothes. Its collections meet the current needs of families, respect their budget and adapt to every event.
1983: The origin of the brand
30 years ago, Myriam and Christian became the proud parents of a baby girl, Laurence. Myriam, who had always dreamed of having a daughter, could not find high-quality clothing to dress to her according to her taste at affordable prices in the shops. She therefore decided to make the pretty clothes she wanted for her baby herself.
1985 Buissonnière is born!
The little outfits Myriam makes are an immediate success with her friends and family. In 1985, along with her husband, they go all in and decide to create, together, a first collection for children called “Buissonnière”. The family business is launched!
1989: Opening of the first store
After some private sales at friends’ homes, Myriam and Christian quickly develop the brand. Initially, their children’s playroom serves as their first shop. In 1989, the first real point of sale opens in Wavre.
1990-2009: Development of the collections
Over the years, the family grows and Laurence has three little sisters. The Buissonnière clothes also develop: first clothing for babies and children, then a line for teenagers, and finally adults.
2010: Launch of the e-commerce website
Buissonnière follows the trends and adapts to new technologies; in 2010, the brand opens its online shop which has since grown steadily and allows families in many European countries to finally purchase Buissonnière clothes from their own homes as well.
2014: Official purveyor to the Belgian royal court
Since its creation, the brand is known for the refinement of its clothes and benefits from the confidence of the Belgian royal family. The title of Purveyor to the Court was granted in 2014 by King Philip.
2015: Buissonnière celebrates its 30th anniversary
Although multinational chains currently dominate the ready-to-wear market, Buissonnière maintains its presence and desires to preserve its know-how and values of creativity and quality. It is still and always has been a small Belgian family business: the second generation has arrived and is infusing the brand’s development with dynamism and modernity.
But Buissonnière is more than the story of a family. It is the story of passionate young people who did everything to realise their dream of creating a clothing brand to dress every generation in perfect harmony with the current fashion trends.
143 Boulevard de l’Europe Wavre 1300 Belgium
Kortrijksesteenweg 1119 Ghent 9051 Belgium
Engelse Wandeling 2 A-B bus 12 Kortrijk 8500 Belgium
Wezembeeklaan 118 Kraainem 1950 Belgium
Kristof Buntinx
Kristof BuntinxMore Info
Brussels designer Kristof Buntinx has already created a furore with his God Save the Queens shirts and gained international fame with a boxer short collection with which he targeted Russian anti-gay laws.
Protest and irony are therefore no strangers to Buntinx, but he also dresses Belgian celebrities in little bespoke gems just as much as he has children photographed as superstars. The exiled Sint-Truiden native has been working under his own label for more than a decade. An official introduction is called for!
Kristof Buntinx was born on 10 September 1975 in the Limburg town of Sint-Truiden. He quickly showed an interest in fashion and design and proceeded to draw from a model and attended sewing and pattern design classes. Buntinx completed internships with several major fashion labels such as Levis jeans and the Amsterdam fashion duo Viktor & Rolf.
His own image language
After his initial designs for the Cinderella Shop in Antwerp he sank his teeth into (and left his fingerprints on) a series of coffee mugs for Godiva. Soon Buntinx would tackle hats, a trick he was able to repeat in 2012 for Royal Ascot.
Shortly thereafter, the Pain clothing line followed, with its own photo series in collaboration with Stijn Vanorbeek. Still inspired by the world of image creation, Buntinx worked with filmmaker Ilke De Vries, this time to explore moving images. The film Vision was the result, in which the designer searched his own conscience by referring to a personal crisis.
Artist’s blood
Between 2008 and 2010 Buntinx focused on hats and a full line of accessories.
Triggered by his own life and personal developments, language associations and puns took up an increasingly important place in his work. Like any true-blue artist, Buntinx also creates from an inner drive. “I have always been crazy about fashion, but designing also proved to be beneficial for my mental health. It is my “therapy with a capital T,” the designer states.
Once Buntinx found his way, an increasing number of opportunities came up: in 2011 the Toga 125 Fashion Awards and a fashion show in which his design Ceci n’est pas un Advocaat shone. That same year Modo Brussels, the MIAT in Ghent and Hong Kong Design week also followed. A prominent fashion watcher from the UK even called Buntinx the most eccentric fashion designer of the Modo Brussels event.
The future is now!
Loved by the international fashion blog scene, Kristof Buntinx does not shun controversy. For example, he came up with a series of socially committed designs such as his answer to the Antwerp rainbow controversy, the God Save the Queens T-shirt’, his Russian boxer shorts, which even reached the American media and the crown jewels for King Philip.
During the last festive period Buntinx surprised friend and foe with a range of crisis jewellery, which questions material luxury. The Christmas dresses designed by Buntinx for Dana Winners’ Christmas tour and for Marlène de Wouters, the presenter at the Queen Elisabeth competition earlier in 2013, were, on the other hand, downright luxurious.
Kristof Buntinx certainly aims to let his designs speak for themselves in 2015.
Stay tuned!
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How it started
The name Hedgren was taken from Xavier Kegels’ beloved grandmother, Elisabeth Hedgren.
Her down-to-earth nature, open-minded spirit, and passion for intuitive design were passed on through Xavier’s DNA. They are what make Hedgren the brand it is today.
Global family
We’re not just a global network, we’re a global family.
With 7 offices and a network of 3,000 points off sale in more than 50 countries, we have developed a solid global network. As an inclusive brand, we see this network and our partners as an extension of our family, sharing the same values, investing in collaborations and believing in the power of local knowledge and execution.
7 offices worldwide
+ 50 countries
3000 points of sales
Our values
Regardless of in-between distances, within our global network we will always be connected by the 6 values that lie embedded in our Hedgren DNA. And we will always be open to include everybody
who shares our values in our family circle. Therefore we look at people with an open mind. We respect their personality and personal style and we’re always ready to fulfil their desire to belong.
We value
INTUITIVE DESIGN
FREEDOM OF MOVEMENT
SMART FUNCTIONALITY
We are
DOWN-TO-EARTH
ENERGETIC
INCLUSIVE
Move
We want everybody to be free to move
It’s our mission to create essential bags and travel gear with smart functionality that helps you handle everyday adventures without compromising on your personality or freedom to move.
We promise that you will become part of an inclusive community that creates and embraces an endless portion of wanderlust.
We help you to get the most out of life by enabling your freedom of movement.
Designed for
Designed for the true hedgrenist
Our consumers are not looking for the most… or the best… but what offers the most, or the best… for THEM.
What helps them get the most out of life without making compromises. Hedgren designs essential bags and travel gear to enable our consumers to realise the perfect balance between work and play.
The true Hedgrenist wants to use products that express their style every moment of the day, in every possible situation.
Ankerrui 2 Antwerpen 2000 Belgium
Pol Quadens
Pol Quadens
Carine Gilson
Carine GilsonMore Info
Atelier véritable
“As day subtly turns to night and the hours steadily string by, the dream, at once airy and elegant, comes within reach. Pleasurably palpable.” – Carine Gilson
Carine Gilson’s story harks back to the 1990s. A freshly-minted graduate of Antwerp’s prestigious Royal Academy of Fine Arts, where she studied fashion, Carine Gilson discovered Maille France, a small Brussels atelier that manufactured fine ladies’ underslips. She immediately fell in love with the world of lingerie.
Savoir-faire
Carine Gilson decided to acquire the workshop and, with sheer dedication, set out to work on silk, lace, and exceptional materials. In the fashion of the boundlessly creative and refined lingerie creations of yore, Carine Gilson embraced this new adventure, taking her passion to the next level to create unique, breathtaking pieces in her Brussels atelier.
Exceptional Creations
The designer soon launched her couture lingerie line, Carine Gilson, a synonym for a world filled with incomparable beauty.
In no time, the press and finer stores from Japan, England, Italy, and America came calling. Buyers from renowned stores recognized the rare quality of these creations, which conjure the bygone enchantment of times past within our changed, modern world.
The prestige of Carine Gilson’s lingerie has grown quickly thanks to the unwavering excellence of her creations. In the House of Carine Gilson, every piece is lovingly crafted by hand. Perfection and finesse espouse rigor and passion. Lace incrustation is raised to an art form.
Take Flight
2018 saw Carine Gilson soar to new heights, with a redesigned logo that captures her very essence: two light, delicate wings of a bird on the verge of spreading in a gentle, feathery stroke.
Her new boutique on Boulevard de Waterloo in Brussels was designed by architects David & Nicolas who, together, created a subtly polished space celebrating Carine Gilson’s unabashed femininity and unparalleled refinement.
Symbolic of this ascent with wings aloft, the ready-to-wear and couture collections have been developed to take on an evocative and delicate turn. Here, the exceptional always takes center stage. In her incomparable signature style, Carine Gilson now designs for day, evening, and night.
26 Boulevard de Waterloo Brussels 1000
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Work philosophy
After studies in graphic art, I graduated in fashion design from the Francisco Ferrer School (Brussels). I then completed my knowledge within the Federation of Master-tailors of France (Paris). Since 2014, I have been increasing my professional experiences, in Belgium or internationally, with big names like Scabal, Natan or on a personal basis in my own workshop.
Passion in the blood
My grandmother was a seamstress and in a sewing workshop; my mother was a sewing teacher for 25 years. My interest in the profession of tailor came later. It was the artisan side that attracted me then. It’s a rope that I have added to the family tradition. The specificities of his work Both an artisanal tailor and a trained stylist, I strive to blend harmoniously the traditional work of the artisan tailor with current sewing techniques.
Rue de la Ferme Romaine 11 Andenne 5300 Belgium
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About
After reading the book “The Emperor wears no clothes” by hemp advocate Jack Herer, Emilio De Baudringhien got inspired to start a company that would bring this amazing plant and all of its benefits, back to humanity.
Since hemp is a carbon negative crop we strongly believe it can be a key player in fighting global warming… think of it this way: we are growing a plant in 100 days that takes huge amounts of carbon from our atmosphere and stores it safely in the ground, actually increasing the fertility of the soil. After the plant is harvested we can use every single aspect of the plant for a different purpose, leaving no waste. All this with a minimum input of water and nutrients and no use of pesticides and herbicides.
1 acre of hemp takes in 10 times the amount of carbon compared to 1 acre of rainforest.
Emilio doesn’t consider The Ornament Hemp Co. a fashion company since we don’t follow fashion trends or seasons. Instead we see the company as a vehicle to support the hemp movement in all its forms.
Emilio never started this company for money gaining purposes. All of the money that comes in is directly re-invested in creating more products made from hemp to help increase global hemp crop production and help create a world with more durable products made from replenishable crops such as hemp.
At the end of 2017, Emilio set up a crowdfunding campaign to set up his label. Thanks to 110 lovely backers, Emilio got his project funded and was able to take off.
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Eskimo, a family business from Ghent – Belgium, has specialised since 1906 in the creation and production of nightwear and underwear for the entire family. So you can enjoy feeling comfortable, day and night.
Each season, Eskimo brings you a large choice of contemporary pyjamas and and nightgowns, especially designed to give the optimum comfort to allow you to relax, rest and … sleep.
The combination of soft, natural materials and loose fitting designs, will offer you maximum comfort with the freedom to move which combine to keep you nicely warm in winter, cool and airy in summer.
Sweet dreams …
Bonneterie De Groote Belgium Autostradeweg 2 Melle 9090 Belgium
Christine Keyeux
Christine KeyeuxMore Info
Christine KEYEUX -SCHNÖLLER
Plasticienne
Créatrice de la collection 100% Bijoux de 100% Mamans
Exposition collectives et individuelles en Belgique, France, Espagne, Hollande, Allemagne, Pologne, Portugal, Italie, Slovaquie, Tchéquie, Hongrie, Autriche, Maroc, USA, Japon, Chine, Inde, Suisse, Canada.
2017
«Finesse, sobriété…» Galerie Ickx, Bruxelles, Belgique
«Curiosity» Salon des Métiers d‘Art, Saint Hubert, Belgique
«Journées Européennes des Métiers d’Art» Les Bateliers, Namur, Belgique
«Avoir la fibre» Musée de Comblain-au-pont, Belgique
«Art textile» Veere, Hollande
Galerie for Textil Institut Hawar, Holland
2016
«A tous les étages» WCC bf, Mons, Belgique
«Musée Lanchevelichi, La Louvière, Belgique
«Toutes les couleurs, Galerie ICKX ,Bruxelles
«Chambres avec vue, Namur, Belgique
«Journée Européenne des Métiers d’Art, Namur, Belgique
«100%Mamans» 10 ans déjà , Palais des Institutions Italienne, Tanger, Maroc
«Et si on exposait …» Galerie ICKX, Bruxelles
«Parcours Papier Musée Archéologique, Namur
«Chez moi comme chez toi» citoyens solidaires, Inno, Namur, Belgique
2015
«l’inconnue sous ma peau», installation salon du livre de Tanger, 100%Mamans, Tanger, Maroc
«Memory of textil» Galerie of visual artist», Prague, Slovaquie
«Alternative of textile jewelry, galerie X, Bratislava, Slovaquie
«Parcours d‘ artistes de Beloeil», Beloeil , Belgique
«Tirage à l’appui» WCC bf, Mons, Belgique
«Wiener Schmuck», Galerie V&V ,Vienne, Autriche
2014
«Chambres avec vues» parcours d’artistes, Namur, Belgique
«L’art au Village» parcours d’artistes Glabais, Belgique
«Métamorphose» Installation femmes papillons, 100% Mamans, Tanger, Maroc
«éclatement» espace Wallonie Bruxelles, Belgique
Salon des Métiers d’Art, St Martin, Belgique
«Rames et trames» Biennale Brabant Wallon, fondation Folon, Belgique
«Résonnance» WCC-bf, Strasbourg, France
«Emballé-déballé» ISELP, Bruxelles, Belgique
2013
«Lignes de vie» installation 100%Mamans, salon du livre de Tanger, Maroc
«Croisements» Institut Français d’Oujda, Maroc
Salon des Métiers d’Arts, Maison de la culture, Namur, Belgique
Festival des Arts Plastiques» Nord-Sud» Tanger, Maroc
«Pas de deux» Karlruhe , Allemagne
«Regard sur le papier» La Spirale, Natoye, Belgique
«Eglise St. Etienne» Beaugency , France
2012
«Chambres avec vues» parcours d’artistes Namur , Belgique
«Banality and Grace , Galerie X, University library of Bratislava, Slovaquie
«Fusion» musée de Groosbeeck de Croix,Namur, Belgique
«Pop art» atelier et exposition 100% mamans, musée de la Casbah,
Tanger,Maroc
«Art en automne» Bijoux d’Artistes, Ijzerenberg,Winksele,Belgique
«Couleurs Mères» exposition et vente aux enchères 100% Mamans,
Galerie Dard‘ Art, Tanger , Maroc
«Jewelbook international» exposition WCC-BF, Mons, Belgique
2011
„Abhushan» design dialogues in jewelry WCC international, New Dehli, Inde
«Fusion» Pôle Bijou Baccarat, France
«Terre et Feu» parcours d’artistes Liernu, Eghezée, Belgique
«Festival des arts Plastiques» atelier» oiseaux», Tanger, Maroc
«S’il te plaît , fais moi un oiseau» 100%Mamans, installation
au musée de la Casbah et à la galerie Drissi, Tanger, Maroc
«17ème salon des Métiers d’Arts, St Hubert, Belgique
«Regards sur le papier» Centre Culturel de Ciney, Belgique
«Art Forum» Anvertpen, Belgique
2010
«Autour du papier» Musée du petit format, Nismes, Belgique
«ARPA» Les nuits d’encre, Centre Culturel d’Ottignies/LLN,Belgique
«Parcours d’artistes au pays des Vallées» Centre Culturel de Dinant,Belgique
«Chambres avec vues, Parcours d’artistes» Namur,Belgique
«Paper Object» Galerie X, Bratislava, Slovaquie
«Poupées de Roseau» ,100% mamans, Galerie Dard’Art, Tanger, Maroc
«Eventails» Galerie Volubilis, Tanger, Maroc
«Métamorphose(s)» Biennale Internationale du Design de Liege 2010,
Emulation, Maison de la Renaissance, Liège, Belgique
«La Baraque» Louvain La Neuve, Belgique
2009
«Bijoux Contemporains en Communauté Française, Foire de Munich ,Allemagne
«Regards sur le papier» Centre Culturel de Dinant, Belgique
«Textil Jewellery» Galerie X, Bratislava, Slovaquie
«25th Textil Art», Graz, Autriche
«Alternative of textile jewellery » galerie V&V, Vienne, Autriche
«Le Design s’exporte » WCC-BF, Mons, Belgique
Galerie Indigo, Damme, Belgique
«Tanger Label » Galerie Volubilis, Tanger, Maroc
Festival des Arts Plastiques, Galerie Delacroix, Tanger,Maroc
«15ème Salon des Métiers d’Art» Beauvechain, Belgique
2008
«Autour du papier» Galerie du Beffroi, Namur, Belgique
«Bijoux Contemporains en Communauté Française, Foire de Munich, Allemagne
«Le lacet bleu» Handicap international, Bruxelles, Belgique
«Triennale Européenne du Bijou Contemporain, Mons, Belgique
«Qui fait quoi» WCC-BF, Mons , Belgique
«Le Bijou Contemporain» Centre Culturel de Ciney, Belgique
«Mini-textile biennale» Wasserschloss, Allemagne
100% Bijoux / 100% Mamans,Tanger, Maroc
2007
«Bijoux d’Artistes en Communauté Française» Foire de Munich, Munich
Allemagne.
«Arts appliqués, design et compagnie» WCC-BF, Mons, Belgique.
«Artifac» Bruges, Belgique.
«Toutes les couleurs» Installation avec les enfants et les femmes de la fondation
Darna, Tanger, Maroc. http://tangier.free.fr
«Ibn Battouta» exposition des quatre fresques au musée de la Casbah, Tanger,
Maroc
«145 artistes exposent» fondation ISEL, Merebelke, Belgique.
«Prix des Arts 2007» Province du Brabant Wallon. Belgique
2006
«Femmes» Galerie Nok’in, Huy, Belgique.
«Bijoux d’Artistes en Communauté française » Foire de Munich, Munich,
Allemagne.
«Osons l’art appliqué » WCC-BF, Mons, Belgique.
«Tout le monde est à tout le monde » Galerie Juvénal, Huy, Belgique.
«Terre et soleil» Galerie Nok’in, Huy, Belgique.
«Mini-textile» Galerie X, Bratislava, Slovaquie.
«Artistes poue Amnesty» Iselp, Bruxelles, Belgique.
«Papier, création et métamorphose » La Terrasse de Gutemberg, Paris, France.
«Le bijou contemporain» Pôle bijou, Baccarat, France.
«Le retour d’Ibn Battouta » 4ème phase avec les enfants d’écoles populaires de Tanger, Maroc.
« Mini-textile» WCC-BF, Mons, Belgique.
Galerie Olyako, Wavre, Belgique.
2005
«Bijoux-Cailloux» Musée de l’Ourthe et de l’Amblève, Comblaint-au-Pont, Belgique.
Galerie »Artpéro» Crupet, Belgique.
«Chemin d’artistes» Glabais, Belgique.
«Triennale Européenne du Bijou Contemporain» Musée de l’Orfévrerie de la Communauté Française, Château de Seneffe, Seneffe, Belgique.
Galerie « Akcentus» Klub-Galerie, Budapest, Hongrie.
Galerie »Arts Parallèles», Tilff, Belgique
Atelier de Bijoux Contemporains, Maison Communautaire des femmes, » Darna, Tanger, Maroc.
Atelier , ferme pédagogique, «Darna» Tanger, Maroc.
«Le Bijou Contemporain » Centre Culturel, Ciney, Belgique.
«Mini-Textil» Galerie U , Prague, Tchéquie.
«30 années lumière» Galerie Cap d’Art, Genval, Belgique.
«Art Textile» Galerie des métiers d’art, Bruxelles, Belgique.
«Jata World Travel Fair 2005 » Tokyo, Japon.
«Design Fiesta», Tokyo, Japon.
«Ibn Battouta, c’est toi » Troisième phase de la fresque sur le voyage d’Ibn Battouta, réalisée par des enfants issus de l’émigration. Centre Culturel Arabe, Bruxelles, Belgique.
2004
Galerie»les Iles Flottantes» Dinant, Belgique
«Abstractions Colorées » Galerie Cap d’Art, Genval, Belgique.
ISELP, Institut Supérieur pour l’étude du langage plastique, Bruxelles, Belgique.
«Design en Wallonie » Liège, Belgique.
«Fascinating Paper » Galerie X, Bratislava, Slovaquie.
«Zone Franche » vagabond’Art, Parcours d’Artistes, Chaumont-Gistoux, Belgique.
«De Tanger à Chaumont » deuxième phase de la fresque sur le voyage d’Ibn Battouta avec les enfants de l’école «Le Chemin des Enfants» de Chaumont, Belgique.
2003
«Recycling» Contacto-Directo Galerie, Lisbonne, Portugal.
Cap d’Art Galerie, Genval, Belgique.
O galerie, Bruxelles, Belgique.
«Parures Créations » Galerie Néon, Bruxelles, Belgique.
Galerie Antinoé, Brest, France.
«20 ans International textile Art « Graz, Autriche.
Galerie X, Bratislava, Slovaquie.
Galerie Olyako, Wavre, Belgique.
«Reflets Contemporains » Centre Culturel, Dinant, Belgique
«Parires Créations » Madrid, Espagne.
«Kunsthanwerk aus der Wallonie » Mayence, Allemagne.
Galerie « Les Iles Flottantes » Dinant, Belgique.
«La Fabuleuse histoire d’Ibn Battouta » Fresque réalisée avec 240 enfants de Tanger, Maroc.
2002
Galerie Cap d’Art, lac de Genval, Belgique
Galerie Maya, Namur, Belgique
Château de Seneffe, musée de l’orfévrerie, Triennale Européenne du Bijou Contemporain, Belgique
Galerie Antinoé, Brest, France
Galerie Ars, Liège, Belgique
Galerie Néon, Bruxelles, Belgique
Centre Wallonie-Bruxelles, Parures-Création, Paris, France
Galerie Evasion, Waremme, Belgique
Galerie 0, Bruxelles, Belgique.
«3ème salon international d’Art Contemporain », Eupen, Belgique
Schmuck unter druck, Aarau, Suisse
Parcours de stylisme, 0 Galerie, Bruxelles, Belgique
Design, créateurs en wallonie » à table » Liège, Belgique
Parures-Créations, »Contacto-Directo » Galeria , Lisbonne, Portugal
«Olyako » Galerie, Wavre, Belgique
2001
Primavera del Disseny, Galerie Ignacio de Lassaletta, Barcelone, Espagne
Chemins d’Artistes Glabais, Belgique
Galerie Néon, Bruxelles, Belgique
Eghezée 2001, Belgique
Art Centre, Barcelone, Espagne
Musée des Arts Décoratifs et du design « Belgïe-Nederland »
«Juweelkunst 1945-2000» , Gent, Belgique
«Tendence », Internationale Frankfurter Messe, RFA
«Biennale du Bijou Contemporain de Nîmes », Nîmes, France
«Arté-Nîmes », Salon d’Art Contemporain, Nîmes, France
«Province de Namur », Tunis, Tunisie
«Vagabond’Art », parcours d’artistes à Chaumont-Gistoux, Belgique
«Linéart », Salon d’Art Contemporain, Gand, Belgique
Galerie Cap d’Art, lac de Genval, Belgique
Galerie C2H2, Dinant, Belgique.
2000
Art Exhibition Gallery, Eghezée, Belgique.
Lauréate « Design 21 » Chic Chinois, Palais de l’UNESCO, Paris, France.
Galerie 31, Lille, France.
Black & Kausel Galerie, Paris, France.
Galerie Evasion, Waremme, Belgique.
Galerie Antinoé, Brest, France.
«Tendence „ Frankfurt, Allemagne
Lauréate » Sonderschau Form 2000 « , Internationale Frankfurter Messe
Handwerskammer Galerie, Coblence, RFA.
«Chain Reaction », Aarau, Suisse
1999
Cercle St. Fiacre, Dorinne, Belgique.
Galerie Evasion, Waremme, Belgique.
Salon des Métiers d’Art, Coblence, Allemagne.
«Natura » , Château de Fernelmont, Belgique.
Galerie Antinoé , Brest, France.
Handwerskammer Galerie, Coblence, Allemagne.
Galerie Rive Gauche, Namur, Belgique.
Lauréate » Design 21 » Chic Chinois, UNESCO, Palais des Nationalités, Pékin, Chine.
«Néon en 2000 », Galerie Néon, Bruxelles, Belgique.
1998
«Craft Design for the Global Village», Florence, Italie.
Conférence Européenne des Métiers d’Art, Namur, Belgique.
Galeria X, Bratislava, Slovaquie.
4 ème Salon des Métiers d’Art de Wallonie, Domaine d’Hélécine, Belgique.
Galerie Evasion, Waremme, Belgique.
1997
«Arts au Village », Chemin d’Artistes, Glabais, Belgique.
Tôlgyfa Galeria , Budapest, Hongrie.
Julie Galerie , Madison Avenue, New-York, USA.
«Arts and Designs of the Continents», Handwerkskammer Rheinessen, Mainz, Allemagne.
1996
11 ème Biennale Internationale » Miniature Textile « , Szombathely, Hongrie.
2 ème Salon des Métiers d’Art de Wallonie , La Machine à Eau, Mons, Belgique.
«Petits Paquets » , Symposium International, Zsennye, Hongrie.
1995
«Bijou-Parure » , Ecole des Arts Décoratifs et Centre d’Arts Appliqués, Genève, Suisse.
«Bijou-Parur» , Musée des Arts Appliqués, Budapest, Hongrie.
«In ogen van Prin», Poperingue, Belgique.
11ème Symposium International» Textil Kunst», Graz, Autriche.
Symposium International Le Faï « , Le Saix (Veynes), France.
1994
«Bijou-Parure» , Maison de la Culture, Tournai, Belgique.
«Bijou-Parure» , Palais Abbatial , Saint-Hubert, Belgique.
«In ogen van Prins », Landcommanderij , Alden Biesen, Belgique.
Tata Museum , Tata, Hongrie.
«Le textile dans tout ses état »s , Eco-Musée , La Hamaide , Belgique.
«Bijou-Parure» , Médiathine, Bruxelles, Belgique.
1993
Tata Museum , Tata, Hongrie.
Fêtes de la Saint-Martin , Tourinnes-la-Grosse, Belgique.
Métiers d’Art du Brabant ,Bruxelles, Belgique.
«Bijou-Parure» ,Dommelhof , Neerpelt, Belgique.
1992
Tata Museum , Tata, Hongrie.
1989
Symposium International, Bukovina, Pologne.
Pariser Galerie , Berlin, Allemagne.
1987
International Symposium, Zakopane, Pologne.
Œuvres Acquises :
Musée Textile de Szombethaly, Hongrie
Collection permanente, Musée des Arts, Kobé, Japon
Province de Namur, Relations Publiques,Belgique
Landesmuseum, Zürich, Suisse
Province du Hainaut, Belgique
Collection Félix Antoine Savard, Québec, Canada
Collections privées
Awards :
Design 21 – UNESCO House ( 2001) Paris, France.
Design 21 – UNESCO, House of Nations ( 2000) Pekin, Chine.
Sonderchau Form 2000 – International Fair of Frankfurt « Tendence », Frankfurt, Allemagne.
Prix des Arts 2007 , Province du Brabant Wallon, sélectionnée. Belgique.
Rue Jules Larivière, 127 Landenne-sur-Meuse 5300 Belgium