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Woman of the world, discreet and passionate philanthropist, visionary businesswoman: Myriam Ullens de Schooten has a thousand lives. And each and every one of them feeds her never-ending and tireless creative energy. In 2009, just five years after founding the Mimi Foundation that supports people with cancer, she launched her own clothing brand. First named MUS after her name’s initials, the brand have since been renamed Maison Ullens. Its purpose? To imagine and to create the perfect wardrobe for a woman like her: traveling around the world but remaining elegant and stylish.
You never cheat with quality
The first store opens in Aspen, Colorado. The second one in Paris, Rue Marignan, at the corner of one of the most renowned place in Paris: Avenue Montaigne. Follow a one year pop-up shop in London, in the heart of the fancy, iconic and Francophile neighborhood of South Kensington. Her inspiration, Myriam finds it during her travels and fuels it with her passions, art and architecture. Each of the Maison Ullens’ shop designed by Rem Koolhass features a piece of art, by Anish Kapoor or Ado Chale. Because in her personal life as in her business life, Myriam never forgets the advice the famous chef Gaston Lenôtre once gave her: you never cheat with quality.
After finishing business school, Kim Laursen decided to take a different path. And passing the entrance exam of the Kolding School of Fashion and Design on a hunch was not randomly: when he was a teenager, he would already draw dresses and clothing pattern in his notebook. But when the jury asked him to produce a summer collection, he’d rather went with a winter collection. A daring move – that made him pass the exam with honors from the jury. And “daring” continue to define Kim today. Fascinated by Paris and Montmartre district, he came to the City of Lights in 1990. He quickly landed an internship with one of his idol: Christian Lacroix. The internship was supposed to last two months. It will last 14 years.
The impossible alchemy between simple and complex
An amazing career marked with collaboration with some of the most prestigious houses and brands like Kenzo, Cacharel, Azzaro, Paule Ka, Vanessa Seward and Elie Saab.In September 2014, he took the head of the creation of Maison Ullens, walking in the footsteps of Veronique Leroy. Always looking for elegant and easy-to-wear clothing, Kim’s goal is to combine his minimalistic codes to our different collections. Passionate about contemporary art and fascinated by geometry, he tirelessly tries to mix materials and patterns in the hope of achieving the impossible alchemy between simple and complex. Between sophistication and well-being.
The label Made in Italy is not merely an indication of the product’s origin. It’s a statement. A statement that guarantees the use of raw material of exceptional quality – both for the production of many renowned fashion brands and for the craft of the most skilled artisans.The expertise and “savoir-faire” of traditional workshops are a priceless asset of the Italian fashion. And its value in the luxury world goes beyond any measurements or assessments.
Whether it is our factories near Venice or Florence or our leather workshop outside Florence these different places are thriving toward the same goal, the endless quest that drives Maison Ullens : the pursuit of excellence.It is that combination of extraordinary techniques and high quality raw material that created what makes the essence of Maison Ullens. An essence which we are using to deliver the best quality to our sophisticated and discerning clientele with which we have built up a very unique connection. One that seeks out exclusivity and genuine “savoir faire”.
Rue François Dubois 2 La Hulpe 1310 Belgium
4 rue de Marignan Paris 75008 France
727 Madison Avenue New York NY 10065 USA
445 East Hopkins Aspen CO 81611 USA
Xandres
XandresMore Info
ABOUT US
READ OUR STORY
Xandres has enabled women to shine in elegant simplicity for more than 50 years. Effortlessly chic but refined, timeless but refreshing, designed with sophisticated details and an iconic quality: Belgian, sustainable fashion to cherish.
Fashion is a form of self-expression, an extension of our emotions. Every design that carries our label is made to convey a sense of self, perfect for everyday activities and important occasions.
We are a brand with a strong belief in sustainable pieces that eventually become wardrobe favourites. Elegant fashion we love to live in, tailored to ambitious, inspiring women of character.
Xandres celebrates femininity. Diversity is our beauty ideal, which is why our collections range from size 34 to 56, so every woman can count on the perfect fit, fabric and design.
Make every moment your own.
FITTING & CRAFTSWOMANSHIP
To us, femininity extends beyond clothing, beyond collections. It’s about identity, it doesn’t fit into a box. Diversity makes us stronger, and that is reflected through an authentic story in which every body, every size, every mindset is beautiful. A story in which we rebel against beauty ideals and support every woman’s self-confidence and personality.
That’s why you’ll find our clothing in every size, from 34 to 56, every item designed with the same attention to detail. By making small adjustments here and there in the designs, we can guarantee the perfect fit for every figure and let it come into its own beautifully. This tailored approach ensures that no one is limited by a lack of choice, that no one has to feel excluded. Because we are all Xandres.
INNOVATION
Xandres is investing in a better future, where quality and sustainability go hand in hand. We are developing a plan to make our entire production process as sustainable as possible, from yarn and fabrics to the garment in your wardrobe, and long after.
The Xandres Lab was founded to innovate and experiment. On the one hand, we draw up strategies for recycling our clothing and look for the right partners to complete the cycle. We gave new life to unsold items and materials from previous seasons in limited-edition capsule collections.
On the other hand, the Xandres Lab runs recurring projects in which we join forces with sustainable designers or brands. We give pioneers a platform and learn from them. This is how we move forward together, it’s a win-win situation.
#5DECADESOFXANDRES
FASHION COMPETENCE
50 years of know-how, experience and passion translate into our timeless, strong designs. A story that started with ’the perfect trousers’ and boutique clothing under the Andres name, when a new generation breathed life into the family business in 1968. Andres bridged the revolutionary gap between commercial brands and haute couture, thereby supporting women’s self-confidence and personality.
Luxurious but accessible clothing, complementing fashion trends with timeless beauty, imbued with authenticity and quality. That essence has remained unchanged.
In the nineties, Andres was transformed into Xandres, the iconic brand we are today. A long tradition inspired by femininity followed, and the first Xandres stores opened their doors in Belgium and the Netherlands. Xandres has since grown into an internationally respected fashion house and is still evolving. Proud of our roots!
Nijverheidsstraat 20 Destelbergen 9070 Belgium
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WE ARE ZLQ.
WE BELIEVE IN BEAUTY AND DESIGN.
WE BELIEVE IN THINGS THAT LAST AND
TRANSCEND FUGITIVE TRENDS
AND SEASONAL FLINGS.
WE BELIEVE IN SOLID CRAFTSMANSHIP AND
DURABLE MATERIALS.
WE BELIEVE IN HIGH-END QUALITY.
WE BELIEVE IN THE SIGNIFICANCE OF A DURABLE OBJECT,
AN EXCEPTIONAL THING WHICH BECOMES AN INDIVIDUALITY
THROUGH DAILY USE AND A BELOVED PARTNER OVER TIME.
ZLQ BELIEVES THAT BEAUTY DESERVES TIME TO FLOURISH AND MATURE. RATHER THAN FOCUSSING ON SHORT-LOVED TRENDS OR SEASONAL DEMANDS, ZLQ STRIVES FOR TIMELESS PERFECTION. BY TAKING THE TIME TO FULLY EXPLORE THE POSSIBILITIES OF BOTH MATERIAL AND CUT, ZLQ AIMS TO REFINE ITS CONTEMPORARY CLASSICS WITH PATIENCE AND CARE. DOING SO, ZLQ EMBODIES THE VERY ESSENCE OF SLOW FASHION, A STORY IN WHICH THE TRANSIENCE OF TIME BECOMES A BLESSING.
DESIGNED TO STAND THE TEST OF TIME, EACH PIECE IS HANDCUT AND HANDCRAFTED IN LIMITED QUANTITIES. ROOTED IN TRADITION AND FASCINATED BY MODERN LIFE, ZLQ REFLECTS THE PERFECT BALANCE BETWEEN QUALITY AND FUNCTIONALITY. ZLQ REPRESENTS A FUTURE WHERE BEAUTY AND SUSTAINABILITY INTERTWINE GRACEFULLY. USING ONLY THE FINEST MATERIALS, THE CAREFULLY SELECTED LEATHER IS PRAISED FOR ITS RAW ELEGANCE AND SUBTLE PATINA. INTELLIGENT AND REFINED. SOPHISTICATED YET ADVENTUROUS.
ZLQ’S DESIGNS GAIN THEIR UNIQUE IDENTITY THROUGH DAILY USE AND BECOME A BELOVED PARTNER OVER TIME.
BEHIND ZLQ STANDS A PASSIONATE DUO DETERMINED TO TRANSLATE THEIR BELIEFS INTO A GENUINELY EXCLUSIVE PRODUCT. FROM THE FIRST SKETCH TO THE FINISHING TOUCH,
LIESBETH VERHELST AND TIM BROOTHAERS TREAT EACH ASPECT OF THEIR DESIGNS WITH GREAT ATTENTION TO DETAIL.
ZLQ DESIGNS FOR THE STRONG-MINDED WITH A SOFT SPOT FOR LEATHER LUXURY. TRUE TO ITS CORE VALUES, ZLQ’S DESIGNER GOODS WILL ACCOMPANY YOU IN YEARS TO COME.
TODAY, ZLQ HAS FOUR TIMELESS DESIGNS, EACH THE RESULT OF AN INTENSE DESIGN PROCESS. TIME DOESN’T STAND STILL, HOWEVER. ZLQ’S DESIGN PROCESS IS A NEVER-ENDING ONE, OPEN TO CHANGE AND MOTION. ZLQ’S SLOW FASHION PHILOSOPHY TRANSLATES INTO AN UNINTERRUPTED, CAREFUL EXPLORATION OF PERFECTION.
Rooigemlaan 126 Gent 9000 Belgium
Eric Beauduin
Eric BeauduinMore Info
Eric Beauduin started working with second hand materials ten years ago.
This decision was more instinctively than from an ecological conviction and he dissected old clothes to make bags.
The details and secrets of clothes and accessories such as pockets, buttonholes, lining and reinforcements have always caught his interest more than the overall aspect of clothes.
Initially he used clothes in fabric, men’s suit, shirts, coats, but quickly moved on to leather clothes.
The patina of a used leather trench, bomber or jacket gives the soul of his accessories.
Season after season he invents hand made bags with techniques coming from clothes tailoring and leather goods traditions.
Each piece is an experiment. The original clothes pockets, seams and details, the different leathers,
the colors of the passed fashion are transposed into the bags.
The shapes and the use of the bags change following the demands and desires, but the concept is always the same.
Everything is made in the designer’s house in Brussels.
Impossible to duplicate a piece.
A limited production of by number labeled pieces.
Few sofisticated selling points in Belgium, France, Japan, USA.
Should this be named slow fashion?
THINGS
All bags are cut in second hand leather jackets, trenches, bombers, skirts.
The handles, slings, straps, piping are made in the same leather.
The material is all kinds of soft and smooth leather such as lamb’s leather, calfskin, goat’s leather used in manufacturing leather clothes.
The leather is usually lined with fabric.
Some of the models are reinforced with felt inside.
The inside is made with the same leather and a black “pocketting” fabric so that keys or sharp metal
objects don’t cause any damage.
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BOUTIQUE
De boetiek is een kleine gezellige speciaalzaak met uitsluitend zelf ontworpen handgemaakte handtassen, gelegen in hartje Gent.
Een exclusieve handgemaakte handtas moet je voelen, ruiken en vooral passen.
Steeds krijg je er persoonlijk en gepassioneerd advies van Pearl zelf. Naast de bestaande exclusieve collectiestukken kan je, in samenspraak, je handtas verpersoonlijken aan de hand van verschillende soorten leder en een quasi oneindig pallet aan kleuren.
Onderbergen 74 Gent 9000 Belgium
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CLIO GOLDBRENNER
Chaussée de la Hulpe 150 Brussels 1170 Belgium
Steenhouwersvest 63 Antwerp 2000 Belgium
Lorenzo Lebon
Lorenzo LebonMore Info
Lorenzo Lebon, créateur de l’extrême, ose des sacs dépecés de toute convention. Il fut l’un des premiers à s’intéresser et à détourner cet objet qu’est le sac à main, qui, pendant longtemps, a été boudé par la mode, considéré à l’époque comme un accessoire désuet.Après des passages dans des écoles de stylisme, il a en effet lancé une première collection de «sacs» minimaliste en 1991. Où il y développe des lignes pures, géométriques et sculpturales. Sans cesse aiguillé par des concepts novateurs, ce créateur atypique, au fil des collections, déniche ses matières et ses idées dans des sphères où peu ont l’audace de s’aventurer. Bien que le cuir est devenu sa matière d’expression, il l’expérimente en y associant d’autres, en détournant celles-ci de leurs fonctions initiales: filet de protection d’échafaudage, caoutchouc, toile de lin d’ameublement, élastique, accessoires militaires ou d’alpinistes, impression à même le cuir, etc. Son style graphique, où le cuir noir, rouge, blanc et argent dominent, rappelle tantôt le rock chic des années 80, le minimaliste des années 90, ou encore la fraîcheur des années 70. En 1998, il interrompit ses créations personnelles pour entamer une série de collaborations avec différentes marques de vêtements afin d’accessoiriser leur ligne.
Cela aura été le cas pour la marque Plein Sud, APC, Vanessa Bruno, J-C Jitrois, Chanel, Ann Demeulemeester et bien d’autres. Boulimique de créativité, en 2002, il reprend son travail d’introspection et nous sort ses tripes. Le cuir, la «peau» exercent sur lui une extrême fascination. Lorenzo Lebon ose, compose et refuse le simple usage esthétique et fonctionnel du sac. Il poursuit ses créations par une démarche conceptuelle. En pleine effervescence du mouvement végétarien dans ce début de siècle, il tient à mettre en avant-plan la matière dont il travaille, le cuir, autrement dit la « peau ». Il allie la création à la prise de conscience : le sac en cuir est avant tout une matière, à l’origine une matière extraite d’un animal,… ce que l’on oublie trop souvent. Il poussera la provocation dans son paroxysme, en imaginant pour l’intérieur de ses sacs, une doublure en trompe-l’œil représentant “l’écorché”, qui devient durant quelques années son signe distinctif. Elle vous livre en effet un visuel de fibres musculaires, de viscères, de cartilages,… . Gore? Pas du tout. Juste l’envie, par jonglerie mentale, de partager et de titiller les trop futiles humains et leurs paradoxes! Cette doublure que l’on pourrait croire d’un mauvais goût est dévoilée d’une manière subtile et son motif à peine reconnaissable. Le cuir est devenu pour lui un véhicule d’expression, une seconde peau, renvoyant le gentil sac de madame (ou de monsieur) tout le monde à son anodin bétail. Ses sacs sont son à son image: écorchés vifs. Aujourd’hui, assagi de ses démons créatifs, il confectionne une nouvelle ligne de sac plus abordable dans ses concepts. Ils se veulent fonctionnels par des jeux de transformations… sacs en origami, se pliant à souhait, changeant de cette façon autant la manière de les porter que ses volumes, suivant les circonstances de la journée. L’idée de Lorenzo Lebon reste habitée par la croyance que la forme suit la fonction. Plus on cerne cette dernière, plus est accomplie est la première. Sacs urbains, anti-conventionnels aux formes étonnantes. A la fois simples et impressionnants
Chaussee d’Ixelles 200 Elsensesteenweg – Bruxelles :: Brussel :: – Tel & Fax +32-2-646.35.0 Brussels 1050 Belgium
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Frieda Degeyter
Frieda Degeyter studied Fashion Design at the Royal Academy of fine arts in Antwerp, Belgium.
From 1993 till now she worked for several labels.
In 1997 she launched her own collection.
At the moment she is still creating and working on different projects.
Barbara Degeyter
After graduating in Graphic Design in Antwerp in 1995, Barbara has been working for several years for Belgium based magazines.
Since 2001, she attends an open ceramics studio near Breda where she has further developed her interest for object design.
Mieke Dierickx
Mieke DierickxMore Info
ABOUT
MIEKE, MOM AND MODERN LADY BOSS
Meet Mieke Dierckx, a 30-something Belgian designer with a big heart for leather goods. After studying interior and furniture design, followed by a master in jewellery design, Mieke started her own brand in 2012. Her studies influence her approach on creating handbags in a less conventional way. Being a boys mom and a modern lady boss at the same time, she loves to be inspired by everyday life.
In her latest collections, the 3D aspect comes to life
through a vibrant mix of clashing colours.
SOPHISTICATED, TIMELESS PIECES
At the beginning, Mieke experimented with a laser cutting technique to create new 3D patterns. This way of working clearly defined her first collections Couleur Caché and Alter Ego. While the playful scales remain, Mieke now uses other techniques to design sophisticated, timeless pieces. Understanding architecture and design, form and function are vital. In her latest collections, the 3D aspect comes to life through a vibrant mix of clashing colours creating an atypical palette.
DEDICATED CRAFTSMANSHIP
Every object, from clutch to crossbody bag, is designed with love by Mieke in her atelier in Westerlo and produced by dedicated craftsman in our atelier in Portugal. She always opts for the best materials and crisp colour combinations. After all these years, every item still is a recognizable piece of Belgian design that embodies the power of minimalism with the right balance of modern elegancy.
She experimented with laser techniques cutting out specific patterns in textile and leather to give it a three-dimensional look. This resulted in a collection of hand bags, wallets and scarves, some in limited editions and others as unique pieces.
Polderstraat 39 Westerlo 2260 Belgium
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About
In 2018, we started Dew to shake the bag and accessory market up. Empowered by the people through crowdfunding, our original bag line set us apart by bringing you gear that perfectly blends outdoor performance with urban aesthetics.
We’re inspired by the city, the dare-devils, the innovators, the dreamers; and our creations embody this very spirit. They’re built for adventuring, for city dwelling, for showing off. Because let’s be real. In the end, you just want to stand out from the crowd.
Above all else, we create to live by our ultimate mission: to inspire you to live on your own terms.
Jonathan has several years of experience designing new physical and digital products for different brands. He is in charge for all things design and creative, with a keen eye for sleek aesthetics.
David’s experience as a commercial representative for different companies, David holds the responsibility of all the commercial aspects: from marketing all the way to one-on-one customer service.
Whenever you get in touch with us, you’ll be getting an answer directly from one of us!
Our design ethos.
The refined rebel, the urban driven nature lover and the stylish functionalist. We represent them all.
These 5 core values define the DNA of our brand and creations.
Urban inspired.
The city inspires us, with its movements, its architecture, its life. We fuse urban colors, lines and shapes into gear for the streets.
Standout from the crowd.
We include only the necessary, but make it look extraordinary. We make it our mission to only make creations that stand out from the crowd.
Reliability.
We want your gear to be safe. We only source for the right materials to get whatever job done. Let’s keep the elements away from your precious stuff.
Functional elegance.
We embrace technical features by making them part of the aesthetics. Some of Dew’s functionalities are visible, others are hidden. What you don’t see, is what you also get.
Style driven.
The Antwerp Fashion Academy influences our streets. It’s hard to not get inspired by the outfits that wander the alleys of Antwerp. We simply observe, extract, mix and create: we like to call it streetproof.
Verbondstraat 95 Antwerp 2000 Belgium